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A Course in Miracles Urtext Manuscripts is a collection of all seven canonical volumes of the world renowned Third Testament under one cover. It represents the oldest available typed copy of the words dictated by a voice to professor, research psychologist and Scribe Helen Schucman, Ph.D. between 1965 and 1978. The voice, claimed Schucman, was Jesus. This edition predates all others currently in print. It is available in two cover styles, one plain burgundy and another with a painting The Resurrection by Pieter Lastman, made available by the Getty Museum in Los Angeles, CA, USA. There is a free companion website with concordances and source material libraries. An optional 4.5 Gb/DVD containing an enhanced edition of the website, concordances, over 10,000 pages of source material, a synthesized audio reading of the 31 chapter text and several editions of the King James Bible is available in some editions. The Urtext Manuscripts include extensive discussions of the Bible, sex, possession, Freud and other topics which were edited out of other editions. There are over 2400 footnotes to references on variant ACIM readings and Bible verses. The book also includes extensive appendices with commentary on the versions and history of A Course in Miracles by the compiler of this remarkable edition, Doug Thompson. The Urtext Manuscripts are ideal for students and teachers who wish to deepen their knowledge of A Course in Miracles and its unique approach to life and the teachings of the Bible. This edition seeks not to be the final rendition of A Course in Miracles, but rather one giant leap toward the greater goal of getting the words right. In that light, the reader may expect future editions to contain updates in textual scholarship, biblical references, appendices, added indexing, DVD contents and more."
Thompson presents a collection of all seven canonical volumes of the world-renowned Third Testament under one cover. It represents the oldest available typed copy of the words that research psychologist and Scribe Helen Schucman claimed were dictated by Jesus. Available in two cover styles--one plain burgundy and another with a painting "The Resurrection" by Pieter Lastman.
Get Ready for Unstoppable Inner Peace Author Corinne Zupko undertook her study of psychology out of necessity when debilitating anxiety threatened to derail her life. Seeking ways to do more than temporarily alleviate her symptoms, Corinne began to study A Course in Miracles (ACIM), mindfulness meditation, and the latest therapeutic approaches for treating anxiety. In From Anxiety to Love, she shares what she learned and gently guides you through the process, helping you undo anxiety-based thinking and fostering mindful shifts in your thoughts and actions. Whether struggling with everyday stress or near-crippling discomfort, you will find that Corinne’s approach offers a new way of healing from — rather than just coping with — fear and anxiety.
Overcoming fear and guilt is the focus of this acclaimed spiritual guide. The three-part approach encompasses an explanation of the course's theory, exercises, and a manual in a question-and-answer format.
"Inner voice" of Helen Schucman, recorded by William Thetford.
"A Course in Miracles" has sold more than a million copies since it was first published 21 years ago. However, to date, students of the Course have been without a specific guide to its three books. "Concordance" fills that gap with a companion reference that alphabetically organizes and cross-references virtually every aspect of "A Course in Miracles".
Stemmatology studies aspects of textual criticism that use genealogical methods to analyse a set of copies of a text whose autograph has been lost. This handbook is the first to cover the entire field, encompassing both theoretical and practical aspects of traditional as well as modern digital methods and their history. As an art (ars), stemmatology’s main goal is editing and thus presenting to the reader a historical text in the most satisfactory way. As a more abstract discipline (scientia), it is interested in the general principles of how texts change in the process of being copied. Thirty eight experts from all of the fields involved have joined forces to write this handbook, whose eight chapters cover material aspects of text traditions, the genesis and methods of traditional "Lachmannian" textual criticism and the objections raised against it, as well as modern digital methods used in the field. The two concluding chapters take a closer look at how this approach towards texts and textual criticism has developed in some disciplines of textual scholarship and compare methods used in other fields that deal with "descent with modification". The handbook thus serves as an introduction to this interdisciplinary field.