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Reprint of the original, first published in 1875.
The Littlehampton Libels tells the story of a poison-pen mystery that led to a miscarriage of justice in the years following the First World War. There would be four criminal trials before the real culprit was finally punished, with the case challenging the police and the prosecuting lawyers as much any capital crime. When a leading Metropolitan Police detective was tasked with solving the case, he questioned the residents of the seaside town of Littlehampton about their neighbours' vocabularies, how often they wrote letters, what their handwriting was like, whether they swore -- and how they swore, for the letters at the heart of the case were often bizarre in their abuse. The archive that the investigation produced shows in extraordinary detail how ordinary people could use the English language in inventive and surprising ways at a time when universal literacy was still a novelty. Their personal lives, too, had surprises. The detective's inquiries and the courtroom dramas laid bare their secrets and the intimate details of neighbourhood and family life. Drawing on these records, The Littlehampton Libels traces the tangles of devotion and resentment, desire and manipulation, in a working-class community. We are used to emotional complexity in books about the privileged, but history is seldom able to recover the inner lives of ordinary people in this way.
Most of the world’s Extraterritorial Englishes stem historically from southern English dialects - Southern England having been the most densely-habited part of the country. However, the dialects of Southern England remain under-studied. The papers in this volume consider both diachronic and synchronic aspects of the dialects of Norfolk, Suffolk, Essex, Kent, Sussex, Dorset, Somerset, Devon, Cornwall, Gloucestershire and the Isles of Scilly.
While it is accepted that the pronunciation of English shows wide regional differences, there is a marked tendency to under-estimate the extent of the variation in grammar that exists within the British Isles today. In addressing this problem, Real English brings together the work of a number of experts on the subject to provide a pioneer volume in the field of the grammar of spoken English.
With screaming demons in Wealdon copses and dragons lurking in bottomless ponds, the folk tales of Sussex truly represent the diversity of the area. Meet knuckers and willocks, mawkins and marsh monsters, the Piltdown Man, Lord Moon of Amberley Swamp and the princess of the Mixon Hole. There is also something terrible crawling to Crawley from Gatwick, which develops a degraded appetite in a bin... From ghosts and madmen to witches and wise women, Michael O'Leary reveals many of the hidden horrors of Sussex – horrors that can be found in the most beautiful places, or that lurk beneath the seemingly mundane. Amid these dark tales are stories of humour and silliness, of love, lust and passion.
Considers Tennyson's poems, from the elegiac In Memoriam to the Arthurian Idylls of the King, in the context of Victorian interest in philology. How do words come to mean what they mean, and how can we hope to use them precisely when they are constantly changing? The urge to find a word's meaning through its etymology is an old and enduring one, gaining new momentum in the nineteenth century as advocates of the so-called "new philology" argued that major revelations were to be found within the biographies of everyday expressions. Developing hand in hand with a growing national interest in all things "Anglo-Saxon", language study simultaneously seemed to offer a pathway to the roots of English culture and to illuminate human history on a grand scale. Alfred Tennyson (1809-1892) came of age in the midst of this exploding popularity of both Anglo-Saxonism and philology, and he did so among men who were to be responsible for advancing both fields. This study places this preeminent Victorian poet in the context of the period's preoccupation with the history of language. It shows that the intellectual milieu that surrounded him encouraged him to revive archaic words and to reveal the literal metaphors lurking within his words. Moreover, his familiarity with past forms of English enabled him to arrange the connotations of his vocabulary for precise effect. Surveying his techniques at every scale, from individual vowels to narratives, this book argues that Tennyson held a more optimistic view of language than scholars have generally supposed, and shows the sophistication of his philological techniques.