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A Couple of Soles is a classic comedic romance by the seventeenth-century playwright Li Yu. Tan Chuyu, a poor young scholar, falls in love with the beautiful actress Liu Miaogu. He joins her family’s acting troupe, and, in plays within the play, romance ensues. After Liu’s family attempts to marry her off to a local country squire, she performs a famous scene in which a heroine drowns herself—and then jumps off the stage into a river, followed by Tan. The local river deity rescues the lovers from death by transforming them into a pair of soles. Li balances their romance with the adventures of a retired upright official involving banditry, bribery, and mistaken identity—and who nets and shelters the two fish when they regain human form. Written at a time when China was beginning to recover from the cataclysmic Ming-Qing dynastic transition, A Couple of Soles displays Li’s biting wit as well as his reflections on the concerns of his age, including the dangers of administrative service and the role of theater in society. The play combines witty wordplay and caustic satire with a strong emphasis on traditional moral values. The first major comedy from late imperial China to appear in English translation, A Couple of Soles provides an unparalleled view of the theater in seventeenth-century China. A general introduction and a detailed appendix shed further light on the play and its context.
Nearly a century ago, in the Forbidden City, China’s last emperor reigned from his dragon throne. Although he was only a boy, the imperial decrees issued in his name echoed in every corner of the country. Every man had to shave his head and wear a single pigtail to symbolize his submission to the emperor, and every woman was second in importance to the men in her family. Women were obedient to their fathers and brothers and later to the husbands in their arranged marriages. Certainly no woman was encouraged to attend school or to show any independence. Into this world, in a village in the lower reaches of the Yangtze River, White Lily was born. She had a happy childhood, running and playing, until, at the age of four, she was forced to undergo the painful procedure of foot binding required for all females of her social class. But White Lily has her heart set on more than a traditional role in society, and she enlists the support of her beloved elder brother. Together they devise a plan to defy tradition and convince their father that White Lily’s feet and mind must be allowed to grow.
This book is for climbers of all ages, abilities, and interests who wish to improve their performance. Climbing: Training for Peak Performance carefully details the foundation and fundamentals of nutrition for mind and body, flexibility training, aerobic, and strength conditioning, and how to put it all together to help you perform better.
Winner, 2023 Choice Outstanding Academic Title Our relationship with things abounds with paradoxes. People assign value to objects in ways that are often deeply personal or idiosyncratic yet at the same time rooted in specific cultural and historical contexts. How do things become meaningful? How do our connections with the world of things define us? In Ming and Qing China, inquiry into things and their contradictions flourished, and its depth and complexity belie the notion that material culture simply reflects status anxiety or class conflict. Wai-yee Li traces notions of the pleasures and dangers of things in the literature and thought of late imperial China. She explores how aesthetic claims and political power intersect, probes the objective and subjective dimensions of value, and questions what determines authenticity and aesthetic appeal. Li considers core oppositions—people and things, elegance and vulgarity, real and fake, lost and found—to tease out the ambiguities of material culture. With examples spanning the late sixteenth to the mid-eighteenth centuries, she shows how relations with things can both encode and resist social change, political crisis, and personal loss. The Promise and Peril of Things reconsiders major works such as The Plum in the Golden Vase, The Story of the Stone, Li Yu’s writings, and Wu Weiye’s poetry and drama, as well as a host of less familiar texts. It offers new insights into Ming and Qing literary and aesthetic sensibilities, as well as the intersections of material culture with literature, intellectual history, and art history.
Albert Hoffstädt, a classicist by training and polylingual humanist by disposition, has for 25 years been the editor chiefly responsible for the development and acquisition of manuscripts in Asian Studies for Brill. During that time he has shepherded over 700 books into print and has distinguished himself as a figure of exceptional discernment and insight in academic publishing. He has also become a personal friend to many of his authors. A subset of these authors here offers to him in tribute and gratitude 22 essays on various topics in Asian Studies. These include studies on premodern Chinese, Indian, Japanese, and Korean literature, history, and religion, extending also into the modern and contemporary periods. They display the broad range of Mr. Hoffstädt's interests while presenting some of the most outstanding scholarship in Asian Studies today.
