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This exhaustive and complete discography of Indian music issued on microgroove discs and cassettes provides information on over 2,700 recordings of classical and semiclassical music of the Indian subcontinent. It covers the period from the early 1950s to the end of 1983 and also contains information on recordings from the early 1930s onward that were originally issued at 78 RPM and have been reissued on microgroove discs. The main text of the discography is divided into five sections: Hindustani Instrumental, Hindustani Vocal, Karnatic Instrumental, Karnatic Vocal, and Anthologies. Artists are listed alphabetically and brief biographical information is provided when possible. The recordings are indexed by Raga and Tala (the melody and the rhythm), thus allowing comparison between different recordings of the same piece. An instrumental index is included as are indexes to several styles of vocal performance.
This book is perhaps the first comprehensive guide to understanding all the aspects and finer nuances of Hindustani classical music. It is aimed at the serious listener, that is, someone who may not have had any formal lessons himself in this performing art, but who, nevertheless, has picked up an initial interest in listening to classical music, and is, therefore, seeking to know more about its underlying structure, system and traditions. By explaining in a straightforward and extremely readable style, the basic features of Indian music, how time and melody are structured, the main principles of r?ga delineation and development, and the various genres and styles of vocal as well as instrumental performances, the book aims to enhance the serious listener’s understanding of Hindustani music, and heighten his appreciation of this art form. This book includes a glossary of musical terms, a select discography and a select bibliography.
Contribution of Svātitirunāḷ, 1813-1846, Maharaja of Travancore and exponent of Carnatic music to Indian classical music.
Indian classical music is so enduring that it is exempt from oblivion. It is destined to live in all ages of this world. This book on North Indian classical music (also known as Hindustani music) tells you, simply and informally, about the most popular 101 raga-s, and 161 topics commonly mentioned in conversation, articles and books on Hindustani music. It is the best tool to learn about and enjoy this genre of music, which is a significant component of World Music. More details at www.SoundOfIndia.com An audio CD containing aroha, avaroha and pakad of each of the 101 raga-s, is available. Please visit http://www.SoundOfIndia.com and click on Products. This book is being translated into French, Hindi and Gujarati.
The Place Of The Raga In Indian Classical Music Is Indeed Unique.The Romance Of The Raga Is An Attempt To Outline The Evolution And Perspective, As Also The Sheer Variety And Distinct Styles, Of This Powerful And Enthralling Medium Of Spiritual And Aesthetic Form Of Musical Expressions.Based On The Belief That Sound Is God And Nada Brahma Or Intelligle Sound Is The Fusion Of The Physical Breath With The Fire Of The Intellect, The Book Proceeds To Unravel The Priceless Historical Traditions Of Indian Classical Music.It Provides A Glimpse Into The Variety Of Techniques And Styles That Are Employed For Presentation Of The Raga And Highlights The Significant Contribution Made By Some Of The Shapers Of India'S Musical Destiny Towards The Enrichment Of Both The Systems : Hindustani And Karnatak.The Work Also Portrays The Predominant Characteristics Of Inner Dynamism And Resilience, As Also The Unlimited Potential, Amazing Elasticity And The Power Of Assimilation Of The Raga, As A Medium Of Creative Musical Expression. Further, The Variety And Range Of Musical Instruments And Confluence Of Indian Classical Music And Miniature Painting Have Been Illustrated With A View To Enunciating The Raga.