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CONTENTS.- Continuity; a memory of my father.- A day in Regensburg.- Ciechanow melody.- A Bratzlaver Chasid.- A rabbi.- Rationalists.- Simchat Torah.- Meyer Balaban.- Four hundred years.- Miracles.- The mute hungarian.- Pedigree.- The Chumash lad.- The eternal wedding dress.- In the Jewish district of Vienna.- A Sabbath afternoon.- Almost there.- Ben Sira's grandson.- Father, father.- In a slaurhterhouse.- Midnight vigil.- Lampshade king.
"At the turn of the twentieth century East European Jews underwent a radical cultural transformation, which turned a traditional religious community into a modern nation, struggling to find its place in the world. An important figure in this 'Jewish Renaissance' was the American-Yiddish writer and activist Joseph Opatoshu (1886-1954). Born into a Hassidic family, he spent his early childhood in a forest in Central Poland, was educated in Russia and studied engineering in France and America. In New York, where he emigrated in 1907, he joined the revitalizing modernist group Di yunge - The Young. His early novels painted a vivid picture of social turmoil and inner psychological conflict, using modernist devices of multiple voices and mixed linguistic idioms. He acquired international fame by his historical novels about the Polish uprising of 1863 and the expulsion of Jews from Regensburg in 1519. Though he was translated into several languages, Yiddish writing always fostered his ideas and ideals of Jewish identity. Although he occupied a key position in the transnational Jewish culture during his lifetime, Opatoshu has until recently been neglected by scholars. This volume brings together literary specialists and historians working in Jewish and Slavic Studies, who analyse Opatoshu's quest for modern Jewish identity from different perspectives. The contributors are Shlomo Berger (Amsterdam), Marc Caplan (Baltimore, MD), Gennady Estraikh (New York), Roland Gruschka (Heidelberg), Ellie Kellman (Boston), Sabine Koller (Regensburg), Mikhail Krutikov (Ann Arbor, MI), Joshua Lambert (Amherst, MA), Harriet Murav (Urbana-Champaign, IL), Avrom Novershtern (Jerusalem), Dan Opatoshu (Los Angeles), Eugenia Prokop-Janiec (Krakow), Jan Schwarz (Lund), Astrid Starck (Basel/Mulhouse), Karolina Szymaniak (Krakow) and Evita Wiecki (Munich)."
The author of Faust, the best-selling sentimental novel The Sorrows of Young Werther, of exquisite lyric poetry (set to music by Schubert and Mozart), and of a bewildering variety of other plays, novels, poems, and treatises, Johann Wolfgang von Goethe also excelled as an administrator in thecabinet of Carl August, Duke of Saxe-Weimar. Considered by Nietzsche to have been 'not just a good and great man, but an entire culture', Goethe was as vital a part of late eighteenth- and early nineteenth-century German social and political life, as he was its cultural nucleus. However, as this perceptive biography shows, the originality ofhis art lay in his complex distance from his times.
Struggle for Empire explores the contest for kingdoms and power among Charlemagne's descendants that shaped the formation of Europe through the reign of Charlemagne's grandson, Louis the German (826 876)."
Bovo d'Antona by Elye Bokher (Elyiahu ben Asher haLevi Ashkenazi, 1469-1549) is a chivalry poem written in Yiddish in Padoa, in the year 1507, and printed under the author's supervision in Isny (Germany) in the year 1541. The present book intends to present a critical edition of this poem, together with a commentary. An introduction will focus on various related questions, such as the place of the Bovo d'Antona in European literature and in Italian literature, Bovo d'Antona and the chivalric genre in Old Yiddish literature, the analysis of the manuscript versions in comparison with the printed edition, the relationship with the Italian source and the readership. An appendix will deal with later transformations of the Bovo-Bukh. "Bovo Bukh is an excellent example of the relationship between romances and folktales,and Rosenzweigʼs introduction and edition of this important early Yiddish text will be appreciated by scholars of early Modern literature and folk narrative." - Dr. David Elton Gay, Indiana University, in: Fabula 59:1-2 (2018)