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"Storytelling at its finest...beguiling!" -- Kirkus Reviews (starred) on The Drifter's Wheel Fever Devilin is killed by an intruder. He doesn't stay dead - thanks to an emergency medical team - but he does slip into a months-long coma. When he comes out of it, there are two things he now knows: that he's been dreaming about the legendary Paris 20's café scene and that his would-be killer was after a blue tin box, containing a photo of what Fever believes to be an angel. As Fever struggles to recover, out there is a would-be killer who must be found while there's still time.
Popular culture has reimagined death as entertainment and monsters as heroes, reflecting a profound contempt for the human race
Welcome back for thirteen more tales of terror! Be prepared for another venture into horror, with 13 spine-tingling tales by some of the best writers in the business. From killer clowns to hungry werewolves, supernatural entities, a haunted house sci-fi procedural and someone who has a hidden secret, to bloody horror, dark comedy and nail-biting frights, there is bound to be something in here to chill you to the bone. Thirteen Vol. 3 is the last to feature the clown for a while, but don't worry - it will be back to wreck bloody vengeance in a new trilogy soon. Compiled by Kevin Hall, who has written Klown III, The Haunted Cellar, The Bone Pit and The Puppet Maker, it also features top writers and stories by Alex Winck, Rob Shepherd, Robert Rumery, Lori Safranek, Samie Sands, Katie Jaarsveld, CL Raven, Michael Carroll and Jack Strange. Be Prepared To Be Scared - Again!
What is a nightmare as a psychological experience, a literary experiment and a cultural project? Why has experiencing a nightmare under the guise of reading a novel, watching a film or playing a video game become a persistent requirement of contemporary mass culture? By answering these questions, which have not been addressed by literary criticism and cultural studies, we can interpret anew the texts of classic authors. Charles Maturin, Nikolai Gogol, Fyodor Dostoevsky, Thomas Mann, Howard Philips Lovecraft and Victor Pelevin carry out bold experiments on their heroes and readers as they seek to investigate the nature of nightmare in their works. This book examines their prose to reveal the unstudied features of the nightmare as a mental state and traces the mosaic of coincidences leading from literary experiments to today’s culture of nightmare consumption.
"All-new, original stories based on Night of the Living Dead"--Cover.
Words / Dreams on the menu in this volume: a treasure's whereabouts depicted in a manga, a destiny controlled by the roll of the die, a nursery rhyme that is more than just words, a neighbor whose walls keep crashing in, a dog being tormented, a girl who isn't sure of her true self, and a haunting photo that isn't what it seems.
Robert Romanyshyn's latest book shows how the development of linear perspective vision has altered our relationship with the world and led to our increasing alienation.
This book builds a new vision of the development of Russian revolutionary culture, bringing together fiction, criticism, utopian projects, manifestos, performance and film theory, religious philosophy, and the imaginary space of communism centered around the Mummy of Lenin. Revolution and modernization are two main issues of the book. The author argues that in Modernism the work of art was conceived as a miniature of the world to come; thus, art was meant to make projects, not master-pieces. He analyzes the genre of the manifesto as a special rhetorical device of modernist discourse and shows how projects of biological and social engineering elaborate a vision of a future human type apt to exist under unprecedented conditions. Red Square, Black Square traces the process of totalitarian reduction of the modernist impulse into a rigid party doctrine. It follows the turbulent development of Russian Modernism through its categorical arrest under the official doctrine of "socialist realism." Moscow's Red Square is examined as a primal communist space that manifests the symbolism of power. Viewing communism as an aesthetically, not economically, motivated society, the book enacts "political aesthetics" as a discipline that provides the fundamental tool for an adequate and thorough understanding of communism. Todorov concludes by discussing the rise of nationalism in Eastern Europe as a post-communist condition, and the new mission of the intellectuals.
To become a demon for love, to be a soul for love. People say, ghosts have their own path, you must not let them go.
This collection features a series of short stories penned over the years. They draw inspiration from my formative years immersed in eerie television shows movies, comic books, and British satire. Some aim to deliver that spine-tingling twist at the finale, while others offer contemplative reflections on life. Despite their diverse styles and tones, they coalesce into a tapestry of nightmares and dreams, awaiting interpretation during your waking hours. I divided the collection into two parts, nightmares and dreams. Like my novels, the stories border on the surreal. As my short stories later led to writing novels, they may have in common a character's name, dream sequences, and painting/creativity coming to life.