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Written over 60 years, whilst still a very young woman by Shaista Ikamullah, this Thesis on the Development of the Short Story and Urdu Novel is as useful today as it was when it was first written.
Spanning A Range Of Topics-Print Culture And Oral Tales, Drama And Gender, Library Use And Publishing History, Theatre And Audiences, Detective Fiction And Low-Caste Novels-This Book Will Appeal To Historians, Cultural Theorists, Sociologists And All Interested In Understanding The Multiplicity Of India`S Cultural Traditions And Literary Histories.
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.
Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women&'s autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences, and diaries to prose, fiction, architecture, and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists, and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing—in whatever form it takes—provides the means toward more fully understanding the historical, social, and cultural milieu in which the author performs herself and creates her subjectivity. Contributors: Asiya Alam, Afshan Bokhari, Uma Chakravarti, Kathryn Hansen, Siobhan Lambert-Hurley, Anshu Malhotra, Ritu Menon, Shubhra Ray, Shweta Sachdeva Jha, Sylvia Vatuk
Challenging conventional notions about the place of women in Muslim societies, the Bihishti Zewar (Heavenly Ornaments) gives life to the themes of religious and social reform that have too often been treated in the abstract. This instructional guidebook, used by the world's largest population of Muslims, is a vital source for those interested in modern Indian social and intellectual history, in Islamic reform, and in conceptions of gender and women's roles. The Bihishti Zewar was written in northern India in the early 1900s by a revered Muslim scholar and spiritual guide, Maulana Ashraf 'Ali Thanawi (1864-1943), to instruct Muslim girls and women in religious teachings, proper behavior, and prudent conduct of their everyday lives. In so doing, it sets out the core of a reformist version of Islam that has become increasingly prominent across Muslim societies during the past hundred years. Throughout the work, nothing is more striking than the extent to which the book takes women and men as essentially the same, in contrast to European works directed toward women at this time. Its rich descriptions of the everyday life of the relatively privileged classes in turn-of-the-century north India provide information on issues of personality formation as well as on family life, social relations, household management, and encounters with new institutions and inventions. Barbara Metcalf has carefully selected those sections of the Bihishti Zewar that best illustrate the themes of reformist thought about God, the person, society, and gender. She provides a substantial introduction to the text and to each section, as well as detailed annotations.
Minority Pasts explores the diversity of the histories and identities of Muslims in Rampur-the last Muslim-ruled princely state in colonial United Provinces and a city that is pejoratively labelled as the centre of "Muslim votebank" politics in contemporary Uttar Pradesh. The book highlights the importance of locality and emotions in shaping Muslim identities, politics, and belonging in Rampur. The book shows that we need to move beyond such homogeneous categories of nation and region, in order to comprehend local dynamics that allow a better and closer understanding of the historical re-negotiations of politics and identities by Muslims in South Asia.
Presents the Indian literatures, not in isolation in one another, but as related components in a larger complex, conspicuous by the existence of age-old multilingualism and a variety of literary traditions. --
In its early phase, "Subaltern Studies" dealt extensively with the issue of community and violence in the context of peasant uprisings. The present volume concentrates on gender and national politics and introduces a wide range of new issues raised by the relations between community, gender and violence.
This book opens the doors to a social and cultural sphere beyond the limited world of the English-speaking elite and provides the basis for an understanding of religious controversy and internal reform. It explores the dynamics of religious interaction and conflict that points toward later developments of communalism and religious separatism still plaguing the subcontinent. Religious Controversy in British India reveals a world expressed in South Asian dialects that has been closed to many scholars and students of the subcontinent. During the nineteenth century polemical religious literature and those who wrote it mobilized groups and led them back to the "fundamentals." Sacred texts supporting movements were translated and made available in inexpensive editions. Even texts from the well established oral tradition were put into print. This process was often initiated in response to Christian missionary activity, a response that ultimately expanded to include other religions. In this book, scholars examine the writings of Hindus, Muslims, and Sikhs responsible for significant changes within different communities and for a heightened sense of boundary-defining identity.
Enlightenment in the Colony opens up the history of the "Jewish question" for the first time to a broader discussion--one of the social exclusion of religious and cultural minorities in modern times, and in particular the crisis of Muslim identity in modern India. Aamir Mufti identifies the Hindu-Muslim conflict in India as a colonial variation of what he calls "the exemplary crisis of minority"--Jewishness in Europe. He shows how the emergence of this conflict in the late nineteenth century represented an early instance of the reinscription of the "Jewish question" in a non-Western society undergoing modernization under colonial rule. In so doing, he charts one particular route by which this European phenomenon linked to nation-states takes on a global significance. Mufti examines the literary dimensions of this crisis of identity through close readings of canonical texts of modern Western--mostly British-literature, as well as major works of modern Indian literature in Urdu and English. He argues that the one characteristic shared by all emerging national cultures since the nineteenth century is the minoritization of some social and cultural fragment of the population, and that national belonging and minority separatism go hand in hand with modernization. Enlightenment in the Colony calls for the adoption of secular, minority, and exilic perspectives in criticism and intellectual life as a means to critique the very forms of marginalization that give rise to the uniquely powerful minority voice in world literatures.