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European overseas trade and diplomacy in some parts of the world went hand in hand with colonization and conquest in others areas. As the introduction to this third volume explains, and the eight expertly written chapters assembled here detail, these were not divergent but intricately connected activities. Through detailed attention to Renaissance literature, travel books, political, scientific and commercial writing, they show how European contact with Asia, the Americas and Africa spurred innovations in warfare, seafaring, and accounting. Demanding the creation of international law, and new labour practices at home and abroad, this contact overhauled previous conceptions of nature, race and sexuality and shaped debates on religion, politics, and power. Renaissance culture, in all its diversity and dynamism, was both the midwife of empire and its progeny.A Cultural History of Western Empires in the Renaissance offers a new understanding of Renaissance culture, commonly understood as a blooming of arts, literature, philosophy, politics, commerce and science that together marked a high point of Western civilization and laid the foundation stone of modernity. It shows that this "rebirth" is organically connected to the processes by which Spain, the Italian states, France, England, and the Netherlands tried to establish their first overseas empires.
This volume explores a world that thought deeply about imperial power and emperors but one that perhaps never had an "empire" of its own. These synthetic essays from experts across a wide variety of disciplines mine the intellectual world of this period and begin to demolish the myth of the so-called "Dark Ages," showing how the European Middle Ages were illuminated by vigorous debates that echo today. The story of medieval Western empires is both familiar and foreign. It is a story about politics, culture, religion, society, gender, sex, and economics, and how porous the boundaries between those categories can often be.A Cultural History of Western Empires in the Middle Ages offers a detailed and highly-illustrated account of how we got to where we are, as well as the dangers of not fully understanding why those origins matter.
This volume examines the cultural history of ancient Mediterranean empires, and focuses on the Roman Empire; the prototypical empire in western history and imagination. A wide-ranging introduction examines the nexus of state-formation and culture in the ancient Mediterranean world, from the rise of civilization in Mesopotamia to the fall of the Roman Empire in late antiquity. Written by an expert team of scholars this first volume examines war and resistance, different engines of economic performance and social and geographical mobility in the Mediterranean, slavery and social control, lived experience and the imperial discourses of race and identity, and the geographical and ecological settings in which the cultural histories of the Roman world played out. Together these chapters offer a bold new account of the Roman Empire, juxtaposing key topics that are not always considered together under the rubric of “culture.” Richly-illustrated with images of monuments, statues, sculptures, mosaics, paintings, coins, and other colorful artefacts of ancient material culture, this volume reveals how the deep structures of imperial power and authority shaped everything from the labour and movements of the Roman Empire's mostly anonymous subjects to their sexualities and consciousness.
Examines the intellectual and artistic foundations of the Imperial Renaissance in fourteenth- and fifteenth-century Italy and traces its political realization in sixteenth- and seventeenth-century Europe.
Between 1800 and 1920, the territory and influence claimed by Western empires came to cover a larger portion of the globe than at any time before or since. Why and how did this happen? What were the consequences of this unprecedented scramble for dominion? What methods have historians used to understand the increasingly large and structurally complex Western empires that emerged across the long 19th century? In this fifth volume, A Cultural History of Western Empires in the Age of Empire, we trace these questions across a period bookended by two devastating global wars. The forces that enabled unparalleled Western expansion were likewise violent. Often no less traumatically, the phenomenon was also one of cultural exchange and negotiated identities in which both colonized and colonizer were repeatedly made and remade. As cultural historians, we locate the power struggles of empire as much in identity and ways of life as in the movement of armies or the signing of treaties. New technologies of communication, transport and warfare brought an 'Age of Empire' into existence for the West. But it was equally grounded in new ways of thinking about human difference and new beliefs about the state's power to intervene in the most intimate domains of human behavior.
European overseas trade and diplomacy in some parts of the world went hand in hand with colonization and conquest in others areas. As the introduction to this third volume explains, and the eight expertly written chapters assembled here detail, these were not divergent but intricately connected activities. Through detailed attention to Renaissance literature, travel books, political, scientific and commercial writing, they show how European contact with Asia, the Americas and Africa spurred innovations in warfare, seafaring, and accounting. Demanding the creation of international law, and new labour practices at home and abroad, this contact overhauled previous conceptions of nature, race and sexuality and shaped debates on religion, politics, and power. Renaissance culture, in all its diversity and dynamism, was both the midwife of empire and its progeny. A Cultural History of Western Empires in the Renaissance offers a new understanding of Renaissance culture, commonly understood as a blooming of arts, literature, philosophy, politics, commerce and science that together marked a high point of Western civilization and laid the foundation stone of modernity. It shows that this “rebirth” is organically connected to the processes by which Spain, the Italian states, France, England, and the Netherlands tried to establish their first overseas empires.
A comprehensive, thematic reference work covering the cultural history of Western empires from antiquity through to the 21st century
How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency? Globalizing Fortune addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortunes unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions. Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theaterlike that of English seaborne expansionwas also a history of fortune. The public theater not only shaped popular understandings of fortunes role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon.