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How A. D. Hope interpreted and reacted to modernity (and modernism) has been energetically discussed for some time. What aspects of modernity did he find useful, or prize? What precisely did he dislike, and why? How did he make use even—sometimes, especially—of what he disliked? This book offers fresh answers to such questions from some of Australia's best-known scholars. It is a volume that will be of interest to undergraduates and professional academics alike.
This book offers a comprehensive and original reading of Australian poetry, from the colonial period to the present, through the dual lenses of Romanticism and negativity. Paul Kane argues that the absence of Romanticism functions as a crucial presence in the poetry of all the major Australian poets. This absence or negativity is both thematic and structural, and Kane's scrupulous analyses uncover important relations between Romanticism and negativity. Chapters on nine individual poets explore and substantiate the theoretical claims informed by the work of contemporary critics of Romanticism and by various philosophers of negativity. These chapters can serve as a series of self-contained readings of Australian poets for the use of students, scholars, and informed general readers. Australian Poetry is unique in its sustained argument and theoretical sophistication.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
"Passion for Peace considers the use of non-violence and attaining human rights for all. It also raises questions about current issues, including peace in the Middle East, US unilateralism, the war on terrorism, powerlessness associated with poverty, racism and justice for asylum seekers."--BOOK JACKET.
The notebooks of A. D. Hope are a portrait of the contradictory essence of the poet's intellect and character. Shot through with threads of self-awareness and revelation, Hope imbued his notebooks with irony and humour, forming them as a celebration of the joy and terror of human existence. Stripped of intimate revelation, the entries give witness to Hope's view that art is a superior force in the creation of new being and values, and a guide for the conduct of our lives. Seeking to find pathways through the maze of an intellectual life, this is a profound and timely contribution to Australia's literary scholarship. Ann McCulloch's analysis of this thematic selection of Hope's notebooks reveals him to be relentless in his experimentation with ideas. Revealing the originality of his thinking and the astonishing range of his reading and interests, this edition is a testament to the intellect of one of Australia's towering literary figures.
Drawing a unique map of the history of English poetry, Chapters Into Verse surveys and defines the literary legacy of the Scriptures from the fourteenth century to the present. Arranged in scriptural order from Genesis to Revelation, the book presents each poem alongside the biblical passage that inspired it. Thus readers can conveniently witness the various ways sacred text has sparked the imagination of poets throughout the ages. The editors have included poems by virtually all the prominent religious poets--among them John Donne, George Herbert, Henry Vaughan, Edward Taylor, and Gerard Manley Hopkins. Included, too, are devotional and visionary works from a wide range of vintage poets--Robert Burns, William Blake, Walt Whitman, Emily Dickinson, Christina Rossetti, Alfred Tennyson, and Robert Browning. Proving that the Bible is just as powerful a source of inspiration today as it was in the past, the collection also assembles a mixed congregation of modern and contemporary poets, such as Dylan Thomas, Robert Frost, William Carlos Williams, Countee Cullen, e.e. cummings, William Butler Yeats, Laura (Riding) Jackson, A.D. Hope, Denise Levertov, and Philip Levine. Of enduring interest to readers of both scripture and literature, this anthology illuminates key passages of the Old and New Testament. In selection after selection, readers will encounter an astonishing variety of religious experiences, as a host of poets from many eras and many backgrounds respond to Holy Scripture profoundly and imaginatively.
For centuries, poets have looked into the mirror of classical myth to show us the many ways our emotional lives are still reflected in the ancient stories of heroism, hubris, transformation, and loss that myths so eloquently tell. Now, in Gods and Mortals: Modern Poems on Classical Myths, we have the first anthology to gather the great 20th century myth-inspired poems from around the world. "Perhaps it is because the myths echo the structure of our unconscious that every new generation of poets finds them a source of inspiration and self-recognition," says Nina Kossman in her introduction to this marvelous collection. Indeed, from Valery, Yeats, Lawrence, Rilke, Akhmatova, and Auden writing in the first half of the century to such contemporary poets as Lucille Clifton, Derek Walcott, Rita Dove, Wislawa Szymborska, and Mark Strand, the material of Greek myth has elicited a poetry of remarkably high achievement. And by organizing the poems first into broad categories such as "Heroes," "Lovers," "Trespassers," and secondly around particular mythological figures such as Persephone, Orpheus, or Narcissus, readers are treated to a fascinating spectrum of poems on the same subject. For example, the section on Odysseus includes poems by Cavafy, W. S. Merwin, Gregory Corso, Gabriel Zaid, Louise Gluck, Wallace Stevens, and many others. Thus we are allowed to see the familiar Greek hero refracted through the eyes, and sharply varying stylistic approaches, of a wide range of poets from around the world. Here, then, is a collection of extraordinary poems that testifies to--and amply rewards--our ongoing fascination with classical myth.
Patrick Deane argues that modern English poetry, in some key aspects, is deeply indebted to the classical tradition and, more particularly, to the attitudes and modes of the eighteenth century. He illustrates how neo-Augustan values are apparent in the works of T.S. Eliot, W.H. Auden, Louis MacNeice, A.D. Hope, Donald Davie, Charles Tomlinson, and others.
Written from the belief that every discipline is enhanced by understanding the arguments made for its existence and the conditions in which it was established, the author aims to help students and colleagues to think critically about the impact of institutional location in forming our habits of mind.