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The concepts of utopia and dystopia have received much historical attention. Utopias have traditionally signified the ideal future: large-scale social, political, ethical, and religious spaces that have yet to be realized. Utopia/Dystopia offers a fresh approach to these ideas. Rather than locate utopias in grandiose programs of future totality, the book treats these concepts as historically grounded categories and examines how individuals and groups throughout time have interpreted utopian visions in their daily present, with an eye toward the future. From colonial and postcolonial Africa to pre-Marxist and Stalinist Eastern Europe, from the social life of fossil fuels to dreams of nuclear power, and from everyday politics in contemporary India to imagined architectures of postwar Britain, this interdisciplinary collection provides new understandings of the utopian/dystopian experience. The essays look at such issues as imaginary utopian perspectives leading to the 1856-57 Xhosa Cattle Killing in South Africa, the functioning racist utopia behind the Rhodesian independence movement, the utopia of the peaceful atom and its global dissemination in the mid-1950s, the possibilities for an everyday utopia in modern cities, and how the Stalinist purges of the 1930s served as an extension of the utopian/dystopian relationship. The contributors are Dipesh Chakrabarty, Igal Halfin, Fredric Jameson, John Krige, Timothy Mitchell, Aditya Nigam, David Pinder, Marci Shore, Jennifer Wenzel, and Luise White.
Since the publication of Thomas More's genre-defining work Utopia in 1516, the field of utopian literature has evolved into an ever-expanding domain. This Companion presents an extensive historical survey of the development of utopianism, from the publication of Utopia to today's dark and despairing tendency towards dystopian pessimism, epitomised by works such as George Orwell's Nineteen Eighty-Four and Margaret Atwood's The Handmaid's Tale. Chapters address the difficult definition of the concept of utopia, and consider its relation to science fiction and other literary genres. The volume takes an innovative approach to the major themes predominating within the utopian and dystopian literary tradition, including feminism, romance and ecology, and explores in detail the vexed question of the purportedly 'western' nature of the concept of utopia. The reader is provided with a balanced overview of the evolution and current state of a long-standing, rich tradition of historical, political and literary scholarship.
Smart Urbanism (SU) – the rebuilding of cities through the integration of digital technologies with buildings, neighbourhoods, networked infrastructures and people – is being represented as a unique emerging ‘solution’ to the majority of problems faced by cities today. SU discourses, enacted by technology companies, national governments and supranational agencies alike, claim a supremacy of urban digital technologies for managing and controlling infrastructures, achieving greater effectiveness in managing service demand and reducing carbon emissions, developing greater social interaction and community networks, providing new services around health and social care etc. Smart urbanism is being represented as the response to almost every facet of the contemporary urban question. This book explores this common conception of the problematic of smart urbanism and critically address what new capabilities are being created by whom and with what exclusions; how these are being developed - and contested; where is this happening both within and between cities; and, with what sorts of social and material consequences. The aim of the book is to identify and convene a currently fragmented and disconnected group of researchers, commentators, developers and users from both within and outside the mainstream SU discourse, including several of those that adopt a more critical perspective, to assess ‘what’ problems of the city smartness can address The volume provides the first internationally comparative assessment of SU in cities of the global north and south, critically evaluates whether current visions of SU are able to achieve their potential; and then identifies alternative trajectories for SU that hold radical promise for reshaping cities.
