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Guilty until proven innocent . . . It's hard for anyone to have their work scrutinised in public. For Amsterdam-based detective Lotte Meerman, listening to the Right to Justice podcast as they dissect one of her old cases is made even more harrowing as every episode makes fresh accusations of a bungled operation. As the podcast reveals hidden facts about the arrest of Ruud Klaver, the one thing Lotte is still convinced of is that it was Ruud who was guilty of the murder of a student near Rembrandt Square ten years earlier. However, when Ruud Klaver then dies in suspicious circumstances, only hours after the final podcast proving his innocence is broadcast, Lotte has to accept that maybe she was wrong. With the dead man's family passionately against her inclusion in the investigation into his death, the only way for Lotte to discover who killed him is by finding out where she went wrong all those years ago - if indeed she did go wrong. As Lotte digs deeper and involves colleagues from her past, it starts to look like the murder in Rembrandt Square was part of an even bigger deception . . . Praise for Anja de Jager 'Captures the feel of Amsterdam . . . entirely convincing' Daily Mail '. . . a novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' Sunday Times 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'An impressive debut . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam in the vicious grip of a bitter winter is the other star here, beautiful and deadly' Cath Staincliffe
AMSTERDAM 1980 A city in turmoil: rife with drug abuse, riots and terror threats in the run-up to the coronation of Queen Beatrix. As Amsterdam's police force is overwhelmed by the civil war between law enforcement and squatters, local neighbourhood policeman Piet Huizen is seconded from his hometown Alkmaar to this cauldron. It should be daunting but he feels strangely liberated from the responsibilities of home and everyday work. Together with his three colleagues from across the country, he's only there temporarily and can even laugh at his own provincial outlook. Until a student goes missing. AMSTERDAM NOW Detective Lotte Meerman doesn't want to hear about her father Piet Huizen's past because his month in Amsterdam in 1980 led directly to her parent's divorce. The less she knows, the better it is. Then two men die. Their deaths are not treated as suspicious but Lotte realises there is something that links the deceased men: they were both children of her father's former team-mates. And the more she investigates the circumstances of their deaths, the more Lotte comes to realise that she could be next on the list... Praise for Anja de Jager: 'Succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive' The Times
'A novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' Sunday Times __________________ Keeping it in the family... After her painful divorce four years ago, Lotte Meerman has kept well away from Arjen, her ex-husband, and his new wife Nadia. So when they both visit her at central Amsterdam's police station to report Nadia's father missing, Lotte is shocked - but hides it well. Then two days later a dog walker reports the discovery of a body near the Orange Locks, built to keep the sea out of Amsterdam, and the missing man is identified as Nadia's father. Lotte wants to stay away from the investigation but his widow, Margreet, keeps searching her out as she has no idea it was her daughter who was pivotal in the marriage break-up. She wrongly identifies Lotte as a friend and tells her that Patrick had been a great husband and father, and a successful businessman. But when Lotte digs into Patrick's past, she discovers instead a failing company and a man with a history of making unwanted sexual advances to his female employees. Margreet is unaware of any of this. And the more Lotte investigates the dead man's past, the more she finds to suggest that her ex-husband is somehow involved in his death... ______________________ Praise for Anja de Jager: 'Succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive' The Times
'A novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' SUNDAY TIMES 'Succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' SUNDAY EXPRESS __________ When Lotte Meerman is faced with the choice of interviewing the latest victim in a string of assaults or talking to a man who claims he really isn't dead, she picks the interview. After all, the man cannot possibly be who he claims he is: Andre Nieuwkamp was murdered as a teenager over thirty years ago, and it had been a police success story nationwide when the skeletal remains found in the dunes outside Amsterdam had been identified, and the murderer subsequently arrested. Yet concerned about this encounter, Lotte goes to the Hotel Mondrian the next day to talk to the man, but what she finds is his corpse. And his passport shows that he wasn't Andre Nieuwkamp as he said, but Theo Brand, a British citizen. Subsequent DNA tests reveal that the man was Andre Nieuwkamp so now Lotte has a double mystery on her hands and needs to figure out not only why Andre waited so long to tell anyone he was still alive, but also who was the teenager murdered in the dunes all those decades ago. ___________ Praise for Anja de Jager 'An impressive debut . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam in the vicious grip of a bitter winter is the other star here, beautiful and deadly' Cath Staincliffe 'A tightly written, cleverly plotted whodunit that keeps the reader guessing almost to the last page' Irish Examiner' 'de Jager manages to circumvent the overfamiliar. The evocation of a bitterly cold Amsterdam is worthy of Nicholas Freeling's Van der Valk books' The Independent
