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A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
The Ivory Workers of the Middle Ages by Anna Maria Cust: In this historical work, Anna Maria Cust delves into the intricate world of ivory craftsmanship during the Middle Ages. Through meticulous research and examination of historical records, the book offers insights into the techniques, artistry, and significance of ivory carving in medieval societies. Key Aspects of the Book "The Ivory Workers of the Middle Ages": Medieval Artistry: The book explores the craftsmanship and artistic achievements of ivory workers, revealing the beauty and intricacy of their creations. Societal Significance: Cust delves into the cultural and social context of ivory carving, shedding light on the roles of ivory objects in medieval life and rituals. Historical Documentation: "The Ivory Workers of the Middle Ages" draws from historical sources to provide a comprehensive understanding of the practices and traditions of ivory workers in the medieval era. Anna Maria Cust was an art historian and writer born in 1839. Her works focused on the study of medieval art and craftsmanship, with particular attention to ivory carving. "The Ivory Workers of the Middle Ages" exemplifies her dedication to preserving and sharing the rich history and artistic heritage of past civilizations.