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This book challenges two prevalent assumptions about the Mahābhārata: that its narrative is inherently incapable of achieving a conclusion and that its ending, the Svargārohaṇa parva, is an extraneous part of the text. While the exegetic traditions have largely tended to suppress, ignore, or overlook the importance of this final section, Shalom argues that the moment of the condemnation of dharma that occurs in the Svargārohaṇa parva, expressed by the epic protagonist, Yudhiṣṭhira, against his father, Dharma, is of crucial importance. It sheds light on the incessant preoccupation and intrinsic dismay towards the concept of dharma (the cardinal theme around which the epic revolves) expressed by Mahābhārata narrators throughout the epic, and is thus highly significant for understanding the Mahābhārata narrative as a whole.
Bringing together original contributions from scholars across the world, this volume traces the history of travel writing from antiquity to the Internet age. It examines travel texts of several national or linguistic traditions, introducing readers to the global contexts of the genre. From wilderness to the urban, from Nigeria to the polar regions, from mountains to rivers and the desert, this book explores some of the key places and physical features represented in travel writing. Chapters also consider the employment in travel writing of the diary, the letter, visual images, maps and poetry, as well as the relationship of travel writing to fiction, science, translation and tourism. Gender-based and ecocritical approaches are among those surveyed. Together, the thirty-seven chapters here underline the richness and complexity of this genre.
Ravindra Nath Sharma, b. 1941, Indian library and information scientist; contributed articles.