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The concepts of "half dozen" and "dozen" are taught by counting items such as pigs, goldfish, socks, and feet.
A generous but increasingly put-upon bear makes batch after batch of doughnuts for her woodland friends without saving any for herself in this delightful debut picture book about counting, sharing, and being a good friend. LouAnn (a bear) is making a doughnut feast in preparation for her long winter's nap. But just before she takes the first bite, DING DONG! Her friend Woodrow (a woodchuck) drops by. LouAnn is happy to share her doughnuts, but as soon as she and Woodrow sit down to eat, DING DING! Clyde (a raccoon) is at the door. One by one, LouAnn's friends come over--Topsy (an opossum) and then Moufette (a skunk) and then Chip and Chomp (chipmunks)--until it's one big party. Louann welcomes her surprise guests and makes batch after batch of doughnuts, always dividing them equally among her friends. But she makes one BIG miscalculation. Soon LouAnn's kitchen is bare, winter is near, and she's had nothing to eat at all!
An exuberant counting story featuring delightful dachshunds in creative costumes, inspired by the real, and hilarious, dachshund parades, for fans of Can I Be Your Dog?. Dozens of dachshunds in clever costumes are the stars of a woofing, wagging costume parade! How many dogs can you count? Dressed up as birds, bees, books, dinosaurs, and other delightful surprises, each new pair, trio, and group adds to the excitement. When the parade is through, there's a joyous jamboree, complete with a sing-along, bark-along dachshund song. Additional back matter highlights all the different sizes, coats, colors, and patterns of this beloved breed.
Every six months or so, a study reports about our inability to educate black males. Yet, after reading Ribbin', Jivin, and Playin' the Dozens: The Persistent Dilemma in Our Schools, teachers learned how to teach black males. Through 99 Realities and other examples, Ribbin', describes, discusses, and explains black male street corner language and behavior and how it is played out in the classroom. Too often, teachers misunderstand and misinterpret their black male student's language and behavior resulting in their black male students being referred to special education or considered a discipline problem disproportionate to their numbers in the school. Ribbin' will provide you with the educational insight to successfully educate black males-the information woefully lacking in contemporary education courses. Authentic examples are provided that demonstrates how some teachers handled challenging situations with their black male students to help you develop your own teaching style relative to your persona and student population. When you open Ribbin', Reality 1 is a must read, it recounts my first day of substitute teaching in the N. Y. C. Public Schools and what happened to me that Friday morning. I was so discouraged, I considered suicide that weekend because I always wanted to be a teacher and, after one day, I was a failure. However, read how I rebounded on Monday, and turned things around. To enhance your ability to teach black males, Chapter 8 about dress and grooming for teachers is a must. In brief, respect and feelings about yourself and your students is demonstrated by dressing professionally, at minimum, neat and clean. Your students expect you to dress well. Your students will keep a record of what you wear on what day and whether that stain has been cleaned away! Indeed, your students will compare notes on what car you drive, the watch you wear and your dress style. Chapter 5 Jive Lexicon and Verbal Communication is about words students may use to dupe or test you. Students must learn Standard English; the sine qua non to for economic success. Your students need a Standard English teaching model to emulate. However, teachers should learn the language their students use. It is viewed as "barrier busting" when students observe you trying to be hip and use their language-of course, this means "acceptable vocabulary." Moreover, it may be appropriate for your students to use the vernacular depending upon the subject you teach. Chapter 6 about classroom contests provides information about the "games" some students use to con, provoke, or test your "street" knowledge. "Playing the Dozens" from an historical perspective to how it playes out negatively in classrooms is described and explained. If you are unfamiliar with "Playing the Dozens"-also known by other names; best you learn. Hence, examples of teachers positively handling the dozens are presented. Reading Chapter 7 will help you through my Four Step Plan for Classroom Management and School Discipline. You need to get order for you to teach successfully. Your primary responsibility as a teacher is to figure out how to achieve an orderly and safe classroom so that your students can relax and allow you to teach them. If you wish to become a successful teacher, buy Ribbin'. If you want to be told how to become a teacher, do not buy Ribbin'. If you see yourself as a professional teacher, and willing to change your teaching behavior first, in order to get your students to change their behavior, purchase Ribbin'. In sum, a well-designed lesson plan will not ensure classroom success. Teachers must make educational and behavioral demands on students, black males in particular. Ribbin' demystifies this "persistent dilemma." Without a question, black males can and must be taught Standard English, mathematics, and the so-called middle class skills needed to make it economically in the U. S.
