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Despite the Holocaust's profound impact on the history of Eastern Europe, the communist regimes successfully repressed public discourse about and memory of this tragedy. Since the collapse of communism in 1989, however, this has changed. Not only has a wealth of archival sources become available, but there have also been oral history projects and interviews recording the testimonies of eyewitnesses who experienced the Holocaust as children and young adults. Recent political, social, and cultural developments have facilitated a more nuanced and complex understanding of the continuities and discontinuities in representations of the Holocaust. People are beginning to realize the significant role that memory of Holocaust plays in contemporary discussions of national identity in Eastern Europe. This volume of original essays explores the memory of the Holocaust and the Jewish past in postcommunist Eastern Europe. Devoting space to every postcommunist country, the essays in Bringing the Dark Past to Light explore how the memory of the "dark pasts" of Eastern European nations is being recollected and reworked. In addition, it examines how this memory shapes the collective identities and the social identity of ethnic and national minorities. Memory of the Holocaust has practical implications regarding the current development of national cultures and international relationships.
Like the renowned classics Praying for Sheetrock and North Toward Home , Ever Is a Long Time captures the spirit and feel of a small Southern town divided by racism and violence in the midst of the Civil Rights era. Part personal journey, part social and political history, this extraordinary book reveals the burden of Southern history and how that burden is carried even today in the hearts and minds of those who lived through the worst of it. Author Ralph Eubanks, whose father was a black county agent and whose mother was a schoolteacher, grew up on an eighty-acre farm on the outskirts of Mount Olive, Mississippi, a town of great pastoral beauty but also a place where the racial dividing lines were clear and where violence was always lingering in the background. Ever Is a Long Time tells his story against the backdrop of an era when churches were burned, Medgar Evers and Martin Luther King were murdered, schools were integrated forcibly, and the state of Mississippi created an agency to spy on its citizens in an effort to maintain white supremacy. Through Eubanks's evocative prose, we see and feel a side of Mississippi that has seldom been seen before. He reveals the complexities of the racial dividing lines at the time and the price many paid for what we now take for granted. With colorful stories that bring that time to life as well as interviews with those who were involved in the spying activities of the State Sovereignty Commission, Ever Is a Long Time is a poignant picture of one man coming to terms with his southern legacy.
After canceling the circus's itinerary because a hostile stranger is hunting the ringmaster, the troupes' hopes fall on Webern Bell, hunchback devoted to perfecting the surreal clown performances from his dreams.
The basic story behind this book is the result of an English Composition subject assessment that I had written during my 7th grade. At that time, I was a substantially imaginative and creative young student with an odd craze for writing mystery and thriller content. The story back then was of a teenage girl who goes to a trip to a forest with her mates and curiously discovers an ancient castle where she encounters malicious activity and fights it, and returns victoriously to her friends. This book is based on the foundation of that story as I fortunately recollected it and got inspired to write this book. A DARK PAST is based on an ordinary eighteen year old teen named Ellie, who's constantly haunted by certain nightmares about a particular castle towards which she gravitated, since childhood. During an adventurous trip to a forest located in South of London with her friends Alex, Matt and Judy, she actually discovers that castle. Upon visiting it, the creepy place provides a link to her horrifying past life as well as the spine-chilling dreams.
