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William Perkins and the Making of Protestant England presents a new interpretation of the theology and historical significance of William Perkins (1558-1602), a prominent Cambridge scholar and teacher during the reign of Queen Elizabeth I. Though often described as a Puritan, W. B. Pattersonargues that Perkins was in fact a prominent and effective apologist for the established church whose contributions to English religious thought had an immense influence on an English Protestant culture that endured well into modern times. The English Reformation is shown to be a part of theEuropean-wide Reformation, and Perkins himself a leading Reformed theologian.In A Reformed Catholike (1597), Perkins distinguished the theology upheld in the English Church from that of the Roman Catholic Church, while at the same time showing the considerable extent to which the two churches shared common concerns. His books dealt extensively with the nature of salvationand the need to follow a moral way of life. Perkins wrote pioneering works on conscience and "practical divinity". In The Arte of Prophecying (1607), he provided preachers with a guidebook to the study of the Bible and their oral presentation of its teachings. He dealt boldly and in down-to-earthterms with the need to achieve social justice in an era of severe economic distress. Perkins is shown to have been instrumental to the making of a Protestant England, and to have contributed significantly to the development of the religious culture not only of Britain but also of a broad range ofcountries on the Continent.
With the renewed interest in the history of witches and witchcraft, this timely book provides an introduction to this fascinating topic, informed by the main trends of new thinking on the subject. Beginning with a discussion of witchcraft in the early modern period, and charting the witch panics that took place at this time, the author goes on to look at the historical debate surrounding the causes of the legal persecution of witches. Contemporary views of witchcraft put forward by judges, theological writers and the medical profession are examined, as is the place of witchcraft in the popular imagination. Jim Sharpe also looks at the gender dimensions of the witch persecution, and the treatment of witchcraft in Elizabethan and Jacobean drama. Supported by a range of compelling documents, the book concludes with an exploration of why witch panics declined in the late seventeenth century and early eighteenth century.
This study explores maternity in the 'disciplines' of early modern England. Placing the reproductive female body centre-stage in Shakespeare's theatre, Laoutaris ranges beyond the domestic sphere in order to recuperate the wider intellectual, epistemological, and archaeological significance of maternity to the Renaissance imagination. Focusing on 'anatomy' in Hamlet, 'natural history' in The Tempest, 'demonology' in Macbeth, and 'heraldry' in Antony and Cleopatra, this book reveals the ways in which the maternal body was figured in, and in turn contributed towards the re-conceptualisation of, bodies of knowledge. Laoutaris argues that Shakespeare resists a monolithic concept of motherhood, presenting instead a range of contested 'maternities' which challenge the distinctive 'ways of knowing' these early disciplines worked to impose on the order of created nature.
As Anne's case became ever more celebrated, Oxford dons and local notables weighed in with their opinions, providing us with an extraordinary record of her trials. Ultimately, Anne's case was appealed directly to King James I, a noted witch-hunter, and her examination in the king's imposing Star Chamber - with more than fifty witnesses - revealed all.".
The first comprehensive scholarly history of witchcraft in England in over eighty years.
Thomas Gataker was a disputatious Puritan divine. His The Nature and Uses of Lotteries (1627) was the first systematic exposition of a modern view of lotteries, not just as a form of gambling, but as a fair method of division. Gataker approved of these uses, but condemned divination and sorcery using random signs or spells. This important treatise is often referred to, but is generally inaccessible due to its rarity and old-style of language. The text of this edition has been fully modernised, with notes on important sources used by Gataker and includes a new introduction.
Children had surprisingly central roles in many of the public performances of the English Renaissance, whether in entertainments—civic pageants, children's theaters, Shakespearean drama—or in more grim religious and legal settings, as when children were "possessed by demons" or testified as witnesses in witchcraft trials. Taken together, such spectacles made repeated connections between child performers as children and the mimetic powers of fiction in general. In Pretty Creatures, Michael Witmore examines the ways in which children, with their proverbial capacity for spontaneous imitation and their imaginative absorption, came to exemplify the virtues and powers of fiction during this era. As much concerned with Renaissance poetics as with children's roles in public spectacles of the period, Pretty Creatures attempts to bring the antics of children—and the rich commentary these antics provoked—into the mainstream of Renaissance studies, performance studies, and studies of reformation culture in England. As such, it represents an alternative history of the concept of mimesis in the period, one that is built from the ground up through reflections on the actual performances of what was arguably nature's greatest mimic: the child.