The first Lotte Meerman mystery Amsterdam-based Lotte Meerman is a cold case detective recovering from the emotional devastation of her previous investigation. She is angry and mentally scarred - but being a police officer is the only thing she wants to do. A tip-off leads Lotte to an unresolved ten-year-old murder case in which her father was the lead detective. ANd when she discovers irregularities surrounding the original investigation that make him a suspect, she decides to cover for him. Now she has to find the real murderer before she's discovered, otherwise her father will be arrested and she will lose her job, the one thing in life that is keeping her focused and sane . . . Praise for Anja de Jager 'An absorbing read with the smack of reality' Daily Mail 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam is the other star here, beautiful and deadly' Cath Staincliffe
'. . . a novel brilliantly evoking the isolation of a woman with an unbearable weight on her conscience' Sunday Times Where do your loyalties lie? With the truth or with your colleagues? Drinking outside a canal-side bar on a perfect summer's evening, Lotte is witness to the fatal stabbing of Piotr Mazur, a Polish security guard working in one of the city's department stores. As Lotte starts to investigate Mazur's death, all the facts point to him being a small-time drug dealer, and his murder is treated as a minor complication in another team's larger narcotics case. Yet Lotte remains unconvinced; having viewed the man's ordered, unchaotic flat and spoken to his colleagues, she can't help but believe he was being set up. And in the bar, moments before Piotr was killed, Lotte saw a woman pass him a photo of a child. Shebecomes convinced that his death wasn't a revenge-killing over drugs at all, and has to now think carefully about what to do for the best, especially as key evidence in Mazur's murder comes from someone she knows she cannot trust. Praise for Anja de Jager 'An absorbing read with the smack of reality' Daily Mail 'The book succeeds as a portrait of both a city and, in its heroine, a delightfully dysfunctional personality' Sunday Express 'Impressive . . . De Jager is as good on dodgy family relations as she is on police procedure' The Times 'Detective Lotte Meerman is damaged by her past and tortured by the dreadful mistake she's made at work . . . Amsterdam is the other star here, beautiful and deadly' Cath Staincliffe
Until now he has remained a mystery, leaving only a few sentences, the letters of his bankruptcy, a mistress's notarized complaint - and the most glorious, compassionate paintings ever to astonish the eye. The first pure biography of this enigmatic legend is a fascinating detective story in which, clue by clue, the man himself emerges. Charles Mee, historian and playwright, renders a finely textured portrait of the artist against a richly described background of seventeenth-century life. He captures the human Rembrandt, the ordinary man and unexpected genius. We see the youthful, arrogant poseur, son of a small-town miller, seeking a life of art amid the cosmopolitan bustle of Amsterdam. We see the outsider struggling to rise without patron or court commissions, failing as an entrepreneur while immortalizing simple people in works of haunting complexity. We see the inspired moments behind masterworks like The Anatomy Lesson and Nightwatch and all the conflicting guises of their creator - bohemian and aspiring bourgeois, husband and lover, honored genius, penurious vagabond, and finally, the essential dichotomy - the egocentric master who, despite his intense self-absorption, captured the diversity of humanity with extraordinary empathy, sensitivity, and grace.
A captivating exploration of the little-known story of Rembrandt’s formative years by a prize-winning biographer. Rembrandt van Rijn’s early years are as famously shrouded in mystery as Shakespeare’s, and his life has always been an enigma. How did a miller’s son from a provincial Dutch town become the greatest artist of his age? How in short, did Rembrandt become Rembrandt? Seeking the roots of Rembrandt’s genius, the celebrated Dutch writer Onno Blom immersed himself in Leiden, the city in which Rembrandt was born in 1606 and where he spent his first twenty-five years. It was a turbulent time, the city having only recently rebelled against the Spanish. There are almost no written records by or about Rembrandt, so Blom tracked down old maps, sought out the Rembrandt family house and mill, and walked the route that Rembrandt would have taken to school. Leiden was a bustling center of intellectual life, and Blom, a native of Leiden himself, brings to life all the places Rembrandt would have known: the university, library, botanical garden, and anatomy theater. He investigated the concerns and tensions of the era: burial rites for plague victims, the renovation of the city in the wake of the Spanish siege, the influx of immigrants to work the cloth trade. And he examined the origins and influences that led to the famous and beloved paintings that marked the beginning of Rembrandt’s celebrated career as the paramount painter of the Dutch Golden Age. Young Rembrandt is a fascinating portrait of the artist and the world that made him. Evocatively told and beautifully illustrated with more than 100 color images, it is a superb biography that captures Rembrandt for a new generation.
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