Download Free A Direction For The Gouernment Of The Tongue According To Gods Word Book in PDF and EPUB Free Download. You can read online A Direction For The Gouernment Of The Tongue According To Gods Word and write the review.

This ninth volume brings together nine of Perkins’s lesser known practical treatises and, by so doing, introduces the reader to important facets of his religion of the heart. It opens with two works on what it means to look to Christ: A Declaration of the True Manner of Knowing Christ Crucified and The True Gain . This is followed by A Faithful and Plain Exposition upon Zephaniah 2:1–2, which gives an earnest call to repentance, and The Nature and Practice of Repentance as well as The Combat of the Flesh and Spirit , which give systematic explanations of the doctrine of repentance. A Treatise of Man’s Imaginations discusses man’s desperate need for renewal of mind. A Direction for the Government of the Tongue According to God’s Word argues that one’s speech is the most significant change related to a renewed heart. The volume finishes with A Discourse of the Damned Art of Witchcraft and A Resolution to the Country Man on Prognostication , which rebuke those who dally with occult practices. Each treatise in this volume occupies an important place in Perkins’s experiential piety—what he himself described as “the more sincere profession of religion.”
Scripture opens itself up by its own words and interpretation. William Perkins is the father of Puritanism, often remembered for his preaching manual, The Art of Prophecy. Much attention has been given to the Puritan movement, especially in its later forms, but comparatively little has been given to Perkins. In The Gloss and the Text, Andrew Ballitch provides a thorough examination of the hermeneutical principles that governed Perkins's approach to biblical interpretation. Perkins taught that the Bible was God's word as well as the interpretation of God's word. Interpretation is no private matter; it is a public gift of the Spirit of God for the people of God. Ballitch's study sheds light on Perkins as a preacher, theologian, and student of Scripture.
"Hamlet's "mortal coil" - which eventually and inevitably we "shuffle off" when we enter the sleep of death, as he puts it - has never been static. Indeed how the human body and its component parts have been understood, individually and collectively, has shifted across time, shaped by culture, religion, and technology. In this probing and provocative new book, Fay Bound Alberti uses the global histories of medicine, pathology, and emotions to explore these changing notions. Each chapter uses a different focus - bones, skin, sexual organs, spine, tongue, heart - revealing how each body part connects to a peculiarly Western notion of expertise, one which appropriates one element from the others and ignores their interconnection. The themes examined in This Mortal Coil - the nature of identity, the relationship between the brain and the heart, and the gendering of our physical and emotional selves - are enduring ones, but perceptions of the "perfect body" or "perfect health" evolve constantly. Moving between the surface and what lies beneath, Alberti provides a rich and fascinating accounting of each part, shedding light on the role scientific developments - from medical care to plastic surgery to cloning - plays in how we look at ourselves. Written with insight and narrative verve, Alberti's provocative book reveals how the mortal coil can be unwound, and looked at as if for the first time"--
Situates the act of critical reading in the context of poetic aesthetics. This volume situates the act of critical reading in the context of poetic aesthetics. Running alongside recent post-structuralist theories, the textuality of such matters as literary discourse, history, media, philosophy and religion has emerged as a focal point of debate in the humanities. The essays here examine how questions of the canon, genres, and transformation of texts challenge the present epistemological situation; taking an interdisciplinary approach to textual readings, their methodology is drawn from a range of literary figures and critics, including Lessing, Kafka, Walter Benjamin, and Derrida. The study also addresses the controversial predicament of subjectivity asone of the key terms in current literary and historical scholarship.
Reprint of the original, first published in 1872.
Winner of the 2019 Warburg Prize from the Royal Swedish Academy of Letters, History and Antiquities for an outstanding work of literary history This is a study of the representation of witches in early modern English drama, organised around the themes of scepticism and belief. It covers the entire early modern period, including the Restoration, and pays particular attention to three plays in which witchcraft is central: The Witch of Edmonton (1621), The Late Lancashire Witches (1634) and The Lancashire Witches (1681). Always a controversial issue, witchcraft has traditionally been seen in terms of a debate between ‘sceptics’ and ‘believers’. This book argues instead that, while the concepts of scepticism and belief are central to an understanding of early modern witchcraft, they are more fruitfully understood not as static and mutually exclusive positions within the witchcraft debate, but as rhetorical tools used by both sides.