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Euphemia Martin's seventeenth gripping mystery is a nail-biting adventure of espionage and suspense set at the beginning of the Great War. When Fitzroy saved his valet, Griffin, from the hangman's noose after the death of his wife, the facts behind those events were known only to the two of them. Now, years later, the body of a dead woman has been discovered, mutilated in exactly the same way as Griffin's wife, and troubling secrets from the past cast a deadly shadow over those involved. As the war intensifies, Fitzroy is sent on an overseas mission, Griffin is arrested, and a recovering Euphemia Martins is left to get to the bottom of the situation. With her brother-in-law Hans, and Fitzroy's dog, Jack, in tow, she journeys to the University of Edinburgh's medical school, where Griffin studied many years ago, to uncover the shocking truth behind his wife's murder...
"Shed[s] new light on the life of Lizzie Andrew Borden and, at the same time, provide a unique, and previously neglected, look at the social history of Fall River during the nineteenth and early-twentieth centuries." [from publisher website]
The popular image of Scotland is dominated by widely recognized elements of Celtic culture. But a significant non-Celtic influence on Scotland's history has been largely ignored for centuries? This book argues that much of Scotland's history and culture from 1100 forward is Jewish. The authors provide evidence that many of the national heroes, villains, rulers, nobles, traders, merchants, bishops, guild members, burgesses, and ministers of Scotland were of Jewish descent, their ancestors originating in France and Spain. Much of the traditional historical account of Scotland, it is proposed, rests on fundamental interpretive errors, perpetuated in order to affirm Scotland's identity as a Celtic, Christian society. A more accurate and profound understanding of Scottish history has thus been buried. The authors' wide-ranging research includes examination of census records, archaeological artifacts, castle carvings, cemetery inscriptions, religious seals, coinage, burgess and guild member rolls, noble genealogies, family crests, portraiture, and geographic place names.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
What are the most popular names of the Ambo people in Namibia? Why do so many Ambos have Finnish first names? What do the African names of these people mean? Why is the namesake so important in Ambo culture? How did the long independence struggle affect personal naming, and what are the latest name-giving trends in Namibia? This study analyses the changes in the personal naming system of the Ambo people in Namibia over the last 120 years, starting from the year 1883 when the first Ambos received biblical and European names at baptism. The central factors in this process were the German and South African colonisation and European missionary work on the one hand, and the rise of African nationalism on the other hand. Eventually, this clash between African and European naming practices led to a new and dynamic naming system which includes elements of both African and European origin.
With Genealogy as Found in Early Dutch Church Records, State and Government Documents, Together with Sketches of Colonial Times, Old Log Cabin Days, Indian Wars, Pioneer Hardships, Social Customs, Dress and Mode of Living of the Early Forefathers