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Like a friendly elder chasid at one's elbow, this translation of Sefer Haminhagim is a welcome guide to the customs of Chabad with regard to the practice of mitzvot throughout the year.
Even the most pious Jew need not shed so many tears over the destruction of Jerusalem as the women were in the habit of shedding when Stempenyu was playing. The first work of Sholom Aleichem’s to be translated into English—this long out-of-print translation is the only one ever done under Aleichem’s personal supervision—Stempenyu is a prime example of the author’ s hallmark traits: his antic and often sardonic sense of humor, his whip-smart dialogue, his workaday mysticism, and his historic documentation of shtetl life. Held recently by scholars to be the story that inspired Marc Chagall’s “Fiddler on the Roof” painting (which in turn inspired the play that was subsequently based on Aleichem’s Tevye stories, not this novella), Stempenyu is the hysterical story of a young village girl who falls for a wildly popular klezmer fiddler—a character based upon an actual Yiddish musician whose fame set off a kind of pop hysteria in the shtetl. Thus the story, in this contemporaneous “authorized” translation, is a wonderful introduction to Aleichem’s work as he wanted it read, not to mention to the unique palaver of a nineteenth-century Yiddish rock star.
In the tradition of The Year of Living Biblically by A.J. Jacobs and Walking the Bible: A Journey by Land Through the Five Books of Moses by Bruce Feiler comes Abigail Pogrebin’s My Jewish Year, a lively chronicle of the author’s journey into the spiritual heart of Judaism. Although she grew up following some holiday rituals, Pogrebin realized how little she knew about their foundational purpose and contemporary relevance; she wanted to understand what had kept these holidays alive and vibrant, some for thousands of years. Her curiosity led her to embark on an entire year of intensive research, observation, and writing about the milestones on the religious calendar. Whether in search of a roadmap for Jewish life or a challenging probe into the architecture of Jewish tradition, readers will be captivated, educated and inspired by Abigail Pogrebin’s My Jewish Year.
Revision of the author's thesis (Ph. D.)--Hebrew University, Jerusalem, 2002.
The King in the Field is a story of five friends who dream of seeing the king and making some requests. But it's not easy to be admitted to the royal palace, and they wonder if they will ever have the chance. Imagine their surprise when they see that the king has left his palace to walk through the field where they are sitting! Imagine their joy at being so close to their beloved king, their happiness at being able to speak to him face to face!The King in the Field is a parable for the month of Elul, the Hebrew month just before the start of the Jewish New Year, is one of the best times to approach G-d with prayers and requests. In that special month, G-d makes Himself closer and more accessible than ever, just like a king who goes for a walk through a field where his subjects can easily speak to him.
Selected discourses from the founder of the Chabad Chasidic philosophys great works: Torah Ohr and Likkutei Torah. This bi-lingual, Hebrew/English, rendition focuses on Rabbi Schneur Zalmans insights on the festivals. It has been the custom for Chasidim to study the discourses in Torah Ohr and Likkutei Torah, affectionately known as the "Chasidic Parsha," weekly and at festival time.