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This four-volume English-language series extracts more than forty of the best essays included in the ongoing editions Abito e Identità: Ricerche di storia letteraria e culturale, edited by Cristina Giorcelli and published since 1995 by Edizioni Associate (volumes 1/3) and Ila Palma Press (volumes 4/12) of Rome, Italy. Habits of Being augments these Italian-published essays with newly commissioned ones and with examples of work by contemporary artists who explore the interface between text and textile. The result of almost two decades of research by international teams of scholars from Algeria, France, Hungary, Italy, and the United States, the series focuses on the multiple forms and meanings attached to various articles of clothing in literature, film, performance, art, and other cultural arenas as well as on the social, economic, and semiotic connotations of clothing. Bringing together the work of literary and film critics, art and fashion historians, semioticians, sociologists, historians, and ethnographers, as well as psychoanalysts, artists, and fashion designers, these books offer an English-speaking audience a rare glimpse of the important studies being published in Italy, that most modish of nations.
The Château de Versailles—the indisputable birthplace of fashion—continues to inspire glamour and style today. The royal residence of Versailles—this unparalleled seat of power and seduction—is an important influence on contemporary fashion, inspiring passions and vocations. Since the establishment of the world’s first dress codes under the rule of Louis XIV to incite the whims of the queens and royal mistresses, fashion at Versailles has been a constant and inexhaustible source of inspiration for designers, photographers, decorators, and directors and has launched countless fashion revolutions. Courtesan Madame de Montespan launched the “innocente” robe to camouflage pregnancy, Sofia Coppola memorialized Marie-Antoinette in extravagant wigs and pastel hues, and Annie Leibovitz captured Kirsten Dunst in a delicate taffeta-and-chiffon Alexander McQueen gown against the dramatic backdrop of a peristyle at Versailles. Haute couture in the 1950s launched the cinched-waist “neo-trianon” trend. Karl Lagerfeld used the château’s gardens as the runway for his 2013 cruise collection featuring Versailles-influenced crinoline dresses and brocade jackets. This stunning volume showcases the best of fashion inspired by Versailles, set against the exquisite background of the most spectacular palace in the world.
Meat: A Benign Extravagance is a groundbreaking exploration of the difficult environmental, ethical and health issues surrounding the human consumption of animals. Garnering huge praise in the UK, this is a book that answers the question: should we be farming animals, or not? Not a simple answer, but one that takes all views on meat eating into account. It lays out in detail the reasons why we must indeed decrease the amount of meat we eat, both for the planet and for ourselves, and yet explores how different forms of agriculture--including livestock--shape our landscape and culture. At the heart of this book, Simon Fairlie argues that society needs to re-orient itself back to the land, both physically and spiritually, and explains why an agriculture that can most readily achieve this is one that includes a measure of livestock farming. It is a well-researched look at agricultural and environmental theory from a fabulous writer and a farmer, and is sure to take off where other books on vegetarianism and veganism have fallen short in their global scope.
This spectacular volume reveals for the first time an exceptional private collection of the most beautiful royal Indian jewels from the Mughal Empire to the British Raj to today. Written by renowned jewelry experts and featuring magnificent original photography by Laziz Hamani, Beyond Extravagance explores the centuries-long tradition of fine jewelry and art objects in India, to contemporary interpretations that continue to evolve today.

Transactions

National Association for the Advancement of Art and Its Application to Industry

Published: 1888

Total Pages: 440


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