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"A great number of centuries ago, in the medievalistic Kingdom of Caelisia on ancient earth, King Lorien's rule is thrown into turmoil by something sinister. Princess Aurora finds herself torn from the sanctuary of her castle, tied to her beloved land's fate as she embarks on a perilous journey to seek out and destroy an ancient object that pulses with an evil intensity." -- Back cover
They were the most powerful rulers on earth. The mighty Qin Shi Huangdu (r. 221-210 BC), who began the construction of the Great Wall. The long-lived Han emperor Wudi (r. 141-87 BC), who developed China as a centralized Confucian state. The soldier-scholar Yongle (r. 1402-24 AD), who raised the Ming dynasty to its military peak. The dowager empress Cixi (r. 1861-1908 AD), who rose from humble Manchu origins to rule over all China. In The Dragon Throne, Jonathan Fenby tells the extraordinary story of imperial China through its 157 emperors, from Qin Shi Huangdu, who crushed his rivals to take supreme power as the first emperor in 221BC, until the final collapse of the faltering Manchu dynasty amidst the revolutionary chaos of the early twentieth century. The final emperor, the infant Puyi (r. 1908-12) ended his days as an assistant gardener in the very palace where he had been enthroned.
"One of the best fantasies of the year." - Buzzfeed "Riveting, passionate, and full of high stakes danger." —Tamora Pierce, #1 New York Times bestselling author Emily Thiede's exciting fantasy debut, This Vicious Grace, the first in The Last Finestra duology, will keep readers turning the pages until the devastating conclusion and leave them primed for more! Three weddings. Three funerals. Alessa’s gift from the gods is supposed to magnify a partner’s magic, not kill every suitor she touches. Now, with only weeks left until a hungry swarm of demons devours everything on her island home, Alessa is running out of time to find a partner and stop the invasion. When a powerful priest convinces the faithful that killing Alessa is the island’s only hope, her own soldiers try to assassinate her. Desperate to survive, Alessa hires Dante, a cynical outcast marked as a killer, to become her personal bodyguard. But as rebellion explodes outside the gates, Dante’s dark secrets may be the biggest betrayal. He holds the key to her survival and her heart, but is he the one person who can help her master her gift or destroy her once and for all? Don't miss the thrilling conclusion to The Last Finestra duology, This Cursed Light— out now wherever books are sold!
Once transmigrated, they were bullied by all kinds of women in jealousy, but unfortunately, all the wargods of the Empire shamelessly offered up their hospitality. Aiyo, I can't take it anymore, I'll run ... ... What? You can't escape? Then accept them all!
Siew seeks to examine the events that will unfold within the three and a half years before the dawn of the kingdom of God on earth. He argues that John composed the textual unit of Rev 11:1--14:5 as a coherent and unified literary unit structured in a macro-chiasm. He pays special attention to the fusion of form and content and seeks to elucidate how the concentric and chiastic pattern informs the meaning of the literary units within 11:1--14:5, and proposes that the text of 11:1--14:5 is best analyzed using Hebraic literary conventions, devices, and compositional techniques such as chiasm, parallelism, parataxis, and structural parallelism. The macro-chiastic pattern provides the literary-structural framework for John to portray that the events of the last three and a half years unfold on earth as a result of what transpires in heaven. Specifically, the war in heaven between Michael and the dragon has earthly ramifications. The outcome of the heavenly war where Satan is defeated and thrown out of heaven to earth results in the war on earth between the two beasts of Rev 13 and the two witnesses of Rev 11. The narrative of the war in heaven (12:7-12) is seen as the pivot of the macro-chiastic structure. Siew pays close attention to the time-period of the three-and-a-half years as a temporal and structural marker which functions to unite the various units in 11:1--14:5 into a coherent and integral whole. The events of the last days will be centred in Jerusalem.
Revelation of the fall: The Blasphemy of Astrial Belthromoto The name of the book is called Revelation of the Fallen: The Blasphemy of Astrial Belthromoto. The story begins at the end of creation, the end of our lives in this universe and the destruction of them by a being called Eversor. The main character Astrial is a fallen angel telling the story from his perspective beyond the creation of this universe and into a reality where the a Creator of all Creator resides. He was the angel of intelligence and the most high scribe before he fell himself. He takes you through his torment by Evil and how he is forced to chose between these world that he doesn't really belong to. He shares insight into how evil was born and most importantly how everything we think we know about good and evil is really motivated by agendas. He introduces you to the four Eternals that have a lot to with how this story plays out. He then gives you insight into the war in heaven, the fall of the angels and how a small decision by a being led to this obsession with man. He gives you the history of the earth and the makers of mankind and their civilizations that still exist today. He leads you out of the garden of Eden and shows you the very rocky relationship between Adam and eve. Astrial finally leads you into the final wars of mankind when there was ordered a mass exodus from this planet leaving us totally alone.
Siew seeks to examine the events that will unfold within the three and a half years before the dawn of the kingdom of God on earth. He argues that John composed the textual unit of Rev 11:1--14:5 as a coherent and unified literary unit structured in a macro-chiasm. He pays special attention to the fusion of form and content and seeks to elucidate how the concentric and chiastic pattern informs the meaning of the literary units within 11:1--14:5, and proposes that the text of 11:1--14:5 is best analyzed using Hebraic literary conventions, devices, and compositional techniques such as chiasm, parallelism, parataxis, and structural parallelism. The macro-chiastic pattern provides the literary-structural framework for John to portray that the events of the last three and a half years unfold on earth as a result of what transpires in heaven. Specifically, the war in heaven between Michael and the dragon has earthly ramifications. The outcome of the heavenly war where Satan is defeated and thrown out of heaven to earth results in the war on earth between the two beasts of Rev 13 and the two witnesses of Rev 11. The narrative of the war in heaven (12:7-12) is seen as the pivot of the macro-chiastic structure. Siew pays close attention to the time-period of the three-and-a-half years as a temporal and structural marker which functions to unite the various units in 11:1--14:5 into a coherent and integral whole. The events of the last days will be centred in Jerusalem.