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"In 1792, when she was 42, Joanna Southcott began writing down her prophecies, sealing them against the day they were to occur. In 1801 her publications began to appear, written in a combination of prose - sometimes plain, sometimes incantatory - and primitive verse. This pamphlet of 1802 is a sample of the flood of writings which she poured forth until her death in 1814. Joanna is visited by Satan, or Apollyon, or a Friend of Satan, and disputes with him; she triumphs; she recounts her dreams of a flying horseman, a balloon, fires in the sky. A farmer's daughter and one-time servant, she is a descendant of Bunyan in the period of Blake. Unlike Blake she reaches a wide audience, speaking most directly to the poor and to women. Visionary, deluded, or mad, she was the object of veneration and focus of a large and devoted cult."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In 1807 Robert Southey published a pseudonymous account of a journey made through England by a fictitious Spanish tourist, ‘Don Manuel Alvarez Espriella’. Letters from England (1807) relates Espriella’s travels. On his journey Espriella comments on every aspect of British society, from fashions and manners, to political and religious beliefs.
This important collection of writings is about, and by, women connected with social and political movements between 1799-1870. It also records the attitudes of the great radical reformers to the role of women in society and documents the vast cultural changes brought about by industrialisation. The collection draws together the following key material: Volume I contains an extensive collection of writings from 19th century periodicals, reflecting the high point of working class women's involvement in radical movements. This collection will appeal to anyone with an interest in women's history and Victorian studies
This book explores how Romanticism was shaped by practices of popular magic. It seeks to identify the place of occult activity and culture – in the form of curses, spells, future-telling, charms and protective talismans – in everyday life, together with the ways in which such practice figures, and is refigured, in literary and political discourse at a time of revolutionary upheaval. What emerges is a new perspective on literature’s material contexts in the 1790s – from the rhetorical, linguistic and visual jugglery of the revolution controversy, to John Thelwall’s occult turn during a period of autobiographical self-reinvention at the end of the decade. From Wordsworth’s deployment of popular magic as a socially and politically emancipatory agent in Lyrical Ballads, to Coleridge’s anxious engagement with superstition as a despotic system of ‘mental enslavement’, and Robert Southey’s wrestling with an (increasingly alluring) conservatism he associated with a reliance on ultimately incarcerating systems of superstition.
The first major attempt to relate canonical Romantic texts to writings of the African diaspora.
Joanna Southcott (1750 – 1814) remains one of the most significant and extraordinary religious figures of her era. In an age of reason and enlightenment, her apocalyptic prophecies attracted tens of thousands of followers, and she captured international attention with her promise to bear a divine child. In this new intellectual biography Matthew Niblett unravels Southcott's writings, her context and her message to demonstrate why the prophetess was such a magnetic figure and to highlight the significance of her role in British religious history. Using a wide range of contemporary sources, this revealing study explains the formation of Southcott's apocalyptic theology, her treatment of the Bible, her relation with the Church, the network of clerical supporters she used and the striking originality of her message. In so doing, this book shines fresh light on religion and the politics of salvation in late Georgian England.
Debates about gender in the British Romantic period often invoked the idea of sexual enjoyment: there was a broad cultural concern about jouissance, the all-engulfing pleasure pertaining to sexual gratification. On one hand, these debates made possible the modern psychological concept of the unconscious - since desire was seen as an uncontrollable force, the unconscious became the repository of disavowed enjoyment and the reason for sexual difference. On the other hand, the tighter regulation of sexual enjoyment made possible a vast expansion of the limits of imaginable sexuality. In Sexual Enjoyment and British Romanticism, David Sigler shows how literary writers could resist narrowing gender categories by imagining unregulated enjoyment. As some of the era's most prominent thinkers - including Edmund Burke, Mary Wollstonecraft, Mary Robinson, Joanna Southcott, Charlotte Dacre, Jane Austen, and Percy Bysshe Shelley - struggled to understand sexual enjoyment, they were able to devise new pleasures in a time of narrowing sexual possibilities. Placing Romantic-era literature in conversation with Lacanian psychoanalytic theory, Sexual Enjoyment in British Romanticism reveals the fictive structure of modern sexuality, makes visible the diversity of sexual identities from the period, and offers a new understanding of gender in British Romanticism.
This monograph reorients discussion of Blake’s prophetic mode, revealing it to be not a system in any formal sense, but a dynamic, human response to an era of momentous historical change when the future Blake had foreseen and the reality he was faced with could not be reconciled. At every stage, Blake’s writing confronts the central problem of all politically minded literature: how texts can become action. Yet he presents us with no single or, indeed, conclusive answer to this question and in this sense it can be said that he fails. Blake, however, never stopped searching for a way that prophecy might be made to live up to its promise in the present. The twentieth-century hermeneuticist Paul Ricoeur shared with Blake a preoccupation with the relationship between time, text and action. Ricoeur’s hermeneutics thus provide a fresh theoretical framework through which to analyse Blake’s attempts to fulfil his prophetic purpose.