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Winner of the both the Edgar Award for Best Fact Crime and the CWA Non-Fiction Dagger from the author of City of Devils Chronicling an incredible unsolved murder, Midnight in Peking captures the aftermath of the brutal killing of a British schoolgirl in January 1937. The mutilated body of Pamela Werner was found at the base of the Fox Tower, which, according to local superstition, is home to the maliciously seductive fox spirits. As British detective Dennis and Chinese detective Han investigate, the mystery only deepens and, in a city on the verge of invasion, rumor and superstition run rampant. Based on seven years of research by historian and China expert Paul French, this true-crime thriller presents readers with a rare and unique portrait of the last days of colonial Peking.
The brutal murder of 19-year-old Pamela Werner in the city of Peking one night in January 1937 shocked the world, but the police never found or named the murderer. A best-selling book, Midnight in Peking, declared the murderer to be an American dentist, but English policeman Graeme Sheppard, 30 years with Scotland Yard, decided that conclusion was flawed, spent years investigating all aspects of the case and came up with an entirely different conclusion. So who did it? Who killed Pamela? This book provides never-revealed evidence and a different perpetrator.
An innovative exploration of China's modern transformation through the history of homicide investigation and forensic science in Republican Beijing. Daniel Asen examines the process through which imperial China's tradition of forensic science came to serve the needs of a changing state and society under dramatically new circumstances.
This audacious and illuminating memoir by Richard Baum, a senior China scholar and sometime policy advisor, reflects on forty years of learning about and interacting with the People’s Republic of China, from the height of Maoism during the author’s UC Berkeley student days in the volatile 1960s through globalization. Anecdotes from Baum’s professional life illustrate the alternately peculiar, frustrating, fascinating, and risky activity of China watching — the process by which outsiders gather and decipher official and unofficial information to figure out what’s really going on behind China’s veil of political secrecy and propaganda. Baum writes entertainingly, telling his narrative with witty stories about people, places, and eras. China Watcher will appeal to scholars and followers of international events who lived through the era of profound political and academic change described in the book, as well as to younger, post-Mao generations, who will enjoy its descriptions of the personalities and political forces that shaped the modern field of China studies.
For two years before and after the 1948 Communist Revolution, David Kidd lived in Peking, where he married the daughter of an aristocratic Chinese family. "I used to hope," he writes, "that some bright young scholar on a research grant would write about us and our Chinese friends before it was too late and we were all dead and gone, folding into the darkness the wonder that had been our lives." Here Kidd himself brings that wonder to life.
In 1983 Arthur Miller was invited to direct Death of a Salesman at the Beijing People's Theatre, with Chinese actors. While there, he kept a diary: this book tells the story of Miller's time in China, and of the paradoxes of directing in a Communist country a tragedy of American capitalism.
"A long-awaited memoir by the celebrated physicist whose clashes with the Chinese regime helped inspired the Tiananmen Square protests describes how in spite of his scientific contributions he was sentenced to hard labor for decades and eventually sought asylum from the U.S., "--NoveList.
A haunting and delicately observed description of the last days of Mandarin culture before the revolution, 'Peking Story' is a testimony to a way of life, a culture, an aesthetic and a civilisation which has since completely disappeared.
'Morrison was the first Australian to break into Fleet Street's elite corps of foreign correspondents. Everyone who followed owes him an enormous debt. He set the benchmark: courage, truthfulness and the need to be there, face to face. His amazing life, splendidly and succinctly told, is an inspiration. If Morrison has been largely forgotten, this book will change that forever.' - Phillip Knightley, author of The First Casualty, a history of war correspondents This is the compelling story of 'Chinese Morrison', who bestrode continents, helped bring down a dynasty and chronicled his times so brilliantly that he not only wrote history but changed it as well. In 1882, at the age of 19, George Ernest Morrison's strong sense of courage and devotion to reporting the truth led him to expose the Australian Kanaka slave trade. It marked the beginning of what was to be an illustrious career. In the decades that followed, Morrison achieved international fame for his work as a correspondent for the London Times in the decadent and dangerous Chinese capital of Peking, not least when he helped to organise the defence of the legations during the 55-day siege of the Boxer Uprising. Then, as adviser to the fledgling Chinese Government, he was a pivotal figure in the fall of the last Emperor and the birth of the Chinese Republic. Peter Thompson and Robert Macklin have written a powerful and gripping biography of an Australian journalist and adventurer who paused only to tell his stories and to plan his next foray among the great events and leading figures of his day.
A humorous and moving coming-of-age story that brings a unique, not-quite-outsider’s perspective to China’s shift from ancient empire to modern superpower Raised in a strict Chinese-American household in the suburbs, Val Wang dutifully got good grades, took piano lessons, and performed in a Chinese dance troupe—until she shaved her head and became a leftist, the stuff of many teenage rebellions. But Val’s true mutiny was when she moved to China, the land her parents had fled before the Communist takeover in 1949. Val arrives in Beijing in 1998 expecting to find freedom but instead lives in the old city with her traditional relatives, who wake her at dawn with the sound of a state-run television program playing next to her cot, make a running joke of how much she eats, and monitor her every move. But outside, she soon discovers a city rebelling against its roots just as she is, struggling too to find a new, modern identity. Rickshaws make way for taxicabs, skyscrapers replace hutong courtyard houses, and Beijing prepares to make its debut on the world stage with the 2008 Olympics. And in the gritty outskirts of the city where she moves, a thriving avant-garde subculture is making art out of the chaos. Val plunges into the city’s dizzying culture and nightlife and begins shooting a documentary, about a Peking Opera family who is witnessing the death of their traditional art. Brilliantly observed and winningly told, Beijing Bastard is a compelling story of a young woman finding her place in the world and of China, as its ancient past gives way to a dazzling but uncertain future.