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This book fills a noticeable gap in Forsyth studies. It provides readers interested in the thought of Forsyth with a way of reading and critiquing his corpus, and that in a way that takes due account of, and elucidates, the theological, philosophical and historical locale of his thought. Goroncy explores whether the notion of 'hallowing' provides a profitable lens through which to read and evaluate Forsyth's soteriology. He suggests that the hallowing of God's name is, for Forsyth, the way whereby God both justifies himself and claims creation for divine service. This book proposes that reading Forsyth's corpus as essentially an exposition of the first petition of the Lord's Prayer is an invitation to better comprehend not only his soteriology but also, by extension, his broader theological vision and interests.
Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia¿s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent¿s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia¿s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney¿s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.
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