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The reign of Henri II (1547-1559) consisted of a wealth of patriotic prose. The events Du Bellay commented on culminated at the end of the reign with the capture of Calais and the accidental death of the King. This work provides insight into the patriotic mentality of Du Bellay.
This study comprises the proceedings of a conference held in St Andrews in 1999 which gathered some of the most distinguished historians of the French book. It presents the 16th-century book in a new context and provides the first comprehensive view of this absorbing field. Four major themes are reflected here: the relationship between the manuscript tradition and the printed book; an exploration of the variety of genres that emerged in the 16th century and how they were used; a look at publishing and book-selling strategies and networks, and the ways in which the authorities tried to control these; and a discussion of the way in which confessional literature diverged and converged. The range of specialist knowledge embedded in this study will ensure its appeal to specialists in French history, scholars of the book and of 16th-century French literature, and historians of religion.
L'Istoire le roy Charlemaine is one of the very last still unpublished chansons de geste in French literature, since until recently scholars have neglected the genre of late medieval remaniements and compilations to which it belongs. This critical edition of the 23,348 line poem will be greatly appreciated by French and medieval scholars. Preface and introduction in English, text and notes in French.
Victor Hugo's epic trilogy is often said to contain his finest literary achievements. This volume contains the ten best-known longer epics from the trilogy, supplemented by relevant shorter poems and unfinished fragments. Most of the poems included have never been rendered into English.
This groundbreaking comparative study of dangerous-class slangs in use across ten countries, from Europe to the Americas, brings to light the common influences that have helped to shape them over the last five hundred years. (Facing French and English translation)
Covers writers from the ancient Greeks to 20th-century authors. Includes biographical-bibliographical entries on nearly 500 writers and approximately 550 entries focusing on significant works of world literature. Each author entry provides a detailed overview of the writer's life and works. Work entries cover a particular piece of world literature in detail.
This study is an analysis of elements that build the narrative strategies of Tahar Ben Jelloun's work. On formal and thematic levels, the narrative sequence and its interwoven strands, manifest a story in perpetual becoming, in constant dissolution and evolution. In fact, the story is an infinite quest. It is told and repeated in various manners, with no possibility to be exhausted. This continual quest of the story is nourished by a lack expressed by the needs of the post-colonial Maghrebian novel for compensating a world that was, but is not any more. However, this lack conditions the production of the story. The text nourishes itself from the lack it produces. We could say then that Ben Jelloun's novel is not the production of a story but the emphasized production becoming itself Story: it is not the story that is told but the story of its production. On the one hand, this study redefines Ben Jelloun's narrative strategies, on the other hand, it focuses on the importance of the perpetual becoming, in all the aspects. manifested in his work, reflecting the difficulties of its hybrid nature, the function of the symbolical writing, the construction of characters and their contribution to the fragility of the story, the revelation of generative forces of a form and its rupture. Although other novels are taken into account, the focus of this study is on central texts like L'ecrivain public, Moha le fou, Moha le sage, Harrouda, L'enfant de sable, La nuit sacree, La Reclusion solitaire, Les yeux baisses.