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Alexander Eberlin is a small, faceless civil servant working for the Government at the height of the Cold War. As he nears middle age, he allows himself one luxury - to dress like a Dandy. His superiors send him on a mission to hunt down and destroy a cold-blooded and vicious Russian assassin named Krasnevin, who is responsible for a number of British agents' deaths. But Eberlin has a secret - he is Krasnevin. This is the story of what happens when Eberlin is sent to destroy himself. Now back in print fifty years after it was written, The Times says A Dandy in Aspic is 'A well groomed anecdote to today's fast-paced thrillers with gym-buffed heroes. Eberlin is the real deal.'
When Groupie was first published in 1969 it caused a sensation. The Swingin' Sixties capacity to outrage may have been starting to decline, but this novel managed to shock all over again. A thinly fictionalised chronicle of Jenny Fabian's adventures with underground rock heroes of her day, Groupie caused a furore for all kinds of reasons...it had the scent of danger that accompanies an authentic original, it ruffled feathers with its matter of fact descriptions of drug taking and sexual high jinks, it prompted guessing games about teh true identities of its principal characters, most of all, it was highly explicity about a phenomenon that had never before been documented. Almost three decades later, this book is still extraordinarily fresh and playing the celebrity guessing game is still fun. Groupie is also the genuine article - no reconstruction of Sixties underground rock culture has ever captured the Zeitgist as as well as this novel.
Idols of the Odeons examines British film stardom in the post-war era, a time when Hollywood movies were increasingly supplanting the Pinewood/Elstree studio system. The book encompasses the careers of sixteen actors, including Stanley Baker, Diana Dors, Norman Wisdom, Hattie Jacques, Peter Finch and Peter Sellers. Such extremely diverse careers provide the opportunity to explore overlooked films, in addition to examining how the term ‘star’ could apply to a stalwart leading man, a Variety comic, a self-created ‘Vamp’ and a character actor. Above all, this is a book that celebrates, with idiosyncratic humour and warmth, how these actors accomplished much of their best work during the transitional period between the Rank/ABPC roster of stars and the US domination of the British film industry.
NEW YORK TIMES BESTSELLER • “A simply elegant memoir.”—Newsweek In this exquisitely written memoir, Mia Farrow takes us on a journey into her remarkable life. As the daughter of actress Maureen O’Sullivan and film director John Farrow, she lived what was by all appearances a charmed and privileged childhood. But below the surface, money troubles, marital tensions, drinking, and occasionally violence marred the Hollywood illusion. And when Mia was nine, she would be forever wrenched from childhood by the terrible isolation of a bout with polio. Her father’s death propelled her out into the world, where she embarked onto an acting career that included television, theater, and film—from her debut in Peyton Place to her first starring role in Rosemary’s Baby, and on to her thirteen films with Woody Allen. Here is a luminous memoir of childhood and motherhood, a thoughtful exploration of a spiritual journey, and a candid examination of her marriages to Frank Sinatra and André Previn and her close but troubled twelve-year relationship with Woody Allen. Told with grace and deep understanding, as well as humor, What Falls Away is an unforgettable book, an extraordinary record of an extraordinary life.
Bare-Faced Messiah tells the extraordinary story of L. Ron Hubbard, a penniless science-fi ction writer who founded the Church of Scientology, became a millionaire prophet and convinced his adoring followers that he alone could save the world. According to his 'official' biography, Hubbard was an explorer, engineer, scientist, war hero and philosopher. But in the words of a Californian judge, he was schizophrenic, paranoid and a pathological liar. What is not in dispute is that Hubbard was one of the most bizarre characters of the twentieth century. Bare-Faced Messiah exposes the myths surrounding the fascinating and mysterious founder of the Church of Scientology - a man of hypnotic charm and limitless imagination - and provides the defi nitive account of how the notorious organisation was created.
The winner of the Man Booker Prize, this "expertly written, perfectly constructed" bestseller (The Guardian) is now a Starz miniseries. It is 1866, and Walter Moody has come to stake his claim in New Zealand's booming gold rush. On the stormy night of his arrival, he stumbles across a tense gathering of 12 local men who have met in secret to discuss a series of unexplained events: a wealthy man has vanished, a prostitute has tried to end her life, and an enormous cache of gold has been discovered in the home of a luckless drunk. Moody is soon drawn into a network of fates and fortunes that is as complex and exquisitely ornate as the night sky. Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, The Luminaries is at once a fiendishly clever ghost story, a gripping page-turner, and a thrilling novelistic achievement. It richly confirms that Eleanor Catton is one of the brightest stars in the international literary firmament.
This detailed study of the career of Anthony Mann argues Mann's prominence and influence alongside contemporaries like John Ford. Mann (1906-1967), who was active in Hollywood and Europe, directed or produced more than 40 films, including The Fall of the Roman Empire and God's Little Acre. Best known for his work in the film noir and western genres and his films starring Jimmy Stewart, Mann later moved into Cold War and epic films. The book features a filmography and 49 photographs.
A beautiful compendium of famous fashion designers, their gorgeous creations and the film stars that wore them. Fashion designers have been involved in movies since the early days of cinema. The result is some of the most eye-catching and influential costumes ever committed to film, from Ralph Lauren's trend-setting masculine style for Diane Keaton in Annie Hall to Audrey Hepburn's little black Givenchy dress in Breakfast at Tiffany's. Fashion in Film celebrates the contributions of fashion designers to cinema, exploring key garments, what they mean in context of the narrative, and why they are so memorable. Illustrated with beautiful film stills, fashion images and working sketches, this book will appeal to lovers of both fashion history and cinema. 'Put simply, it doesn't matter how many coffee table books you have on fashion or on film: this one is essential, and delightful, and beautiful.' One & Other