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Published near the end of his life, Portuguese poet Fernando Pessoa's (1888-1935) Quatrains in the Popular Style was written in a simple style that stands in contrast to his earlier work. This volume presents the Portuguese text of the poems, with English translations on the facing pages. Krummrich (comparative literature at Morehead State U., Kentucky) provides background information on Pessoa's life and career in the introduction. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com).
Five hundred years later, a conference held in Singapore brought together a large group of scholars from widely different national, academic and disciplinary contexts, to analyse and discuss the intricate consequences of Portuguese interactions in Asia over the longue duree. The result of these discussions is a stimulating set of case studies that, as a rule, combine original archival and/or field research with innovative historiographical perspectives. Luso-Asian communities, real and imagined, and Luso-Asian heritage, material and symbolic, are studied with depth and insight. The range of thematic, chronological and geographic areas covered in these proceeding is truly remarkable, showing not only the extraordinary relevance of revisiting Luso-Asian interactions in the longer term, but also the surprising dynamism within an area of studies which seemed on the verge of exhaustion. After all, archives from all over the world, from Rio de Janeiro to London, from Lisbon to Rome, and from Goa to Macao, might still hold some secrets on the subject of Luso-Asian relations, when duly explored by resourceful scholars.
Poet, short-story writer, feverish inventor--Fernando Pessoa was one of the most innovative figures shaping European modernism. Known for a repertoire of works penned by multiple invented authors--which he termed heteronyms--the Portuguese writer gleefully subverted the notion of what it means to be an author. Adverse Genres in Fernando Pessoa offers an introduction to the fiction and the "profusion of selves" that populates the enigmatic author's uniquely imagined oeuvre.To guide readers through the eclectic work fashioned by Pessoa's heteronyms, K. David Jackson advances the idea of "adverse genres" revealing genre clashes to be fundamental to the author's paradoxical and contradictory corpus. Through the invented "coterie of authors," Pessoa inverted the usual relationships between form and content, authorship and text. In an inspired, paradoxical, and at times absurd mixing of cultural referents, Pessoa selected genres from the European tradition (Ricardo Reis's Horatian odes, Alvaro de Campos's worship of Walt Whitman, Alberto Caeiro's pastoral and metaphysical verse, and Bernardo Soares's philosophical diary), into which he inserted incongruent contemporary ideas. By creating multiple layers of authorial anomaly Pessoa breathes the vitality of modernism into traditional historical genres, extending their expressive range.Through examinations of "A Very Original Dinner," the "Cancioneiro," love letters to Ophelia Queiros, "The Adventure of the Anarchist Banker," Pessoa's collection of quatrains derived from Portuguese popular verse, the Book of Disquietude, and the major poetic heteronyms, Jackson enters the orbit of the artist who exchanged a normal life for a world of the imagination.
For a more encompassing and stimulating picture of Modernism seen as a movement of the 20th century, a broad spectrum of work across many countries we must explore its diversity. Portuguese Modernism manifested itself both in visual art and in literature, and made a vigorous contribution to this time of profound cultural change. Indeed, the sociocultural transformations that marked the early 20th century in Portugal are still current. This volume provides a critical guide for students and teachers, contributed by an array of scholars with unparalleled knowledge of the period, its artists and its writers. Steffen Dix is Research Fellow at the Institute of Social Science, University of Lisbon; Jeronimo Pizarro is Research Fellow at the Linguistics Centre, University of Lisbon.
Robotics: Fundamental Concepts and Analysis introduces the science and engineering of robotics and covers mechanical manipulation and sensing. Comprehensive in its coverage, the book also covers some advanced topics which would be useful to both undergraduate and postgraduate students. Written in a lucid style, the text is student-friendly with a large number of examples and exercise problems.
The multifaceted and labyrinthine oeuvre of the Portuguese poet Fernando Pessoa (1888–1935) is distinguished by having been written and published under more than seventy different names. These were not mere pseudonyms, but what Pessoa termed 'heteronyms,' fully realized identities possessed not only of wildly divergent writing styles and opinions, but also of detailed biographies. In many cases, their independent existences extended to their publication of letters and critical readings of each other's works (and those of Pessoa 'himself'). Long acclaimed in continental Europe and Latin America as a towering presence in literary modernism, Pessoa has more recently begun to receive the attention of an English-speaking public. Embodying Pessoa responds to this new growth of interest. The collection's twelve essays, preceded by a general introduction and grouped into four themed sections, apply a range of current interpretative models both to the more familiar canon of Pessoa's output, and to less familiar texts – in many cases only recently published. As a whole, this work diverges from traditional Pessoa criticism by testifying to the importance of corporeal physicality in his heteronymous experiment and to the prominence of representations of (gendered) sexuality in his work.