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This ‘philosophical biography’ gives an account of Godwin’s life and thought, and by setting his thoughts in the context of his life, brings the two into juxtaposition. It relates Godwin’s views on politics and morality, education and religion, freedom and society, to the events of his life, notably the revolution in France and its impact on radicalism and reaction in Britain and the parliamentary reforms of 1832.
This ‘philosophical biography’ gives an account of Godwin’s life and thought, and by setting his thoughts in the context of his life, brings the two into juxtaposition. It relates Godwin’s views on politics and morality, education and religion, freedom and society, to the events of his life, notably the revolution in France and its impact on radicalism and reaction in Britain and the parliamentary reforms of 1832.
A powerful enemy. An irresistible bribe. One choice could change the world forever. Standing on a precipice is very different than jumping off. Andy Smithson would know. For five years he’s collected ingredients for a curse-breaking potion, all the while knowing his actions will turn his world upside down the instant he succeeds. He wonders if he’s reached the point of no return when events at home reveal he may be part of something much bigger. Andy returns to Oomaldee to find overrunning Castle Avalon and turning out the king’s court didn’t begin to satisfy Abaddon’s thirst for long-held vengeance on the land. No. The people must suffer…as he has, and he begins to reveal the true depths of his malevolent plan. The stakes go up when it comes time for Andy to hunt down the sixth ingredient, for Abaddon has put a bounty on the heads of Oomaldee’s monarchy. Will Andy succeed or will citizens betray him? One wrong choice will change the future of the kingdom. Wisdom of the Centaurs’ Reason is the sixth novel in the Andy Smithson coming-of-age, fantasy series. If you like unexpected twists, exhilarating action, vengeful villains, and tales of intrigue, with tender moments that leave you begging for more, then you’ll love USA Today bestselling author L. R. W. Lee’s latest entry in this epic adventure. Buy Wisdom of the Centaurs’ Reason and continue Andy’s journey today! The Andy Smithson epic fantasy series includes: Blast of the Dragon's Fury Venom of the Serpent's Cunning Disgrace of the Unicorn's Honor These first three books are also available in a box set Resurrection of the Phoenix's Grace Vision of the Griffin's Heart Wisdom of the Centaurs' Reason These second three books are also available in another box set Battle for the Land's Soul Power of the Heir's Passion, Prequel Fans of the following books and series are known to enjoy this epic fantasy series: Dragonlance Chronicles Dragons of Autumn Twilight Dragons of Spring Dawning Dragons of Winter Night Shattered A Ya Urban Fantasy Novel Torn A Ya Urban Fantasy Novel Darkest Designs Dragons of Pern Dragons of Eden Harry Potter A Wrinkle In Time The Chronicles of Narnia Dragons Rioting Game of Thrones Rise of the Dragons A Quest of Heroes Dragonsworn Magic of Recluce The Mallorean The Belgariad The Elenium Shannara Chronicles Sword of Shannara Elfstones of Shannara Magic Tree House Dragonriders of Pern Assassin's Apprentice Godsland Young Adult Fantasy Series Fans of the following authors are known to enjoy this young adult fantasy series: JRR Tolkien David Eddings Terry Brooks Glen G. Thater Daniel Arenson L.R.W. Lee Robin Hobb Peter V. Brett C.S. Lewis Brian Rathbone R.A. Salvatore Joe Abercrombie Morgan Rice Lindsay Buroker Anne McCaffrey Scott Sigler Christopher Paolini J. K. Rowling Brandon Sanderson Taran Matharu Sherrilyn Kenyon Michael J. Sullivan Mark Lawrence Fritz Leiber Conan Patrick Rothfuss Brandon Sanderson Scott Lynch Marion Zimmer Bradley R. Scott Bakker Robert Jordan Brent Weeks Stephen Donaldson Keywords related to this epic fantasy series: Paranormal Fantasy Books For Young Adults, Fantasy Omnibus, Top Rated Teen Fantasy Collection With Dragons And Shapeshifters, Dragon Books Free Kids, Free Fantasy Books For Young Adults, Top Rated Books, Dragon Books Free, Young Adult Series , Omnibus Bundle, Young Adult Box Set, Fantasy Box Set, Young Adults Romance Books Free, Dragons Omnibus, Young Adults Free Books, Omnibus Best Books For Kids, Young Adult Omnibus, Epic Fantasy Books Free, Dragon Box Set, Omnibus Set, Free Young Adults Fantasy Books, Epic Fantasy, Free Fantasy Romance Books For Young Adults, Fantasy Bundle, Horse Books For Free, Boxed Set, Ya Fantasy, Omnibus Collection, Epic of Gilgamesh, Dragon Series, Best Rated Omnibus Young Adult Dragon, Boys, Epic Free, Ya Fantasy Books, Girls Omnibus, Dragon Romance Free, Dragons Free Books, Epic Turtle Tales, Free Dragon Books, Top Teens Dragon, Dragon Omnibus, Fantasy Box Sets, Young Adult Bundle And Teen Bundle, Dragons Series, Young Adults Books Free, Dragons Box Set, Free Series Box Sets Fantasy, Young Adults Romance Books
Beginning with descriptions of the ways in which children make sense of their experience and the world, such as fantasy, stories and games, Egan constructs his argument that constituting this foundational layer are sets of cultural sense-making capacities, reflected in oral cultures throughout the world. Egan sees education as the acquisition of these sets of sense-making capacities, available in our culture, and his goal is to conceptualize primary education in a way that over comes the dichotomy between progressivisim and traditionalism, attending both the needs of the individual child and the accumulation of knowledge.