What if you could reverse disease – or learn how to avert it before its onset? What if, instead of aging, you could feel younger, stronger, and happier with each passing year? What if you could maintain your health for your entire life? What if all the secrets to health and longevity were on the soles of your feet? The wisdom in this book has been passed down from master to student for thousands of years, but now you too can benefit from the powerful Eastern practice of Chinese reflexology. This ancient therapeutic art of foot massage offers you a way to harness Universal Qi, a limitless source of healing energy, and restore yourself to balance, harmony, and health. Holistic healer and reflexologist Holly Tse brings new light to this millennia-old practice and reveals the curative power of Chinese reflexology in a friendly and contemporary way. Using clear illustrations and delightful step-by-step instructions, she’ll embolden you to use this extraordinary process and take you on a journey through the three catalysts to incredible healing that encompass mind, body, and soul: shifting the mind, healing with energy, and following your heart and soul. Sole Guidance is a fun, vibrant, and easy-to-understand guide to complete self-transformation from the inside out. Learn how to hear your inner guidance, connect with your "Dragon Spirit," discover what your body needs to heal and thrive, and revolutionize your life – simply by massaging your feet!
The Unbelievable True Story of a Vietnamese Refugee Who Not Only Made the United States Her Home, But Learned the True Value of Hope, Love, and Religion Along the Way The soles of Nhi Aronheim's feet still bear the scars of her escape from Vietnam—trudging through the jungles of Cambodia as a twelve-year-old with a group of strangers seeking the land of opportunity: America. Her quest for survival through the Cambodian jungle eventually led her to a boat that took her to Thailand and an orphanage where Nhi lived for two years until she qualified for refugee status in the United States. Years later, she returned to Vietnam with a film producer to reunite with the family she never thought she’d see again. A second trip to Vietnam brought her two mothers, birth and adopted, face to face. Yet Soles of a Survivor isn’t just another inspirational survival story. It’s about the lessons Nhi learned about humanity, diversity, and unconditional love since arriving in the United States. She now has a deeper appreciation for the parallels between the Jewish and Vietnamese cultures, and others. After she met her Jewish beau, they got married. She eventually converted to Judaism, though the process was challenging for an Asian woman adopted into a Christian household. Her story shows it matters less what religion we’re part of, as long as we radiate goodness to those we meet. Now she relishes being a Vietnamese Jew. Having come full circle from prosperity to poverty and back, Nhi hopes to encourage others to believe that in spite of overwhelming odds, all things are possible if one has an intense desire, focused energy, and the audacity to grasp presented opportunities.
Li Yu, 1610-1680, was a brilliant comic writer and entertainer, a thoroughgoing professional whose life was in his work-plays, stories, a novel, criticism, essays, and poems. Patrick Hanan places him in the society of his day, where even his precarious livelihood, his constant search for patronage, did not dampen his versatility, his irreverent wit, or his jocund spirit. Li was also an epicure, an inventor, a pundit, and a designer of houses and gardens. He was an exceptional figure in Chinese culture for two reasons: his disregard of the authority of tradition, and his dedication to the cause of comedy. Hanan uses the term "invention" in his title in several ways: Li Yu's invention of himself, his public image-his originality and inventiveness in a multitude of fields and the literary products of his inventiveness. With expert and entertaining translations Hanan explores the key features of Li Yu's work, summarizing, describing, and quoting extensively to convey Li's virtuosity, his unconventionality, his irreverence, his ribaldry. This is a splendid introduction to the art and persona of a Chinese master of style and ingenuity.
Millions of people have read, discussed, debated, cried, and cheered with Little Bee, a Nigerian refugee girl whose violent and courageous journey​ puts a stunning face on the worldwide refugee crisis​. “Little Bee will blow you away.” —The Washington Post The lives of a sixteen-year-old Nigerian orphan and a well-off British woman collide in this page-turning #1 New York Times bestseller, book club favorite, and “affecting story of human triumph” (The New York Times Book Review) from Chris Cleave, author of Gold and Everyone Brave Is Forgiven. We don’t want to tell you too much about this book. It is a truly special story and we don’t want to spoil it. Nevertheless, you need to know something, so we will just say this: It is extremely funny, but the African beach scene is horrific. The story starts there, but the book doesn’t. And it’s what happens afterward that is most important. Once you have read it, you’ll want to tell everyone about it. When you do, please don’t tell them what happens either. The magic is in how it unfolds.
In The Killing Wind, Tan recounts how over the course of 66 days in 1967, over 9,000 Chinese "class enemies" were massacred in the Daoxian.