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Ettinger's reminiscences, verified by his son's detailed research, show us Americans in France during the Great War as they have never been seen before. Here is a 17-year-old peripatetic motorcycle dispatch rider's view of New York's famous Irish-American regiment in action as part of Douglas MacArthur's equally renowned 42nd Rainbow Division. This remembrance contains true stories about MacArthur, Joyce Kilmer, William J. Wild Bill Donovan, Father Francis P. Duffy, and other famous members of this regiment, stories told here for the first time. Young Ettinger was not a model soldier. His ingenuity at going AWOL was exceeded only by his ability to survive such inconveniences as a determined enemy counterattack during the Battle of the Argonne; four intimate shell bursts; convalescence in two hospitals; strafing by a German pilot; driving into a stone wall, through a railroad crossing guard, and off a bridge on his motorcycle; and a military stockade, where he was incarcerated -- and from which he was released by personal order of General MacArthur.Ettinger's stories are earthy, and, while contributing little to military, strategy or tactics (in Pershing's A.E.F., the synonym for tactics was Attack ), having many implications for understanding morale and leadership. In sum, the Doughboy of 1917-18 is revealed in dimensions of courage, determination, and good humor that have rarely been surpassed. These stories ring true, sometimes tragic, frequently hilarious, always full of human interest.
Formed in 1851 by Irish immigrants, the Fighting Sixty-Ninth has served with distinction since the Civil War. This is a complete, illustrated history of the regiment's service in the Irish Brigade and the Rainbow Division. Functioning as the 1st Regiment, Irish Brigade, 2nd Corps, Army of the Potomac throughout the Civil War, the regiment made history at Malvern Hill, Antietam, Fredericksburg, Gettysburg, Spotsylvania, Cold Harbor, Petersburg and Appomatox. According to legend, an exasperated General Jackson cursed them as part of "that damn brigade." Functioning as the 165th Infantry, 42nd Division (Rainbow Division) throughout World War I, the regiment helped turn back the last German offensive, counterattacked at the Ourq river, spearheaded one of Pershing's pincers at St. Mihiel, and helped break the Hindenburg Line in the Argonne Forest. Today, the regiment is known as 1st Battalion, 69th Infantry (Mechanized), New York Army National Guard.
A World War I veteran recalls his experiences in Europe as a member of Douglas MacArthur's famed Rainbow Division, in a vivid memoir of American participation of the tragic war. Reprint.
A rip-roaring account of the famous Irish regiment from New York City
“Before the Greatest Generation, there was the Forgotten Generation of World War I . . . wonderfully engaging” (Kirkus Reviews, starred review). “Richard Rubin has done something that will never be possible for anyone to do again. His interviews with the last American World War I veterans—who have all since died—bring to vivid life a cataclysm that changed our world forever but that remains curiously forgotten here.” —Adam Hochschild, author of To End All Wars: A Story of Loyalty and Rebellion, 1914–1918 In 2003, eighty-five years after the end of World War I, Richard Rubin set out to see if he could still find and talk to someone who had actually served in the American Expeditionary Forces during that colossal conflict. Ultimately he found dozens, aged 101 to 113, from Cape Cod to Carson City, who shared with him at the last possible moment their stories of America’s Great War. Nineteenth-century men and women living in the twenty-first century, they were self-reliant, humble, and stoic, never complaining, but still marveling at the immensity of the war they helped win, and the complexity of the world they helped create. Though America has largely forgotten their war, you will never forget them, or their stories. A decade in the making, The Last of the Doughboys is the most sweeping look at America’s First World War in a generation, a glorious reminder of the tremendously important role America played in the “war to end all wars,” as well as a moving meditation on character, grace, aging, and memory. “An outstanding and fascinating book. By tracking down the last surviving veterans of the First World War and interviewing them with sympathy and skill, Richard Rubin has produced a first-rate work of reporting.” —Ian Frazier, author of Travels in Siberia “I cannot remember a book about that huge and terrible war that I have enjoyed reading more in many years.” —Michael Korda, The Daily Beast
The "stirring," definitive history of America's decisive role in winning World War I (Wall Street Journal). The American contribution to World War I is one of the great stories of the twentieth century, and yet it has all but vanished from view. Historians have dismissed the American war effort as largely economic and symbolic. But as Geoffrey Wawro shows in Sons of Freedom, the French and British were on the verge of collapse in 1918, and would have lost the war without the Doughboys. Field Marshal Douglas Haig, commander of the British Expeditionary Force, described the Allied victory as a "miracle" -- but it was a distinctly American miracle. In Sons of Freedom, prize-winning historian Geoffrey Wawro weaves together in thrilling detail the battles, strategic deliberations, and dreadful human cost of the American war effort. A major revision of the history of World War I, Sons of Freedom resurrects the brave heroes who saved the Allies, defeated Germany, and established the United States as the greatest of the great powers.
