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The first comprehensive guide to America's historic house museums, this directory moves beyond merely listing institutions to providing information about interpretive themes, historical and architectural significance, collections, and cultural and social importance, along with programming events and facility information. Useful cross-reference guides provide quick and easy ways of locating information on almost 2500 museums. A multi-functional reference for museum professionals, local historians, historic preservationists or anyone interested in America's historic house museums.
This volume is designed as a general reference tool for the study of the history of Massachusetts. The only book of its type, the volume focuses largely on local history, emphasizing the new social history, and containing biographies of leading figures. Since Massachusetts history and U.S. history largely intertwined during the colonial and early national period, the book provides information on trends in early American history, and provides scholars and other interested readers with an up-to-date summary of major works and important interpretations of each period and of relevant themes, such as urban history, women in history, and oral history.
In 1790, President Timothy Dwight of Yale offered this description of Northampton, a town situated on the banks of the Connecticut River in western Massachusetts: The inhabitants of this valley possess a common character, he remarked. Even the beauty of the scenery, scarcely found in the same degree elsewhere, becomes a source of pride as well as enjoyment. For Dwight, the appeal of the place lay in its proportions, which epitomized eighteenth-century ideas about the proper balance between the natural world and the built environment. Northampton evoked equally powerful visions in others. of saving grace and redemption, while to Swedish soprano Jenny Lind it was simply a paradise. During the 1920s Northampton became Main Street USA - a reassuring backdrop for the presidency of the city's former mayor Calvin Coolidge. But for Smith College professor Newton Arvin, it was the dark side of small-town America which surfaced during the early decades of the Cold War. From witchcraft trials to Shays's Rebellion, from Sojourner Truth and the utopian abolitionists to Sylvester Graham and diet reform, many of the main currents of American life have flowed through this New England river town. Called Paradise brings together a broad range of writing on the city's rich heritage. Edited with an introduction by Kerry W. Buckley, the volume includes essays by John Demos, Christopher Clark, Nell Irvin Painter, David W. Blight, and other distinguished scholars who have found this region fertile ground for research. Together their writings not only chronicle the history of a place but illustrate, in microcosm, the dynamics at work in the larger sweep of America's past.
Among the enduring stereotypes of early American history has been the colonial Goodwife, perpetually spinning, sewing, darning, and quilting, answering all of her family's textile needs. But the Goodwife of popular historical imagination obscures as much as she reveals; the icon appears to explain early American women's labor history, while at the same time allowing it to go unexplained. Tensions of class and gender recede, and the largest artisanal trade open to early American women is obscured in the guise of domesticity. In this book, Marla R. Miller illuminates the significance of women's work in the clothing trades of the early Republic. Drawing on diaries, reminiscences, letters, ledgers, and material culture, she explores the contours of working women's lives in rural New England, offering a nuanced view of their varied ranks and roles - skilled and unskilled, black and white, artisanal and laboring - as producers and consumers, clients and crafts-women, employers and employees
This multi-functional reference is a useful tool to find information about history-related organizations and programs and to contact those working in history across the country.
Presented for the first time, the richly illustrated findings of the Southeastern Massachusetts Furniture project at Winterthur Museum