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MY Design in this Discourse being to propose what Measures I think most proper to defend the Nation against the Plague, and for this End to consider the Nature of Pestilential Contagion as far as is necessary to set forth the Reasonableness of the Precepts I shall lay down; before I proceed to any particular Directions, I shall enquire a little into the Causes, whence the Plague arises, and by what Means the Infection of it is spread. In the most ancient Times Plagues, like many other Diseases, were looked upon as divine Judgments sent to punish the Wickedness of Mankind: and therefore the only Defence sought after was by Sacrifices and Lustrations to appease the Anger of incensed Heaven. How much soever may be said to justify Reflexions of this Kind, since we are assured from sacred History, that divine Vengeance has been sometimes executed by Plagues; yet it is certain, that such Speculations pushed too far, were then attended with ill Consequences, by obstructing Inquiries into natural Causes, and encouraging a supine Submission to those Evils: against which the infinitely good and wise Author of Nature has in most Cases provided proper Remedies. Upon this Account, in After-Ages, when the Profession of Physick came to be founded upon the Knowledge of Nature, Hippocrates strenuously opposed this Opinion, that some particular Sicknesses were Divine, or sent immediately from the Gods; and affirmed, that no Diseases came more from the Gods than others, all coming from them, and yet all owning their proper natural Causes: that the Sun, Cold, and Winds were divine; the Changes of which, and their Influences on human Bodies, were diligently to be considered by a Physician. Which general Position this great Author of Physick intended to be understood with respect to Plagues as well as other Distempers: How far he had reason herein, will in some measure appear, when we come to search into the Causes of this Disease. But in order to this Inquiry, it will be convenient, in the first place, to remove an erroneous Opinion some have entertained, that the Plague differs not from a common Fever in any thing besides its greater Violence. Whereas it is very evident, that since the Small-Pox and Measles are allowed to be Distempers distinct in Specie from all others, on account of certain Symptoms peculiar to them; so, for the same reason, it ought to be granted, that the Plague no less differs in Kind from ordinary Fevers: For there are a Set of distinguishing Symptoms as essential to the Pestilence, as the respective Eruptions are to the Small-Pox or Measles; which are indeed (as I have mentioned in the Preface) each of them Plagues of a particular kind.
A tidal wave of panic surrounded homosexuality and AIDS in the 1980s and early 1990s, the period commonly called 'The AIDS Crisis'. With the advent of antiretroviral drugs in the mid '90s, however, the meaning of an HIV diagnosis radically changed. These game-changing drugs now enable many people living with HIV to lead a healthy, regular life, but how has this dramatic shift impacted the representation of gay men and HIV in popular culture? Positive Images is the first detailed examination of how the relationship between gay men and HIV has transformed in the past two decades. From Queer as Folk to Chemsex, The Line of Beauty to The Normal Heart, Dion Kagan examines literature, film, TV, documentaries and news coverage from across the English-speaking world to unearth the socio-cultural foundations underpinning this 'post-crisis' period. His analyses provide acute insights into the fraught legacies of the AIDS Crisis and its continued presence in the modern queer consciousness.
The Postmodern Turn gathers together in one volume some of the most important statements of the postmodern approach to human studies. In addressing postmodern social theory and emphasising the social role of knowledge, this book abandons the disciplinary boundaries separating the sciences and the humanities. The first collection of its kind, it provides the classic essays of authors such as Lyotard, Haraway, Foucault and Rorty. Contributors include well-known theorists in the fields of sociology, anthropology, women's and gay studies, philosophy, and history.
An inspiring story of scientific endeavour and human bravery, The Plague Race is the story of one brave scientist who made an amazing discovery made in Hong Kong 100 years ago -- during an outbreak of the plague that threatened to decimate the island and, from there, the world. A tense and frightening race was run in appalling conditions by two rival scientists: Alexandre Yersin - rigorous, solitary, cerebral - and the suave Kitasako, unscrupulous, enigmatic, careless. Spiced with anecdotes, facts and chilling reconstructions, this book is an enthralling work of narrative history. And Marriott's investigations into plague in the modern world bring some disturbing facts to light . . . 'Beautifully written . . . Marriott's discourse encompasses empire, science and discovery as well as prejudice . . . The Plague Race is part history, part thesis, part thriller. As an investigation, it is all-entrancing' Observer
Roman writers of the late Roman Republic and early Empire developed important conventions of the western plague narrative as a response to the destabilization of the body politic. This volume examines how they used largely fictive representations of epidemic disease to address the collapse of the social order and suggest remedies for its recovery.
On July 22, 2009, a special meeting was held with twenty-four leading scientists at the National Institutes of Health to discuss early findings that a newly discovered retrovirus was linked to chronic fatigue syndrome (CFS), prostate cancer, lymphoma, and eventually neurodevelopmental disorders in children. When Dr. Judy Mikovits finished her presentation the room was silent for a moment, then one of the scientists said, “Oh my God!” The resulting investigation would be like no other in science. For Dr. Mikovits, a twenty-year veteran of the National Cancer Institute, this was the midpoint of a five-year journey that would start with the founding of the Whittemore-Peterson Institute for Neuro-Immune Disease at the University of Nevada, Reno, and end with her as a witness for the federal government against her former employer, Harvey Whittemore, for illegal campaign contributions to Senate Majority Leader Harry Reid. On this journey Dr. Mikovits would face the scientific prejudices against CFS, wander into the minefield that is autism, and through it all struggle to maintain her faith in God and the profession to which she had dedicated her life. This is a story for anybody interested in the peril and promise of science at the very highest levels in our country.
Plague was one of the enduring facts of everyday life on the European continent, from earliest antiquity through the first decades of the eighteenth century. It represents one of the most important influences on the development of Europe’s society and culture. In order to understand the changing circumstances of the political, economic, ecclesiastical, artistic, and social history of that continent, it is important to understand epidemic disease and society’s response to it. To date, the largest portion of scholarship about plague has focused on its political, economic, demographic, and medical aspects. This interdisciplinary volume offers greater coverage of the religious and the psychological dimensions of plague and of European society’s response to it through many centuries and over a wide geographical terrain, including Byzantium. This research draws extensively upon a wealth of primary sources, both printed and painted, and includes ample bibliographical reference to the most important secondary sources, providing much new insight into how generations of Europeans responded to this dread disease.
Reproduction of the original: A Discourse on the Plague by Richard Mead
The theatre of early modern England was a disastrous affair. What we tend to remember of the Shakespearean stage and its history are landmark moments of dissolution. This title is a study of these catastrophes and the theory of performance they convey.