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Lisa Jamison's life changes when Lisa sees her daughter in the eyes of a dead man.
Ex-train robber Jim Jackson is fresh out of the tough Texas Convict Leasing System where brutal guards beat all of the courage out of him. Now good for nothing - except drinking - Jackson is known as 'Junk' by the townsfolk of Parker's Crossing. But Jackson has one thing going for him - he is the fastest gun that the Texas Rangers have ever seen. When a series of violent murders terrify the people of Parker's Crossing, it is to 'Junk' Jackson they turn. But can Jackson find the courage to take on the killers? And who is the mysterious stranger with new information about the slaying that put Jackson into the prison system in the first place?
Guilt is in the eye of the beholder in this futuristic crime story from the Hugo and Nebula Award–winning author of Lord Valentine’s Castle. A lot of women were wearing Marianne’s face that season, which made it hard for Loren Frazier to forget that he killed his world-famous wife’s lover. The world wouldn’t forget it either; the image of his murderous impulse was caught forever in his victim’s brain—an eyeflash picture readily recovered by law enforcement. But a man of Frazier’s money and power has options: aliases, overseas accounts, the ability to change his appearance. Heartbreak and regret are his constant companions through the continents and the years—until he can truly see what he has become . . . Praise for Robert Silverberg and his short stories “When Silverberg is at the top of his form, no one is better.” —George R. R. Martin, #1 New York Times–bestselling author “Silverberg’s creative story premises are matched by a remarkable ability to make his characters sympathetic, whether human or not.” —Publishers Weekly (starred review) “The short stories in Robert Silverberg’s First-Person Singularities are inventive, sublime, and endlessly entertaining.” —Foreword Reviews “Decades after being originally published, most of these stories are still just as entertaining and powerful as they were when first released. A singularly unique collection.” —Kirkus Reviews
The compelling story of a beautiful and versatile South Indian dance form
THE SHADOW OF A CURSE Labyrinth, Texas: When a lull in his work takes him back to his hometown, Clint Adams starts thinking on what it would be like to lay down his Colt and settle down once and for all. But then Emma Deerborne would be up a tree. She's heard of this man they call the Gunsmith, and since a whole tribe of Sioux Indians would like to see her dead, Emma hopes he can help her out. One Sioux in particular, Grayfeather, has been training his entire life to put an end to hers, because of a curse Emma unwittingly brought onto his tribe. He won't stop shadowing her until he meets someone with a quicker hand than his. And although Clint Adams is just about the quickest draw in Texas, he still can't throw a tomahawk...
This book provides an exciting foray into the use of emerging Mixed Reality techniques for examining and analysing archaeological landscapes. Mixed Reality provides an opportunity to merge the real world with virtual elements of relevance to the past, including 3D models, soundscapes, smellscapes and other immersive data. By using Mixed Reality, the results of sophisticated desk-based GIS analyses can be experienced directly within the field and combined with body-centered phenomenological analysis to create an embodied GIS. The book explores the potential of this methodology by applying it in the Bronze Age landscape of Leskernick Hill, Bodmin Moor, UK. Since Leskernick Hill has (famously) already been the subject of intensive phenomenological investigation, it is possible to compare the insights gained from 'traditional' landscape phenomenology with those obtained from the use of Mixed Reality, and effectively combine quantitative GIS analysis and phenomenological fieldwork into one embodied experience. This mixing of approaches leads to the production of a new innovative method which not only provides new interpretations of the settlement on Leskernick Hill but also suggests avenues for the future of archaeological landscape research more generally. The book will be of interest to anyone studying or working in the fields of landscape archaeology, digital techniques in archaeology, archaeological theory or GIS.
The third novel starring Montana's fly fisherman-cum-detective Sean Stranahan, for fans of C. J. Box and Craig Johnson Wolves howl as a riderless horse returns at sunset to the Culpepper Dude Ranch in the Madison Valley. The missing woman, Nanika Martinelli, is better known as the Fly Fishing Venus, a red-haired river guide who lures clients the way dry flies draw trout. As Sheriff Martha Ettinger follows hoof tracks in the snow, she finds one of the men who has fallen under the temptress’s spell impaled on the antler tine of a giant bull elk, a kill that’s been claimed by a wolf pack. An accident? If not, is the killer human or animal? With painter, fly fisherman, and sometimes private detective Sean Stranahan’s help, Ettinger will follow clues that point to an animal rights group called the Clan of the Three-Clawed Wolf and to their svengali master, whose eyes blaze with pagan fire. In their most dangerous adventure yet, Stranahan and Ettinger find themselves in the crossfire of wolf lovers, wolf haters, and a sister bent on revenge, and on the trail of an alpha male gone terribly wrong.
Crime historian Lizzie Stuart goes to Gallagher, Virginia for a year as a visiting professor at Piedmont State University. She is there to do research for a book about a 1921 lynching that her grandmother, Hester Rose, witnessed when she was a twelve-year-old child. Lizzie's research is complicated by her own unresolved feelings about her secretive grandmother and by the disturbing pres­ence of John Quinn, the police officer she met while on vacation in England. When an arrogant but brilliant faculty member of Piedmont State University is murdered, Lizzie begins to have more than a few sleep­less nights. A Dead Man’s Honor is a haunting story that will keep you awake nights, too. Praise for Frankie Y. Bailey “She has a tremendous eye and ear.” —The Times Union, Albany, New York
#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.