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Silence! The court is in session (1967), the first Tendulkar's play to become part of the New Indian Drama phenomenon of the sixties and the first significant modern Indian play in any language to centre on woman as protagonist and victim. With its production Tendulkar became the center of a general controversy. He had already acquired the epithet of "the angry young man" of Marathi theatre but now he was definitely marked out as a rebel against the established values of fundamentally orthodox society.
This selection, containing lectures by Tendulkar and essays on his works by scholars and critics, is an insight into his creative intellect as a writer willing to take on society and its conscience-keepers!
This book is a collection of plays by one of India's best-known playwrights, and offers for the first time his best known plays published previously by OUP, together in a single volume. The Introduction is by Samik Bandhopadhya, and the plays included are Kamala, Silence! The Court is in Session, Sakharam Binder, The Vultures, Encounter in Umbugland, Kanyadaan, A Friend's Story and Ghashiram Kotwal.
Vijay Tendulkar has been in the vanguard of Indian theatre for almost 40 years. This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.
The book Indian English Drama: Themes & Techniques is a volume of research articles on contemporary Indian dramatists and their works starting from Rabindranath Tagore to nearly all present generation of dramatists like Girish Karnad, Vijay Tendulkar, Mahesh Dattani, Badal Sirkar, Habib Tanvir, Utpal Dutt, Mahasweta Devi, Usha Ganguli, Manjula Padmanabhan, Mahesh Elkunchwar and Manoj Mitra. The book will be helpful in giving critical insight to understand the art and vision of contemporary Indian dramatists both from thematic and technical points of view. The introductory chapter of the book is very resourceful to understand the growth and development of Indian English drama. Authors have presented their critical viewpoints on almost every aspect of dramatic arts, themes and techniques pertaining to Indian playwrights and their works. The book will give many ground breaking concepts and ideas on Indian English drama and is useful for both researchers and learners.
This handbook introduces key elements of the philological research area called paremiology (the study of proverbs). It presents the main subject area as well as the current status of paremiological research. The basic notions, among others, include defining proverbs, main proverb features, origin, collecting and categorization of proverbs. Each chapter is written by a leading scholar-specialist in their area of proverbial research. Since the book represents a measured balance between the popular and scientific approach, it is recommended to a wide readership including experienced and budding scholars, students of linguistics, as well as other professionals interested in the study of proverbs.