“A remarkable guided tour through the field—a kind of nonfiction companion to Among Others. It’s very good. It’s great.” —Cory Doctorow, Boing Boing As any reader of Jo Walton’s Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic re-reader of books. In 2008, then-new science-fiction mega-site Tor.com asked Walton to blog regularly about her re-reading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor.com. Now this volumes presents a selection of the best of them, ranging from short essays to long reassessments of some of the field’s most ambitious series. Among Walton’s many subjects here are the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by “mainstream”; the underappreciated SF adventures of C. J. Cherryh; the field’s many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie’s Midnight’s Children; the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read. Over 130 essays in all, What Makes This Book So Great is an immensely readable, engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers. “For readers unschooled in the history of SF/F, this book is a treasure trove.” —Publishers Weekly (starred review)
The first three parts of this book deal with the tension between ordinary language philosophy (as envisioned in the writings of J.L. Austin and the later Wittgenstein) and the 'tradition.' In the fourth part the author explores the problem of skepticism and takes a broad view of its consequences.
The Oxford Handbook of the Development of Imagination provides a comprehensive overview of research on the role of imagination in cognitive and social development and its link with children's understanding of the real world.
Conflict is at the heart of much of Shakespeare’s drama. Frequently there is an overt setting of violence, as in Macbeth, but, more significantly there is often ‘interior’ conflict. Many of Shakespeare’s most striking and important characters – Hamlet and Othello are good examples – are at war with themselves. Originally published in 1987, S. C. Boorman makes this ‘warfare of our nature’ the central theme of his stimulating approach to Shakespeare. He points to the moral context within which Shakespeare wrote, in part comprising earlier notions of human nature, in part the new tentative perceptions of his own age. Boorman shows Shakespeare’s great skill in developing the traditional ideas of proper conduct to show the tensions these ideas produce in real life. In consequence, Shakespeare’s characters are not the clear-cut figures of earlier drama, rehearsing the set speeches of their moral types – they are so often complex and doubting, deeply disturbed by their discordant natures. The great merit of this fine book is that it displays the ways in which Shakespeare conjured up living beings of flesh and blood, making his plays as full of dramatic power and appeal for modern audiences as for those of his own day. In short, this book presents a human approach to Shakespeare, one which stresses that truth of mankind’s inner conflict which links virtually all his plays.
Critiquing the politics and dynamics of the transcultural poetics of reading literature, this book demonstrates an ambitious understanding of the concept of the poet across a wide range of traditions – Anglo-American, German, French, Arabic, Chinese, Sanskrit, Bengali, Urdu – and philosophies of creativity that are rarely studied side by side. Ghosh carves out unexplored spaces of negotiation and intersections between literature, aesthetics and philosophy. The book demonstrates an original method of ‘global comparison’ that displaces the relatively staid and historicist categories that have underpinned comparative literature approaches so far, since they rarely dare stray beyond issues of influence and schools, or new 'world literature' approaches that affirm cosmopolitanism and transnationalism as overarching themes. Going beyond comparatism and reformulating the chronological patterns of reading, this bold book introduces new methodologies of reading literature to configure the concept of the poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known texts and sometimes well-circulated ideas are subjected to refreshing reading in what the author calls the ‘transcultural now’ and (in)fusionised transpoetical matrices. By moving between theories of poetry and literature that come from widely separated times, contexts, and cultures, this book shows the relevance of canonical texts to a theory of the future as marked by post-global concerns.