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Translated From The High Dutch Printed In Amsterdam, 1672 (Selected Pages From 667-829).
Since antiquity Ceylon?--?long known as Serendib, now Sri Lanka?--?has been renowned for its beauty and its wealth. Shipwrecked on its shores, Sindbad the Sailor found it a land of "unrivalled splendor and magnificence," the air filled with the fragrance of spices and rare gems glittering in the streams of a lofty mountain. He returned home loaded with riches, as many were to do after him: Portuguese, Dutch, and finally, in the nineteenth century, the British. Serendib tells the stories in the voices and through the eyes of those who ultimately made and lost fortunes not in the cinnamon and pearls that first lured them but in coffee and tea; it tells the stories, too, of those who came to govern, to convert, to hunt, to unearth the island's antiquities, and simply to delight in its natural wonders.
This 1817 book traces the history of Ceylon (Sri Lanka) from the classical period to 1815.
Everyday life in the Crown colony of Ceylon (Sri Lanka) was characterized by a direct encounter of people with modernity through the consumption and use of foreign machines – in particular, the Singer sewing machine, but also the gramophone, tramway, bicycle and varieties of industrial equipment. The ‘metallic modern’ of the 19th and early 20th century Ceylon encompassed multiple worlds of belonging and imagination; and enabled diverse conceptions of time to coexist through encounters with Siam, the United States and Japan as well as a new conception of urban space in Colombo. Metallic Modern describes the modern as it was lived and experienced by non-elite groups – tailors, seamstresses, shopkeepers, workers – and suggests that their idea of the modern was nurtured by a changing material world.
This book brings to life for the first time the remarkable story of James Taylor, ‘father of the Ceylon tea enterprise’ in the nineteenth century. Publicly celebrated in Sri Lanka for his efforts in transforming the country’s economy and shaping the world’s drinking habits, Taylor died in disgrace and remains unknown to the present day in his native Scotland. Using a unique archive of Taylor’s letters written over a forty-year period, Angela McCarthy and Tom Devine provide an unusually detailed reconstruction of a British planter’s life in Asia at the high noon of empire. As well as charting the development of Ceylon’s key commodities in the nineteenth century, the book examines the dark side of planting life including violence and conflict, oppression and despair. A range of other fascinating themes are evocatively examined, including graphic depictions of the Indian Mutiny, ‘race’ and ethnicity, migration, environmental transformation, cross-cultural contact, and emotional ties to home.