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John Brewster Jr. (1766-1854) was one of the most prominent early American portrait painters. His hauntingly beautiful portraits have a directness and intensity of vision that were rarely equaled, as the images in this book attest. Brewster's portraits have sold astonishingly well at auction, and his work is featured in the collections of prestigious museums, yet curiously little has been written about the life of this deaf artist. Traveling the New England coast to paint the portraits of the merchant class that arose after the Revolution, he lived precisely when a Deaf-World-with its own language, social institutions, and culture-was forming. Harlan Lane, award-winning historian of the Deaf, argues that deaf people are often visually gifted, and that Brewster, as a deaf artist, is part of a long and continuing distinguished tradition. Lane's unprecedented biography both vividly and comprehensively explores Brewster's worlds: he was a seventh-generation descendant of William Brewster, who led the Pilgrims on the Mayflower voyage; he was a member of the Federalist elite; a Deaf man; and, finally, an artist. In 1817, at the age of fifty-one, Brewster attended the first school for the Deaf in America, the Connecticut Asylum for the Education and Instruction of Deaf & Dumb Persons. It's extraordinary to imagine that this was the first time he experienced fluent conversation and real social and intellectual exchange. Yet, as Lane notes, Brewster's ambivalence about this minority reflects the difficult choices confronting many Deaf people, then and now. Including little-known information on the French roots of the American Deaf-World; the Deaf communities of Martha's Vineyard, Maine, and New Hampshire in the nineteenth century; and on contemporary Deaf art, A Deaf Artist in Early America provides a multifaceted glimpse of Brewster, New England history, and the distinctive culture, language, and social institutions of the Deaf in America.
Presents a collection of black-and-white and full-coclor photographs, drawings, and paintings by a number of deaf artists in America and includes illustrations and descriptions of each selection.
This book gives you entre into the life and art of an incredible woman who has done much with her life. She has traveled the world. She has met several presidents and prime ministers. She has charmed her way into situations and into places few would imagine possible for anyone. To say that she is a remarkable person is to miss the mark. While barely 20 and an undergraduate, along with a few others, she started the Deaf Art Movement. By 25 her artwork had been published in over 10 books. By 40 she had created an international symbol of sign language interpreting, and had her design work published on over 2000 book covers. By 45, after rededicating her life to studio art, she had completed over 150 pieces and defined a new art genre: Deaf Pop Art. She has taken more photographs of famous people using the ILY sign than most people can name. She found herself in Japan and within days of her arrival was living with a Deaf host family and being interviewed on Japanese TV. She has chutzpah, wit, and style in her 5 foot frame. When I tell you she has been Deaf from birth, I expect some readers will be more impressed. As Silver would say, "Pfft. Get over yourself." Being Deaf is a part of her, like being born Jewish or being born a lesbian. It isn't amazing that she's done what she's done because she's Deaf. She is just amazing. This book is an art biography because it is about her art, but it is also about her life. It reads in chronological format, starting with her birth and leads the reader through various stages in her life and artwork up to the present.
Introduction to American Deaf Culture provides a fresh perspective on what it means to be Deaf in contemporary hearing society. The book offers an overview of Deaf art, literature, history, and humor, and touches on political, social and cultural themes.
Faced with the challenges of transitioning from a Hard of Hearing School to a Hearing high school, Maya has more than a learning curve. But what if she has more to learn about herself and how far she is willing to push for what she believes in? Perfect for contemporary fiction fans, The Silence Between Us is a novel that doesn’t shy away from the real-life struggles of high school, heart break, and d/Deaf culture. Schneider Family Book Award, Best Teen Honor Book 2020 Torn from her Hard of Hearing school when her mother's job takes them across the country, Deaf teen Maya must attend a hearing school for the first time since her hearing loss. As if that wasn’t hard enough, she also has to adjust to the hearing culture, which she finds frustrating. When her new friends and classmates start pushing into Maya’s thoughts about what it means to be Deaf, it clashes with her idea of self-worth and values. Looking past graduation towards a future medical career, Maya knows nothing, not even an unexpected romance, will derail her pursuits or cause her to question her integrity. Wattpad sensation Alison Gervais writes a stunning portrayal of the Deaf and Hard of Hearing culture in this clean YA contemporary romance. Drawing from her own deaf experience and relationship with the HoH community, Gervais provides a personal interview and commentary on cochlear implants. The Silence Between Us mixes lighthearted romance with deeper social issues facing minority groups. “The Silence Between Us?is eminently un-put-down-able.” (NPR) “Gervais deftly renders both the nuanced, everyday realities of life with disability and Maya’s fierce pride in her Deafness, delivering a vibrant story that will resonate with Deaf and hearing audiences alike.” –?Booklist “A solid addition to middle/high school fiction that allows for deep discussion about stereotypes concerning disabilities.”?School Library Journal “This is a great YA contemporary (clean) romance that follows Maya as she navigates a new school and plans for her future. The addition of representation by a Deaf character was really beautifully done. Highly recommend for people looking for a sweet, engaging, and educational romantic read.” (YA and Kids Book Central)
ABC Portraits of Deaf Ancestors is created for middle school students, their families, schools, libraries and communities. Short bios of important Deaf people In US history, who were born before 1925, are included along with original painted portraits. This book features Deaf women and men from a variety of cultures, ethnicities, and backgrounds.
