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Most of us are not old enough to remember the sinking of the Titanic, since most of us were not even born, but almost everyone has a vivid, mental picture of the last minutes in the life of the huge, luxurious liner that was supposed to be unsinkable. We can see the great ship, ablaze with lights and tilting severely by the bow as the lifeboats were slowly moving away. We can only imagine what it must have been like to sit in one of those small boats and look back, or stand on the slanting deck when the realization that the unsinkable ship was going down, must have struck even the most faithful. The "women and children" mandate, though it was not followed to the letter, is an integral part of the legend, and the cause of more than one childhood nightmare, in which husbands and fathers were forever lost beneath the icy black water. Since it sank on April 14, 1912, the Titanic has been the subject of an endless stress of books, pamphlets, magazine articles, films, and even in the 1930s a country song was written by Roy Acuff, "What a Shame, When That Gre-e-eat Ship Went Down." It has been 90 years since the sinking of the Titanic, but the story, as told by Anna Thomas, is as compelling and popular as any ever written.
“If you loved Wilder’s books, or if you garden with a child who loves her books, you will enjoy the read.” —San Francisco Chronicle In this revealing exploration of Laura Ingalls Wilder’s deep connection with the natural world, Marta McDowell follows the wagon trail of the beloved Little House series. You’ll learn details about Wilder’s life and inspirations, pinpoint the Ingalls and Wilder homestead claims on authentic archival maps, and learn how to grow the plants and vegetables featured in the series. Excerpts from Wilder’s books, letters, and diaries bring to light her profound appreciation for the landscapes at the heart of her world. Featuring the beloved illustrations by Helen Sewell and Garth Williams, plus hundreds of historic and contemporary photographs, The World of Laura Ingalls Wilder is a treasure that honors Laura’s wild and beautiful life.
Gardening, more than most outdoor activities, has always attracted a cult of devotedly literate practitioners; people who like to dig, it would appear, also like to write. And many of them write exceedingly well. In this thoughtful, personal, and embracing consideration of garden writing, garden historian Elizabeth Barlow Rogers selects and discusses the best of these writers. She makes her case by picking delightful examples that span two centuries, arranging the writers by what they did and how they saw themselves: nurserymen, foragers, conversationalists, philosophers, humorists, etc. Her discussions and appreciations of these diverse personalities are enhanced and supported by informed appraisals of their talents, obsessions, and idiosyncrasies, and by extensive extracts from their writings. Rogers provides historical background, anecdotal material, and insight into how these garden writers worked. And wherever appropriate, she illustrates her story with images from their books, so you can not only read what they wrote but also see what they were describing. Since gardens are by their very nature ephemeral, these visual clues from the pages of their books, many reproduced in color, are as close as we will come to the originals. What makes Writing the Garden such a joy to read is that it is not simply a collection of extracts, but real discussions and examinations of the personalities who made their mark on how we design, how we plant, and how we think about what is for many one of life's lasting pleasures. Starting with "Women in the Garden" (Jane Loudon, Frana-ces Garnet Wolseley, and Gertrude Jekyll) and concluding with "Philosophers in the Garden" (Henry David Thoa-reau, Michael Pollan, and Allen Lacy), this is a book that encompasses the full sweep of the best garden writing in the English language. Writing the Garden is co-published by the New York Society Library and the Foundation for Landscape Studies in association with David R. Godine, Publisher.
This personal diary features 97 blank wide ruled pages perfect for logging your thoughts, memories, and ideas. At 5"x7", your journal is easy to carry with you, and your contact information can be entered on the front page so your journal will never be lost. Personal Journal - 100 pages - All Ages. Original Photography by Izzy Viker. Interior design by Kevin Moyers.