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Encouraging readers to dream the impossible, The Darkest Dark follows a young boy intrigued by space, but afraid of the dark, inspired by the childhood of real-life astronaut Chris Hadfield and brought to life by Terry and Eric Fan's lush, evocative illustrations. Chris loves rockets and planets and pretending he's a brave astronaut, exploring the universe. Only one problem. At night, Chris doesn't feel so brave. He's afraid of the dark. When he watches the groundbreaking moon landing on TV, Chris learns that space is the darkest dark there is, and through that lesson discovers that the dark isn't just scary, but beautiful and exciting—especially when you have big dreams to keep you company.
Orion is very scared of the dark—until Dark decides to pay him a visit! Orion is scared of a lot of things, but most of all he’s scared of the dark. So one night the Dark decides to take Orion on an adventure. Emma Yarlett’s second picture book combines her incredible storytelling and artwork with die-cut pages that bring the Dark to life.
The church in the West has subsisted for five hundred years in a state of ever-increasing multiple identities, many of which claim to be the best representation of the church established by Christ. Often attending novel models of the church are new scriptural interpretive methods that support theological claims. Rarely, however, has an exploration been undertaken to test the impact of this ecclesiological division on the reading of the Bible. A Darkened Reading explores the specific case of the nineteenth-century Church of England and competing interpretations of the book of the prophet Isaiah--a book of great importance in theological history--as a kind of parable of the existential anguish the church has experienced as a consequence of being torn apart.
Vikings meets Frostblood in this romantic historical fantasy stand-alone from author Jessica Leake. The ancient land of Éirinn is mired in war. Ciara, princess of Mide, has never known a time when Éirinn’s kingdoms were not battling for power, or Northmen were not plundering their shores. The people of Mide have always been safe because of Ciara’s unearthly ability to control her enemies’ minds and actions. But lately a mysterious crow has been appearing to Ciara, whispering warnings of an even darker threat. Although her clansmen dismiss her visions as pagan nonsense, Ciara fears this coming evil will destroy not just Éirinn but the entire world. Then the crow leads Ciara to Leif, a young Northman leader. Leif should be Ciara’s enemy, but when Ciara discovers that he, too, shares her prophetic visions, she knows he’s something more. Leif is mounting an impressive army, and with Ciara’s strength in battle, the two might have a chance to save their world. With evil rising around them, they’ll do what it takes to defend the land they love...even if it means making the greatest sacrifice of all.
Simple words, rebus pictures, and flash cards make learning to read easy in this tale of a little boy in a haunted house.
To believe that students are not using reading and analytical skills when they watch or "read" a movie is to miss the power and complexities of film--and of students' viewing processes. This book encourages teachers to harness students' interest in film to help them engage critically with a range of media, including visual and printed texts. Toward this end, the book provides a practical guide to enabling teachers to feel comfortable and confident about using film in new and different ways. It addresses film as a compelling medium in itself by using examples from more than 30 films to explain key terminology and cinematic effects. And it then makes direct links between film and literary study by addressing "reading strategies" (e.g., predicting, responding, questioning, and storyboarding) and key aspects of "textual analysis" (e.g., characterization, point of view, irony, and connections between directorial and authorial choices). The book concludes with classroom-tested suggestions for putting it all together in teaching units on 11 films ranging from "Elizabeth" to "Crooklyn" to "Smoke Signals." Some other films examined are "E.T.,""Life Is Beautiful,""Rocky,""The Lion King," and "Frankenstein." (Contains 35 figures. Appendixes include a glossary of film terms, blank activity charts, and an annotated resource list.) (NKA)
In a dark, dark room, in a soft, soft voice, tell a scary story! Newly reillustrated, this classic I Can Read full of spooky stories is perfect for beginning readers who love a bit of a scare. Victor Rivas’s silly and spooky art will introduce a new generation to stories inspired by traditional folktales like “The Teeth,” “In the Graveyard,” “The Green Ribbon,” “In A Dark, Dark Room,” “The Night It Rained,” “The Pirate,” and “The Ghost of John.” The original edition has won many state awards and is an ALA Notable Children’s Book. In a Dark, Dark Room is a Level Two I Can Read book, geared for kids who read on their own but still need a little help.
Kelly McCullough, author of Drawn Blades, presents another Fallen Blade adventure with Aral Kingslayer... Aral Kingslayer has nothing to lose—and only justice to gain. Torn apart by the death of his goddess, he must avenge her in order to save himself from being lost forever.... It’s been nine long years since the death of his patron, Namara, and exalted assassin Aral Kingslayer desperately misses the thrill and glory of being a higher power of justice. Now he is haunted by the ghosts of the past—and by the ghost of the lost goddess herself. When Namara calls upon Aral in a dream to seek justice for her death and the ruination of her temple, Aral must obtain the help of his fellow former Blades and his Shade familiar, Triss, to pursue the vengeance he knows Namara deserves. Even if it means attacking Heaven’s Son—and going against one of their own—in a bloody battle of epic proportions...
“In this slow-simmering but rewarding retelling, first-novelist Bunce presents an innovative interpretation of Rumpelstiltskin.” —Horn Book Winner of the William C. Morris Award for a Young Adult Debut An ALA Best Book for Young Adults A Smithsonian Notable Book An Oprah’s Book Club Kids’ Reading List Teen Selection The gold thread promises Charlotte Miller a chance to save her family’s beloved woolen mill. It promises a future for her sister, jobs for her townsfolk, security against her grasping uncle—maybe even true love. To get the thread, Charlotte must strike a bargain with its maker, the mysterious Jack Spinner. But the gleam of gold conjures a shadowy past—secrets ensnaring generations of Millers. And Charlotte’s mill, her family, her love—what do those matter to a stranger who can spin straw into gold? This is an award-winning and wholly original retelling of “Rumplestiltskin.” “Set in a rural valley in the late 1700s, this reworking of the ‘Rumplestiltskin’ story includes ghosts, witchcraft, elements of Georgian society, and much earlier folk magic in the guise of a novel of manners.” —School Library Journal “A Curse Dark as Gold beats the hell out of any fantasy novel I’ve read this year. Her heroine/narrator is immensely appealing; the atmosphere of a world on the cusp of the Industrial Revolution is completely believable; and the suspense of the story builds so craftily that I started taking notes on just how she does it.” —Peter S. Beagle, World Fantasy Award-winning author “An intelligent, original, and interesting new take on an old fairy tale, and a marvelous debut novel.” —Teen Book Review
Lazlo is afraid of the dark. It hides in closets and sometimes sits behind the shower curtain, but mostly it lives in the basement. One night, when Lazlo’s nightlight burns out, the dark comes to visit him in his room. “Lazlo,” the Dark says. “I want to show you something.” And so Lazlo descends the basement stairs to face his fears and discover a few comforting facts about the mysterious presence with whom all children must learn to live. Beautifully rendered with sympathy and wit, this first collaboration between Snicket and Klassen offers a fresh take on a universal childhood experience.