A game which could inspire raucous laughter or escalate to violence, the dozens provided a wellspring of rhymes, attitude, and raw humor that has influenced pop musicians from Jelly Roll Morton and Robert Johnson to Tupac Shakur and Jay Z. Wald explores the depth of the dozens' roots, looking at mother-insulting and verbal combat from Greenland to the sources of the Niger, and shows its breadth of influence in the writings of Richard Wright, Langston Hughes, and Zora Neale Hurston; the comedy of Richard Pryor and George Carlin; the dark humor of the blues; the hip slang and competitive jamming of jazz; and most recently in the improvisatory battling of rap.
Mia finds that one more in the mix is always better in this treat of a tween series! Mia is getting used to her new family now that her mom is remarried to Eddie and she’s gained a new stepbrother, Dan. She’s in the groove of going to her dad’s house on the weekends, and everything is going pretty well at home and at school. Well, except for Spanish class. Mia’s parents and stepfather speak it and she does too—but speaking it and writing it are two different things, and somehow Mia ends up in the hands of the merciless Mrs. Alvarez and almost failing Spanish class. Still, things are so good at home that Mia doesn’t want to worry anyone or rock the boat. But when her parents find out—all three of them—she realizes that instead of having two parents, she’s lucky enough to have three, and all three of them pitch in to help her. A baker’s dozen is a bonus!
A dozen dogs frolicking on the beach introduce the numbers one through twelve.
Following his groundbreaking explorations of the blues and American popular music in Escaping the Delta and How the Beatles Destroyed Rock 'n' Roll, Elijah Wald turns his attention to the tradition of African American street rhyming and verbal combat that ruled urban neighborhoods long before rap: the viciously funny, outrageously inventive insult game called "the dozens."At its simplest, the dozens is a comic concatenation of "yo' mama" jokes. At its most complex, it is a form of social interaction that reaches back to African ceremonial rituals. Whether considered vernacular poetry, verbal dueling, a test of street cool, or just a mess of dirty insults, the dozens has been a basic building block of African-American culture. A game which could inspire raucous laughter or escalate to violence, it provided a wellspring of rhymes, attitude, and raw humor that has influenced pop musicians from Jelly Roll Morton to Ice Cube. Wald explores the depth of the dozens' roots, looking at mother-insulting and verbal combat from Greenland to the sources of the Niger, and shows its breadth of influence in the seminal writings of Richard Wright, Langston Hughes, and Zora Neale Hurston; the comedy of Richard Pryor and George Carlin; the dark humor of the blues; the hip slang and competitive jamming of jazz; and most recently in the improvisatory battling of rap. A forbidden language beneath the surface of American popular culture, the dozens links children's clapping rhymes to low-down juke joints and the most modern street verse to the earliest African American folklore.In tracing the form and its variations over more than a century of African American culture and music, The Dozens sheds fascinating new light on schoolyard games and rural work songs, serious literature and nightclub comedy, and pop hits from ragtime to rap.
This book has been written to help digital engineers who need a few basic analog tools in their toolbox. For practicing digital engineers, students, educators and hands-on managers who are looking for the analog foundation they need to handle their daily engineering problems, this will serve as a valuable reference to the nuts-and-bolts of system analog design in a digital world. This book is a hands-on designer's guide to the most important topics in analog electronics - such as Analog-to-Digital and Digital-to-Analog conversion, operational amplifiers, filters, and integrating analog and digital systems. The presentation is tailored for engineers who are primarily experienced and/or educated in digital circuit design. This book will teach such readers how to "think analog" when it is the best solution to their problem. Special attention is also given to fundamental topics, such as noise and how to use analog test and measurement equipment, that are often ignored in other analog titles aimed at professional engineers. - Extensive use of case-histories and real design examples - Offers digital designers the right analog "tool" for the job at hand - Conversational, annecdotal "tone" is very easily accessible by students and practitioners alike