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This book reassesses the lives of the exiled Stuart Court in Italy which provided an important British presence in Rome.
Facing persecution in early modern England, some Catholics chose exile over conformity. Some even cast their lot with foreign monarchs rather than wait for their own rulers to have a change of heart. This book studies the relationship forged by English exiles and Philip II of Spain. It shows how these expatriates, known as the “Spanish Elizabethans,” used the most powerful tools at their disposal—paper, pens, and presses—to incite war against England during the “messianic” phase of Philip’s reign, from the years leading up to the Grand Armada until the king’s death in 1598. Freddy Cristóbal Domínguez looks at English Catholic propaganda within its international and transnational contexts. He examines a range of long-neglected polemical texts, demonstrating their prominence during an important moment of early modern politico-religious strife and exploring the transnational dynamic of early modern polemics and the flexible rhetorical approaches required by exile. He concludes that while these exiles may have lived on the margins, their books were central to early modern Spanish politics and are key to understanding the broader narrative of the Counter-Reformation. Deeply researched and highly original, Radicals in Exile makes an important contribution to the study of religious exile in early modern Europe. It will be welcomed by historians of early modern Iberian and English politics and religion as well as scholars of book history.
"Where else but chez Madame Girardin could you find such exquisite company as George Sand, Victor Hugo and Honoré de Balzac? In Edwardian London, Lady Desborough's 'Souls' group was frequented by Lord Curzon, Oscar Wilde and H.G. Wells. Max Eastman has said that at Mabel Dodge's Greenwich Village salon 'Everybody in the ferment of ideas could be found'--actress Eleanora Duse, recent Ivy League graduate Walter Lippmann, then unknown Gertrude Stein, poets Amy Lowell and E.A. Robinson, early feminist Margaret Sanger, radicals Emma Goldman and Alexander Berkman and the dashing activist John Reed, with whom Mabel fell in love. In these thirteen essays such eminent writers and biographers as Victoria Glendinning, Harold Acton, Bruce Cook and Robert A. Rosenstone recreate the drama and 'ferment of ideas' of the salon--certainly one of the most unique institutions Westem culture has known. The rarely mentioned hostesses in whose drawing rooms the avant-garde in politics, literature and art gathered are revealed as subtle and sophisticated manipulators of the stormy personalities and often passionate intellectual exchanges. Salons have all but vanished, but vivid memories of them have not. Their stories, and the stories they inspired, form an interesting part of the history of high society in the past two centuries. Here, in brief evocations accompanied by photographs and illustrations, some of the glitter, the wit and the controversy surrounding the greatest salons--in London, Paris, Berlin, Prague and on both American coasts--is brought back to life."--Jacket.
Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.
This stylish volume illuminates as never before the pivotal Russian influence on 20th-century European & American culture & fashion.
"In Voltaire in Exile, Ian Davidson has re-created this period in the life of one of the giant figures of the Enlightenment. By painstakingly translating the rich correspondence between Voltaire and his family, members of the Court at Versailles, and the French intellectual elite, Davidson allows us to discover Voltaire the artist, the campaigner, the aesthete, the lover, the humorist. The result is a portrait of this funny, iconoclastic, complex, and ferociously intelligent individual - the man Diderot described as "the unique man of the century.""--Jacket.
Crown princess Aurelia is a survivor. She survived attempted assassination. She survived the king's rejection. She survived her mother's abandonment. And now, in exile, she must survive her kingdom-from hostile crowds to raw frontier to desert sands. But even as unknown assailants track Aurelia and expedition guide Robert, she knows what her greatest risk is: falling love...
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.