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Geoff Williams is a freelance journalist who regularly writes for U.S. News & World Report and has written for numerous other publications, including CNNMoney.com, Life and Reuters. He is also the author of Washed Away: How the Great Flood of 1913, America's Most Widespread Natural Disaster, Terrorized a Nation and Changed It Forever. He lives with his two daughters in Loveland, Ohio.
A study of the Salem witch trials applies contemporary psychology to the hysteria of the late 1600s, analyzing the Puritan mind and linking the trials to the "witch hunts" of the twentieth century.
“Historian Hill utilizes her extensive research on the Salem Witch Trials to bone-chilling effect in this riveting tale of a town spiraling out of control.” —Booklist Deliverance from Evil brings to life the Salem witch trials, one of the most uncanny times in our nation’s history. Young girls in trances pointed out neighbors, leaders, relatives—over 150 people were arrested, with many hanged for their supposed sins. Frances Hill, author of A Delusion of Satan, brings her deep historical and political understanding together with her honed skills as a novelist to produce a picture of the trials both realistic and emotional. She has written an extraordinary and gripping novel of hysteria, power plays, and love in colonial America. “Frances Hill is a renowned historian of the period who has turned to fiction—with great success—to get into the minds and souls of those involved based, for the most part, on real people. It is hard not to feel oneself caught up in the hysteria and religious fervour of those horrifying events.” —Daily Mail “Hill’s done a fine job with a subject that’s inspired countless accounts, adding historical content that makes this treatment stand out from the rest.” —Publishers Weekly “With her admirable gift for dialogue and her ability to depict a time and place with telling incident, Hill is a welcome recruit to the ranks of historical novelists.” —Historical Novel Society
The Salem Witch Trials is based on over twenty-five years of archival research--including the author's discovery of previously unknown documents--newly found cases and court records. From January 1692 to January 1697 this history unfolds a nearly day-by-day narrative of the crisis as the citizens of New England experienced it.
This book looks beyond single-factor interpretations to offer a far more nuanced view of why the Salem witch-hunt spiraled out of control. Rather than assigning blame to a single perpetrator, Ray assembles portraits of several major characters, each of whom had complex motives for accusing his or her neighbors. In this way, he reveals how religious, social, political, and legal factors all played a role in the drama.
From a bestselling author, an “incendiary and uproarious” assault on the pretensions of scientific atheists (National Review) Militant atheism is on the rise. Prominent thinkers including Richard Dawkins, Sam Harris, Daniel Dennett, and Christopher Hitchens have published best-selling books denigrating religious belief. And these authors are merely the leading edge of a larger movement that includes much of the scientific community. In response, mathematician David Berlinski, himself a secular Jew, delivers a biting defense of religious thought. The Devil's Delusion is a brilliant, incisive, and funny book that explores the limits of science and the pretensions of those who insist it is the ultimate touchstone for understanding our world.
The Witchcraft Delusion of 1692 is such an interesting resource because it was published nearly 200 years after the Salem Witch Trials, and thus it reflects the radically changed attitudes toward the Trials over that time.
Contains primary source material.
Salem Witchcraft is one of the most famous books published on the Salem Witch Trials. Author Charles Upham was a foremost scholar on the subject, as well as a Massachusetts senator. Only volume one of the series is included in this Anthology.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • Publishers Weekly New Hyde Hospital’s psychiatric ward has a new resident. It also has a very, very old one. Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die? The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons. Praise for The Devil in Silver “A fearless exploration of America’s heart of darkness . . . a dizzying high-wire act.”—The Washington Post “LaValle never writes the same book and his recent is a stunner. . . . Fantastical, hellish and hilarious.”—Los Angeles Times “It’s simply too bighearted, too gentle, too kind, too culturally observant and too idiosyncratic to squash into the small cupboard of any one genre, or even two.”—The New York Times Book Review “Embeds a sophisticated critique of contemporary America’s inhumane treatment of madness in a fast-paced story that is by turns horrifying, suspenseful, and comic.”—The Boston Globe “LaValle uses the thrills of horror to draw attention to timely matters. And he does so without sucking the joy out of the genre. . . . A striking and original American novelist.”—The New Republic