This book presents a ‘Traveller’s Guide’ to Deaf Culture, starting from the premise that Deaf cultures have an important contribution to make to other academic disciplines, and human lives in general. Within and outside Deaf communities, there is a need for an account of the new concept of Deaf culture, which enables readers to assess its place alongside work on other minority cultures and multilingual discourses. The book aims to assess the concepts of culture, on their own terms and in their many guises and to apply these to Deaf communities. The author illustrates the pitfalls which have been created for those communities by the medical concept of ‘deafness’ and contrasts this with his new concept of “Deafhood”, a process by which every Deaf child, family and adult implicitly explains their existence in the world to themselves and each other.
American Art to 1900 presents an astonishing variety of unknown, little-known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. The volume highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, and more. With its hundreds of explanatory headnotes, this book reveals the documentary riches of American art and its many intersecting histories. -back cover.
The First Volume in the "Gallaudet Classics in Deaf Studies Series", Albert Ballin's greatest ambition was that The Deaf Mute Howls would transform education for deaf children and more, the relations between deaf and hearing people everywhere. While his primary concern was to improve the lot of the deaf person "shunned and isolated as a useless member of society," his ambitions were larger yet. He sought to make sign language universally known among both hearing and deaf. He believed that would be the great "Remedy," as he called it, for the ills that afflicted deaf people in the world, and would vastly enrich the lives of hearing people as well."--The Introduction by Douglas Baynton, author, Forbidden Signs. Originally published in 1930, The Deaf Mute Howls flew in the face of the accepted practice of teaching deaf children to speak and read lips while prohibiting the use of sign language. The sharp observations in Albert Ballin's remarkable book detail his experiences (and those of others) at a late 19th-century residential school for deaf students and his frustrations as an adult seeking acceptance in the majority hearing society. The Deaf Mute Howls charts the ambiguous attitudes of deaf people toward themselves at this time. Ballin himself makes matter-of-fact use of terms now considered disparaging, such as "deaf-mute," and he frequently rues the "atrophying" of the parts of his brain necessary for language acquisition. At the same time, he rails against the loss of opportunity for deaf people, and he commandingly shifts the burden of blame to hearing people unwilling to learn the "Universal Sign Language," his solution to the communication problems of society. From his lively encounters with Alexander Graham Bell (whose desire to close residential schools he surprisingly supports), to his enthrallment with the film industry, Ballin's highly readable book offers an appealing look at the deaf world during his richly colored lifetime. Albert Ballin, born in 1867, attended a residential school for the deaf until he was sixteen. Thereafter, he worked as a fine artist, a lithographer, and also as an actor in silent-era films. He died in 1933
De'VIA Ancestors is a colorful book spotlighting the lives and works of three Deaf artists,Betty G. Miller, Chuck Baird and Guy Wonder. These amazing artists helped start the DeafView/Image Art (De'VIA) movement to recognize and celebrate art about Deaf people'sexperiences. Each short, linked biography is illustrated by a contemporary Deaf artistinspired by original pieces of the De'VIA ancestor being featured.De'VIA Ancestors was created for Deaf and Hearing children as well as for their families,schools, libraries, and communities. The Deaf authors designed each life story to standalone or be read together in one sitting. Young children may wish to have the storiesread/signed to them until they are ready to read independently. Repetition of lines andideas across the stories create a sense of rhythm, emphasis and connection. The end of eachstory features an English poem as a tribute to these ancestors. De'VIA Ancestors invites youto begin your discovery of lives and works of Betty G. Miller, Chuck Baird and Guy Wonder.