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A Course in Miracles Urtext Manuscripts is a collection of all seven canonical volumes of the world renowned Third Testament under one cover. It represents the oldest available typed copy of the words dictated by a voice to professor, research psychologist and Scribe Helen Schucman, Ph.D. between 1965 and 1978. The voice, claimed Schucman, was Jesus. This edition predates all others currently in print. It is available in two cover styles, one plain burgundy and another with a painting The Resurrection by Pieter Lastman, made available by the Getty Museum in Los Angeles, CA, USA. There is a free companion website with concordances and source material libraries. An optional 4.5 Gb/DVD containing an enhanced edition of the website, concordances, over 10,000 pages of source material, a synthesized audio reading of the 31 chapter text and several editions of the King James Bible is available in some editions. The Urtext Manuscripts include extensive discussions of the Bible, sex, possession, Freud and other topics which were edited out of other editions. There are over 2400 footnotes to references on variant ACIM readings and Bible verses. The book also includes extensive appendices with commentary on the versions and history of A Course in Miracles by the compiler of this remarkable edition, Doug Thompson. The Urtext Manuscripts are ideal for students and teachers who wish to deepen their knowledge of A Course in Miracles and its unique approach to life and the teachings of the Bible. This edition seeks not to be the final rendition of A Course in Miracles, but rather one giant leap toward the greater goal of getting the words right. In that light, the reader may expect future editions to contain updates in textual scholarship, biblical references, appendices, added indexing, DVD contents and more."
Thompson presents a collection of all seven canonical volumes of the world-renowned Third Testament under one cover. It represents the oldest available typed copy of the words that research psychologist and Scribe Helen Schucman claimed were dictated by Jesus. Available in two cover styles--one plain burgundy and another with a painting "The Resurrection" by Pieter Lastman.
Overcoming fear and guilt is the focus of this acclaimed spiritual guide. The three-part approach encompasses an explanation of the course's theory, exercises, and a manual in a question-and-answer format.
"Inner voice" of Helen Schucman, recorded by William Thetford.
Stemmatology studies aspects of textual criticism that use genealogical methods to analyse a set of copies of a text whose autograph has been lost. This handbook is the first to cover the entire field, encompassing both theoretical and practical aspects of traditional as well as modern digital methods and their history. As an art (ars), stemmatology’s main goal is editing and thus presenting to the reader a historical text in the most satisfactory way. As a more abstract discipline (scientia), it is interested in the general principles of how texts change in the process of being copied. Thirty eight experts from all of the fields involved have joined forces to write this handbook, whose eight chapters cover material aspects of text traditions, the genesis and methods of traditional "Lachmannian" textual criticism and the objections raised against it, as well as modern digital methods used in the field. The two concluding chapters take a closer look at how this approach towards texts and textual criticism has developed in some disciplines of textual scholarship and compare methods used in other fields that deal with "descent with modification". The handbook thus serves as an introduction to this interdisciplinary field.
The Life of Aaron is one of the most interesting and sophisticated hagiographical works surviving in Coptic. The work contains descriptions of the lives of ascetic monks, in particular Apa Aaron, on the southern Egyptian frontier in the fourth and early fifth centuries, and was probably written in the sixth century. Even though the first edition of this work was already published by E.A. Wallis Budge in 1915, a critical edition remained outstanding. In this book Jitse H.F. Dijkstra and Jacques van der Vliet present not only a critical text, for the most part based on the only completely preserved, tenth-century manuscript, but also a new translation and an exhaustive commentary addressing philological, literary and historical aspects of the text.
A leading scholar sheds critical light on the seemingly revelatory events behind new religions and spiritual movements Unseen presences. Apparitions. Hearing voices. Although some people would find such experiences to be distressing and seek clinical help, others perceive them as transformative. Occasionally, these unusual phenomena give rise to new spiritual paths or religious movements. Revelatory Events provides fresh insights into what is perhaps the bedrock of all religious belief—the claim that otherworldly powers are active in human affairs. Ann Taves looks at Mormonism, Alcoholics Anonymous, and A Course in Miracles—three cases in which insiders claimed that a spiritual presence guided the emergence of a new spiritual path. In the 1820s, Joseph Smith, Jr., reportedly translated the Book of Mormon from ancient gold plates unearthed with the help of an angel. Bill Wilson cofounded AA after having an ecstatic experience while hospitalized for alcoholism in 1934. Helen Schucman scribed the words of an inner voice that she attributed to Jesus, which formed the basis of her 1976 best-selling self-study course. In each case, Taves argues, the sense of a guiding presence emerged through a complex, creative interaction between a founding figure with unusual mental abilities and an initial set of collaborators who were drawn into the process by diverse motives of their own. A major work of scholarship, this compelling and accessible book traces the very human processes behind such events.