It is 1916 and twenty-six-year-old John Morris cannot ignore the Great War anymore. Despite his fathers objections and the fact that America has not even entered the war yet, John leaves Maryland for France where he hopes to fulfill his mission of becoming a flyer in the Lafayette Escadrille. He leaves behind not only his parents, but also his surgeon brother, Michael, and sister, Catherine, who are quietly nurturing their own dreams to play a part in the war. Over two years later, Johns father is dead, his mother is in Arizona, and Michael and Catherine are heading to New York. Michael is soon assigned to an aid station in France while Catherine translates French documents for the State Department. But after she is supposedly sent to Paris to work at the United States Embassy, Catherine is made a counterspy in a French town near the Swiss border. As John, Michael, and Catherine each do their best to help in a war that stretches from the skies to the Western Front, none of them realize that only two of them will return home. In this historical novel, three young Americans drawn into the Great War bravely battle seemingly insurmountable challenges while attempting to survive loss, find love, and pursue their dreams.
Covering the daily lives of American soldiers from their training through their arrival in France and participation in the final battles of the war, this book offers a breadth of perspectives on the experiences of doughboys in the First World War via primary documents of the time. Due to the mechanical typewriter and the Linotype machine, printed materials during the World War I era were produced quickly and widely distributed. In a time without media other than those on paper, printed materials like newspapers, magazines, books, letters, and army orders were critical for communication. This book examines the range of documents written during World War I or within a few years of the end of the conflict to reveal the experiences of the doughboys who participated in "the war to end all wars." Through documents such as military communications, newspaper accounts, personal letters, divisional histories written soon after the end of hostilities, and other sources, readers get detailed glimpses into the doughboy experience during World War I. The book covers subject matter throughout their time as soldiers, including training in the United States and in France, early participation in conflicts, daily life in the American Expeditionary Force, the major battles for American troops, and what returning home was like for those lucky ones. The assembled narrative of the war experience from many different voices and individuals creates a resource that enables a better understanding the attitudes and perspectives from 1918 through the very early 1920s. Readers will also gain an appreciation of the many changes in American culture that were to follow immediately after the war's conclusion and contribute to the decade of the Roaring Twenties.
Decades before Americans became familiar with the term “embedded journalist,” a young cartoonist named Francis Webster embodied that role when he served as a volunteer infantryman during World War I. Using his skills as an illustrator, he documented firsthand the harsh realities of combat life and regularly submitted visual dispatches of his experiences back to an Iowa newspaper. The first published collection of Webster’s wartime chronicles, Somewhere Over There presents a unique view of World War I through a rare compilation of letters, diary entries, cartoons, sketches, and watercolors. As editor Darrek D. Orwig explains in his introduction, Webster gained valuable training as an illustrator when he worked for famed political cartoonist Jay “Ding” Darling during the early years of World War I. When the United States entered the conflict in 1917, Webster volunteered with the Iowa National Guard as it prepared for deployment on the western front. His regiment would be part of the Forty-Second Rainbow Division, one of the first American units to arrive in France. Webster’s accounts, rendered in words and pictures, capture the daily life of a citizen-soldier who trained in stateside camps, traversed the submarine-infested waters of the Atlantic Ocean, fought in muddy trenches, and recovered in hospitals from poisonous gas exposure. Webster suffered a mortal wound during the Meuse-Argonne Offensive in 1918, when he placed a fellow soldier’s safety before his own. Webster’s illustrations for the Des Moines Capital helped readers of the time learn what American soldiers were experiencing “over there” by bringing news from the western front to the home front. For nearly ninety years following his death, Webster’s family treasured his collection of artwork and writings before donating it to the Iowa Gold Star Military Museum at Camp Dodge, where it resides today. This wartime assemblage is amplified by Orwig’s enlightening commentary based on extensive research that places Webster’s story within the wider narrative of American involvement in the “war to end all wars.”