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Focuses on the drawings of the artist famous for his sculptures and his work on the Sistine Chapel ceiling
Presents a catalog to accompany an exhibition of drawings by Michelangelo.
Reprint of the original, first published in 1883.
"In a series of elegant, often provocative essays covering the entire are of Michelangelo's visual signing, Barkan's analytic perspective elicits new connections and new levels of significance that have eluded his predecessors. Thanks to Barkan, future students of Michelangelo's graphic work will have to look and think harder.---Irving Lavin, professor emernus, Institute for Advanced Study --
Michelangelo's Notebooks is an intimate celebration of the artist's sketches, architectural drawings, letters, and love poems. Michelangelo Buonarroti is considered to be one of the greatest artists of the sixteenth century, not only in painting but in writing and poetry as well. He filled hundreds of sheets of paper with exquisite drawings, many of which would eventually become some of the most celebrated masterpieces of all time, and he wrote over 300 poems and sonnets on admiration and spirituality. Organized chronologically, Michelangelo's Notebooks is an illustrated record of the artist's life and work, and combines the artists's own words with his sketches and finished compositions. His letters about the Sistine Chapel and Pope Julius, for example, are illustrated with sketches that he produced while he was writing. Edited and curated by Carolyn Vaughan, former editor at the Metropolitan Museum of Art, she provides fascinating commentary and insights into the material presented throughout the book.
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.