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This harvest of articles drawn from William Johnson Everett’s career of teaching and research on four continents and in a variety of institutions shows the breadth, depth, and diversity of his interests. Like spotlights in the wider field of Christian social ethics, they illuminate the key threads that have held together an emerging tapestry of thought woven around the powerful concept of covenant. Whether lifting up concepts of covenant, federalism, and corporation, the “oikos” of work, family, and faith, the public nature and mission of the church, or the ethical meaning of journey metaphors, his rich and artful style leads us into thinking more deeply about the way our lives are joined in a “covenantal imagination” about a more just and sustainable world.
Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity's highly refined process of socialization has inadvertently created and maintained segregated societies. A probing study of the cultural fragmentation-social, spatial, and racial-that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals. Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities. Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race. Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.
This book is a follow-up to a previous volume by the same three authors, Baptists and the Communion of Saints: A Theology of Covenanted Disciples, though it does not require familiarity with the first study. The present book offers new perspectives on belief in the “communion of saints” by interpreting it through the idea of “covenant,” with its two dimensions of relations with God and with each other. Giving attention to the creative arts of painting, music, poetry, and story writing, the authors explore “indications” of a hidden “communion of saints” through embodiment, memory, and connectivity. Included are studies of the work of visual artists Paul Nash and Mark Rothko; musicians John Tavener, Elgar, and Brahms; and writers Thomas Hardy, T. S. Eliot, and James Joyce. Theological reflection on these hints of communion offers a vision of an ongoing communion of prayer with the saints, alive and dead, which does not depend on a dualistic idea of a disembodied soul existing after death but which affirms the Christian tradition of the resurrection of the body. Communion, covenant, and creativity are thus linked to develop a Christian aesthetics based on a mutual indwelling between the triune God and the world.
Does heaven exist? If so, what is it like? And how does one get in? Throughout history, painters, poets, philosophers, pastors, and many ordinary people have pondered these questions. Perhaps no other topic captures the popular imagination quite like heaven. Gary Scott Smith examines how Americans from the Puritans to the present have imagined heaven. He argues that whether Americans have perceived heaven as reality or fantasy, as God's home or a human invention, as a source of inspiration and comfort or an opiate that distracts from earthly life, or as a place of worship or a perpetual playground has varied largely according to the spirit of the age. In the colonial era, conceptions of heaven focused primarily on the glory of God. For the Victorians, heaven was a warm, comfortable home where people would live forever with their family and friends. Today, heaven is often less distinctively Christian and more of a celestial entertainment center or a paradise where everyone can reach his full potential. Drawing on an astounding array of sources, including works of art, music, sociology, psychology, folklore, liturgy, sermons, poetry, fiction, jokes, and devotional books, Smith paints a sweeping, provocative portrait of what Americans-from Jonathan Edwards to Mitch Albom-have thought about heaven.
Leading scholars from the fields of biblical studies and ethics provide a one-stop reference book on the vital relationship between Scripture and ethics.
In this challenging and enlightening treatment, Brueggemann traces the lines from the radical vision of Moses to the solidification of royal power in Solomon to the prophetic critique of that power with a new vision of freedom in the prophets. Here he traces the broad sweep from Exodus to Kings to Jeremiah to Jesus. He highlights that the prophetic vision and not only embraces the pain of the people but creates an energy and amazement based on the new thing that God is doing. In this new edition, Brueggemann has completely revised the text, updated the notes, and added a new preface.
Covenant and the People of God gathers twenty-four essays from friends and colleagues of Messianic Jewish theologian and New Testament scholar Mark S. Kinzer, in honor of his seventieth birthday. The essays are organized around two central themes that have animated Kinzer's work: the nature of the covenant and what it means to be the people of God. The volume includes fascinating discussions of some of the most sensitive areas related to Jewish-Christian dialogue, post-supersessionist interpretation of Scripture, and the theological shape of Messianic Judaism. Among the contributors are scholars working in North America, Europe, and Israel. They include: Gabriele Boccaccini, Douglas A. Campbell, Holly Taylor Coolman, Gavin D'Costa, Jean-Miguel Garrigues, Douglas Harink, Richard Harvey, Vered Hillel, Jonathan Kaplan, Daniel Keating, Amy-Jill Levine, Antoine Levy, Gerald McDermott, Michael C. Mulder, David M. Neuhaus, Isaac W. Oliver, Ephraim Radner, Jennifer M. Rosner, David J. Rudolph, Thomas Schumacher, Faydra L. Shapiro, R. Kendall Soulen, Lee B. Spitzer, and Etienne Veto.
The Gospel of John presents its readers, listeners, and interpreters with a serious problem: how can we reconcile the Gospel’s exalted spirituality and deep knowledge of Judaism with its portrayal of the Jews as the children of the devil (John 8:44) who persecuted Christ and his followers? One widespread solution to this problem is the so-called “expulsion hypothesis.” According to this view, the Fourth Gospel was addressed to a Jewish group of believers in Christ that had been expelled from the synagogue due to their faith. The anti-Jewish elements express their natural resentment of how they had been treated; the Jewish elements of the Gospel, on the other hand, reflect the Jewishness of this group and also soften the force of the Gospel’s anti-Jewish comments. In Cast out of the Covenant, this book, Adele Reinhartz presents a detailed critique of the expulsion hypothesis on literary and historical grounds. She argues that, far from softening the Gospel’s anti-Jewishness, the Gospel’s Jewish elements in fact contribute to it. Focusing on the Gospel’s persuasive language and intentions, Reinhartz shows that the Gospel’s anti-Jewishness is evident not only in the Gospel’s hostile comments about the Jews but also in its appropriation of Torah, Temple, and Covenant that were so central to first-century Jewish identity. Through its skillful use of rhetoric, the Gospel attempts to convince its audience that God’s favor had turned away from the Jews to the Gentiles; that there is a deep rift between the synagogue and those who confess Christ as Messiah; and that, in the Gospel’s view, this rift was initiated in Jesus’ own lifetime. The Fourth Gospel, Reinhartz argues, appropriates Jewishness at the same time as it repudiates Jews. In doing so, it also promotes a “parting of the ways” between those who believe that Jesus is the messiah, the Son of God, and those who do not, that is, the Jews. This rhetorical program, she suggests, may have been used to promote outreach or even an organized mission to the Gentiles, following in the footsteps of Paul and his mid-first-century contemporaries.
Professor Brueggemann here examines the literature and experience of an era in which Israel's prophets faced the pastoral responsibility of helping people to enter into exile, to be in exile, and to depart out of exile. He addresses three major prophetic traditions: Jeremiah (the pathos of God), Ezekiel (the holiness of God), and 2 Isaiah (the newness of God). This literature is seen to contain the theological resources for handling both brokenness and surprise with freedom, courage, and imagination. Throughout, Brueggemann demonstrates how these resources offer vitality for ministry today.