2097 is a transformed world. Thirty years earlier, a mysterious plague wiped out 97 percent of the male population, devastating every world system from governments to sports teams, and causing both universal and unimaginable grief. In the face of such massive despair, women were forced to take over control of the planet--and in doing so they eliminated all of Earth's most pressing issues. Poverty, crime, warfare, hunger . . . all gone. But there's a price to pay for this new "utopia," which fourteen-year-old Kellen is all too familiar with. Every day, he deals with life as part of a tiny minority that is purposefully kept subservient and small in numbers. His career choices and relationship options are severely limited and controlled. He also lives under the threat of scattered recurrences of the plague, which seem to pop up wherever small pockets of men begin to regroup and grow in numbers. And then one day, his mother's boss, an iconic political figure, shows up at his home. Kellen overhears something he shouldn't--another outbreak seems to be headed for Afterlight, the rural community where his father and a small group of men live separately from the female-dominated society. Along with a few other suspicious events, like the mysterious disappearances of Kellen's progressive teacher and his Aunt Paige, Kellen is starting to wonder whether the plague recurrences are even accidental. No matter what the truth is, Kellen cares only about one thing--he has to save his father.
Dystopian narrative is a product of the social ferment of the twentieth century. A hundred years of war, famine, disease, state terror, genocide, ecocide, and the depletion of humanity through the buying and selling of everyday life provided fertile ground for this fictive underside of the utopian imagination. From the classical works by E. M. Forster, Yevgeny Zamyatin, Aldous Huxley, George Orwell, and Margaret Atwood, through the new maps of hell in postwar science fiction, and most recently in the dystopian turn of the 1980s and 1990s, this narrative machine has produced challenging cognitive maps of the given historical situation by way of imaginary societies which are even worse than those that lie outside their authors' and readers' doors.In Scraps of the Untainted Sky , Tom Moylan offers a thorough investigation of the history and aesthetics of dystopia. To situate his study, Moylan sets out the methodological paradigm that developed within the interdisciplinary fields of science fiction studies and utopian studies as they grow out of the oppositional political culture of the 1960 and 1970s (the context that produced the project of cultural studies itself). He then presents a thorough account of the textual structure and formal operations of the dystopian text. From there, he focuses on the new science-fictional dystopias that emerged in the context of the economic, political, and cultural convulsions of the 1980s and 1990s, and he examines in detail three of these new "critical dystopias:" Kim Stanley Robinson's The Gold Coast, Octavia Butler's The Parable of the Sower , and Marge Piercy's He, She, and It .With its detailed, documented, and yet accessible presentation, Scraps of the Untainted Sky will be of interest to established scholars as well as students and general readers who are seeking an in-depth introduction to this important area of cultural production.
A future society about to collapse. A reluctant hero alone in the world. When he suspects sabotage, will he abandon his newfound friend to save humanity? Samuel has grown accustomed to the mindless routine of the last human colony. Life is good for him and the other survivors: prefabricated meals three times a day, a freshly made bed each night, and hours in between with nothing to do but play and relax. But when the machines that regulate their community begin to malfunction, Samuel and the other colonists face a test for the first time in their existence. Aided by his determined new friend Penny, Samuel struggles to repair each breakdown. But when they discover a group of shadowy saboteurs behind the colony's mechanical failures, Samuel and Penny fear their idyllic community is not alone. Facing a treacherous journey to confront their attackers, can Samuel rescue the colony if it means leaving Penny behind? Our Dried Voices is a thought-provoking, instant classic dystopian novel. If you like false utopias, societies harboring dark secrets, and prophetic visions of humanity's future, then you'll love Greg Hickey's perfectly engineered new world. Buy Our Dried Voices and experience this unique dystopia today!
Probes the contested concept of utopia, examining the different ways in which it has been used by commentators and theorists in both liberal and Marxist radiations. The works of Karl Mannheim, Georges Sorel, Ernst Bloch, William Morris, and Herbert Marcuse are studied. Annotation copyrighted by Book News, Inc., Portland, OR
The book offers a critical account of how utopian thinking became defeated as a tool of philosophy whose explicit objective has been to not only analyse but emancipate the world. While such philosophy was originally inseparable from ideas of a radically better society it aimed to realise, many of its most influential practitioners today object to the use of utopian ideas. Countering this scepticism, the book argues in favour of utopian thinking. By elucidating a concept of utopia freed of its alleged pitfalls, the book contends that utopian thinking indeed presents an important resource for achieving emancipatory social goals.