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Musaicum Books presents the Musaicum Christmas Specials. We have selected the greatest Christmas novels, short stories and fairy tales for this joyful and charming holiday season, for all those who want to keep the spirit of Christmas alive with a heartwarming tale. Children of the Tenements is a collection of stories and tales about orphans and poor children living in the slums of New York City. It provides an interesting insight into city life at the turn of the century and shows how the spirit of Christmas can make an impact even on the most unfortunate ones.
DigiCat Publishing presents to you this special edition of "Children of the Tenements" by Jacob A. Riis. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This revealing biography of a pioneering photojournalist and social reformer Jacob Riis shows how he brought to light one of the worst social justice issues plaguing New York City in the late 1800s--the tenement housing crisis--using newly invented flash photography. Jacob Riis was familiar with poverty. He did his best to combat it in his hometown of Ribe, Denmark, and he experienced it when he immigrated to the United States in 1870. Jobs for immigrants were hard to get and keep, and Jacob often found himself penniless, sleeping on the streets or in filthy homeless shelters. When he became a journalist, Jacob couldn't stop seeing the poverty in the city around him. He began to photograph overcrowded tenement buildings and their impoverished residents, using newly developed flash powder to illuminate the constantly dark rooms to expose the unacceptable conditions. His photographs inspired the people of New York to take action. Gary Kelley's detailed illustrations perfectly accompany Alexis O'Neill's engaging text in this STEAM title for young readers.
"A Jewish girl from the slums marries a millionaire Gentile philanthropist, but leaves him to become a dress designer." Cf. Hanna, A. Mirror for the nation
In this compelling work, Keith Gandal reveals how the slum in nineteenth-century America, long a topic for sober moral analysis, became in the 1890s an unprecedented source of spectacle, captured in novels, newspapers, documentary accounts, and photographs. Reflecting a change in the middle-class vision of the poor, the slum no longer drew attention simply as a problem of social conditions and vice but emerged as a subject for aesthetic, ethnographic, and psychological description. From this period dates the fascination with the "colorful" alternative customs and ethics of slum residents, and an emphasis on nurturing their self-esteem. Middle-class portrayals of slum life as "strange and dangerous" formed part of a broad turn-of-the-century quest for masculinity, Gandal argues, a response to a sentimental Victorian respectability perceived as stifling. These changes in middle-class styles for representing the urban poor signalled a transformation in middle- class ethics and a reconception of subjectivity. Developing a broad cultural context for the 1890s interest in the poor, Gandal also offers close, groundbreaking analysis of two of the period's crucial texts. Looking at Jacob Riis's How the Other Half Lives (1890), Gandal documents how Riis's use of ethnographic and psychological details challenged traditional moralist accounts and helped to invent a spectacular style of documentation that still frames our approach as well as our solutions to urban problems. Stephen Crane's Maggie: A Girl of the Streets (1893) pushed ethnographic and psychological analysis even farther, representing a human interiority centered around self-image as opposed to character and exploring not only different customs but a radically different ethics in New York's Bowery--what we would call today a "culture of poverty." Gandal meanwhile demonstrates how both Riis's innovative "touristic" approach and Crane's "bohemianism" bespeak a romanticization of slum life and an emerging middle-class unease with its own values and virility. With framing discussion that relates slum representations of the 1890s to those of today, and featuring a new account of the Progressive Era response to slum life, The Virtues of the Vicious makes fresh, provocative reading for Americanists and those interested in the 1890s, issues of urban representation and reform, and the history of New York City.
Jacob Riis was a Danish-born photojournalist who used his camera to draw attention to the plight of the poor.