How the Murder of More Than Two Million Jews Was Carried Out—In Broad Daylight Based on a decade of work by Father Patrick Desbois and his team at Yahad–In Unum that has culminated to date in interviews with more than 5,700 neighbors to the murdered Jews and visits to more than 2,700 extermination sites, many of them unmarked. One key finding: Genocide does not happen without the neighbors. The neighbors are instrumental to the crime. In his National Jewish Book Award–winning book The Holocaust by Bullets, Father Patrick Desbois documented for the first time the murder of 1.5 million Jews in Ukraine during World War II. Nearly a decade of further work by his team, drawing on interviews with neighbors of the Jews, wartime records, and the application of modern forensic practices to long-hidden grave sites. has resulted in stunning new findings about the extent and nature of the genocide. In Broad Daylight documents mass killings in seven countries formerly part of the Soviet Union that were invaded by Nazi Germany. It shows how these murders followed a template, or script, which included a timetable that was duplicated from place to place. Far from being kept secret, the killings were done in broad daylight, before witnesses. Often, they were treated as public spectacle. The Nazis deliberately involved the local inhabitants in the mechanics of death—whether it was to cook for the killers, to dig or cover the graves, to witness their Jewish neighbors being marched off, or to take part in the slaughter. They availed themselves of local people and the structures of Soviet life in order to make the Eastern Holocaust happen. Narrating in lucid, powerful prose that has the immediacy of a crime report, Father Desbois assembles a chilling account of how, concretely, these events took place in village after village, from the selection of the date to the twenty-four-hour period in which the mass murders unfolded. Today, such groups as ISIS put into practice the Nazis’ lessons on making genocide efficient. The book includes an historical introduction by Andrej Umansky, research fellow at the Institute for Criminal Law and Criminal Procedure, University of Cologne, Germany, and historical and legal advisor to Yahad-In Unum.
Writing Past Dark charts the emotional side of the writer's life. It is a writing companion to reach for when you feel lost and want to regain access to the memories, images, and the ideas inside you that are the fuel of strong writing. Combining personal narrative and other writers' experiences, Friedman explores a whole array of emotions and dilemmas writers face—envy, distraction, guilt, and writer's block—and shares the clues that can set you free. Supportive, intimate, and reflective, Writing Past Dark is a comfort and resource for all writers.
“Gripping . . . hooked me in straight away and I finished this book in less than 2 days . . . really kept me guessing.” —Goodreads reviewer, five stars In this gripping thriller by the author of Don’t Believe Her, one phone call brings a buried horror back to the surface—and upends a family’s life . . . When Sara answers the phone and hears the name Drake Mills, it makes her blood run cold. It is a name from her past. A name she would rather forget. Keeping the call a secret from her husband and her daughter, Marcie, Sara instead decides to confide in someone else from her past, a woman who knows all about Drake Mills. Eventually, Sara is forced to disclose the truth to her husband. What she doesn’t realize is that Marcie senses something is going on with her parents, and when she discovers a book in the attic written by her mother, an account of how she survived a serial killer, it opens a door that Sara preferred to keep firmly locked . . .
Have you ever been in a family where your parents hid things from you? Well, that is exactly what happened to Artemis. She believed she was just a normal teenager with simple problems. But one terrifying night her whole world turned around. She went from being a normal teenage girl to something she never believed existed. Will Artemis be able to deal with the new world she has been thrown into? Will she ever be normal again?
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • The first full history of Black America’s shocking mistreatment as unwilling and unwitting experimental subjects at the hands of the medical establishment. No one concerned with issues of public health and racial justice can afford not to read this masterful book. "[Washington] has unearthed a shocking amount of information and shaped it into a riveting, carefully documented book." —New York Times From the era of slavery to the present day, starting with the earliest encounters between Black Americans and Western medical researchers and the racist pseudoscience that resulted, Medical Apartheid details the ways both slaves and freedmen were used in hospitals for experiments conducted without their knowledge—a tradition that continues today within some black populations. It reveals how Blacks have historically been prey to grave-robbing as well as unauthorized autopsies and dissections. Moving into the twentieth century, it shows how the pseudoscience of eugenics and social Darwinism was used to justify experimental exploitation and shoddy medical treatment of Blacks. Shocking new details about the government’s notorious Tuskegee experiment are revealed, as are similar, less-well-known medical atrocities conducted by the government, the armed forces, prisons, and private institutions. The product of years of prodigious research into medical journals and experimental reports long undisturbed, Medical Apartheid reveals the hidden underbelly of scientific research and makes possible, for the first time, an understanding of the roots of the African American health deficit. At last, it provides the fullest possible context for comprehending the behavioral fallout that has caused Black Americans to view researchers—and indeed the whole medical establishment—with such deep distrust.