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Doesn’t she know she can trust him with anything? To Butterfly Harbor deputy sheriff Fletcher Bradley, Paige Cooper is a mystery he’s dying to solve. Ever since the single mother and her equally irresistible young daughter showed up, life in his California town has changed for the better. Fletch isn’t sure what Paige is running from; he only knows she’s keeping some pretty serious secrets. Yet here she is, already a vital part of the community and working with him to crack a series of recent break-ins. Paige has to trust someone sometime. Why not Fletch? Doesn’t she know that she belongs here—with him?
He had no memory of her It hurt that there was not the faintest recognition in Ben Congreve's eyes when Ellie Osborne met him again after seven long years. Had there been so many women in his life that he didn't remember their fleeting holiday romance? Ellie was tempted to exact retribution for the way Ben had sailed out of her life, leaving her totally alone—and pregnant. It had been a battle to overcome the odds, but she had ultimately made a success of her life. So perhaps she owed it to her precious young daughter to keep the past well hidden from Charlie's dad….
While many of us grew up in a home with siblings and two loving parents, there are those, particularly in todays society, who grow up in single-parent homes. Charlie is a young boy being raised in a single-parent home who has questions about why his father does not live with him. His mother lovingly does the best she can to put his mind at ease by showing him he has an entire family that cares about him. My Friend Tommy Has a Daddy and a Mommy explains to children in an entertainingly poetic format that they are loved by both parents although there may only be one parent present in the home. I read the book to my grandsons and they asked me to read it again. They thought it was a happy story and I think so too. The book is still on my coffee table and my grandson, due to come in the door any minute, will go straight to the book and ask me to read it to him. We love it. Thank you for putting such an important message into such sweet words. Candida Whitaker Brown
Luke's toughest fight yet is for his family In the Special Forces, Luke Brown trained for the harshest of war situations; pity there's no training for being a husband and father. After two years away, he wasn't expecting his wife to welcome him open-armed, but he wasn't anticipating divorce papers either. When she sees him standing on her doorstep in his immaculate uniform, Olivia longs to feel her handsome husband's strong arms around her. But raising their son has been tough, and watching little Charlie fall in love with a dad who might leave again is terrifying. Luke doesn't want to walk away again—and he's determined to win back his wife and child!
The Charlie stories was created to entertain the author and his girlfriend with fun stories.
When his father went into a nursing home, David Penniman retrieved a collection of unpublished short stories from belongings going into storage. He edited his father's work and then added some of his own. The combined collection gives readers insight into a family and community from the perspective of two generations.
Right, you know the rules, watch the low blows, if it's a knock-down no messing about, go straight to your corner, and don't come out till called for, are we clear? Touch gloves, let's go. In the red corner: Leon Davidson - Black British champ or Uncle Tom? In the blue corner: Troy Augustus - American powerhouse or naive cash cow? Having spent their youth in the same London boxing gym, vying for the favouritism of inspirational, foul-mouthed trainer Charlie Maggs, the two former friends step into the ring and face up to who they are. Boxing has dominated their lives with an unhoped-for structure and meaning, but it becomes clear that it is no substitute for their health, family, and friends. Roy Williams' Sucker Punch looks back on what it was like to be young and black in the 1980s and asks if the right battles have been fought, let alone won. With an introduction by Harry Derbyshire, Lecturer in English and Drama at the University of Greenwich.
'[Williams's] plays have brought the experience of black urban youth onto the stage' Observer Sucker Punch: 'As usual with Williams, the dialogue is crisp and bespoke: motives are mixed, nobody is a hero, nothing is just black and white.' The Times Joe Guy: 'Williams's dialogue ricochets around the stage like gunfire . . . energetic, exciting and entertaining.' Stage Category B: 'Category B is a harrowing play, but one shot through with both dark humour and tentative flickers of hope'. Daily Telegraph Baby Girl: 'The shocking thing about Roy Williams's Baby Girl is that it argues that there is a cyclical pattern to teenage pregnancy . . . Williams paints a rivetingly plausible picture of a world in which mothers and daughters are sexual rivals, 'virgin' is the ultimate peer insult and the school gates are a fertile hunting ground for male predators.' Guardian There's Only One Wayne Matthews: 'Williams's writing is punchy . . . Wayne's gradual understanding of the realities of the world make this a touching coming-of-age drama.' Guardian