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Between the middle of the eighth century and the late ninth century in western Europe, the course of legal history was shaped by interaction with religious ideas, especially with regard to the meaning of confession, suffering, and the balance of protections for an accused individual and the welfare of the community. This book traces those themes through a selection of Carolingian texts, such as archbishop Hincmar's legal analysis of a royal divorce, the decrees of church councils, the biography of a Saxon holy woman, anti-Judaic treatises, and Hrotswitha's dramatisation of the legend of Thaïs, in order to make audible the lively debates over the boundaries of clerical and lay authority, the nature and extent of permissible intervention in the spiritual condition of the empire's inhabitants, and distinctions between the private and public domains. This work thus reveals the profound relation between law and penitential ideologies promoted by the Carolingian imperial court.
Between the middle of the eighth century and the late ninth century in western Europe, the course of legal history was shaped by interaction with religious ideas, especially with regard to the meaning of confession, suffering, and the balance of protections for an accused individual and the welfare of the community. This book traces those themes through a selection of Carolingian texts, such as archbishop Hincmar's legal analysis of a royal divorce, the decrees of church councils, the biography of a Saxon holy woman, anti-Judaic treatises, and Hrotswitha's dramatisation of the legend of Thaïs, in order to make audible the lively debates over the boundaries of clerical and lay authority, the nature and extent of permissible intervention in the spiritual condition of the empire's inhabitants, and distinctions between the private and public domains. This work thus reveals the profound relation between law and penitential ideologies promoted by the Carolingian imperial court.
Heresy and Dissent in the Carolingian Empire recounts the history of an exceptional ninth-century religious outlaw, Gottschalk of Orbais. Frankish Christianity required obedience to ecclesiastical superiors, voluntary participation in reform, and the belief that salvation was possible for all baptized believers. Yet Gottschalk-a mere priest-developed a controversial, Augustinian-based theology of predestination, claiming that only divine election through grace enabled eternal life. Gottschalk preached to Christians within the Frankish empire-including bishops-and non-Christians beyond its borders, scandalously demanding they confess his doctrine or be revealed as wicked reprobates. Even after his condemnations for heresy in the late 840s, Gottschalk continued his activities from prison thanks to monks who smuggled his pamphlets to a subterranean community of supporters. This study reconstructs the career of the Carolingian Empire's foremost religious dissenter in order to imagine that empire from the perspective of someone who worked to subvert its most fundamental beliefs. Examining the surviving evidence (including his own writings), Matthew Gillis analyzes Gottschalk's literary and spiritual self-representations, his modes of argument, his prophetic claims to martyrdom and miraculous powers, and his shocking defiance to bishops as strategies for influencing contemporaries in changing political circumstances. In the larger history of medieval heresy and dissent, Gottschalk's case reveals how the Carolingian Empire preserved order within the church through coercive reform. The hierarchy compelled Christians to accept correction of perceived sins and errors, while punishing as sources of spiritual corruption those rare dissenters who resisted its authority.
In Order in the Court, Brasington translates and comments upon the earliest medieval treatises on ecclesiastical legal procedure. Beginning with the eleventh-century “Marturi Case,” the first citation of the Digest in court since late antiquity and the jurist Bulgarus’ letter to Haimeric, the papal chancellor, we witness the evolution of Roman-law procedure in Italy. The study then focusses on Anglo-Norman works, all from the second half of the twelfth century. The De edendo, the Practica legum of Bishop William of Longchamp, and the Ordo Bambergensis blend Roman and canon law to guide the judge, advocate, and litigant in court. These reveal the study and practice of the learned law during the turbulent “Age of Becket” and its aftermath.
A new interpretation of Charlemagne, examining how the Frankish king and his men learned to govern the first European empire.
Reflecting the focus but also range of their honorand's work in medieval canon law in the era before Gratian, the essays in this volume explore the creation and transmission of canonical texts and the motives of their compilers but also address the issues of how the law was interpreted and used by diverse audiences in the earlier middle ages, with especial focus on the eleventh and early twelfth centuries. These issues have lain at the heart of Linda Fowler-Magerl's distinguished body of scholarly work on judicial ordines and procedural literature, on the transmission of canonical texts and their formal sources before Gratian, and perhaps most especially her pioneering role in the creation of a database of canon law manuscripts before Gratian now published as Clavis canonum. Linda Fowler-Magerl's work has fundamentally transformed our understanding of canonistic activity in the era before Gratian and its reception across the Church throughout Europe. Individually the scholars whose studies are included in this volume offer new viewpoints on several key issues and questions relating to the creation of canonical texts, the concerns of their compilers and the transmission of their work, as well as the use of such texts by readers with the most various interests in the period. As a whole, the volume contributes to an understanding of the increasing importance of the written law for a far wider circle than Roman reformers and local advocates. These issues are especially highlighted by the editors' introduction.
This book offers a fascinating exploration of the concept of the apocalypse in early medieval Europe. Calling upon a wealth of archival evidence ranging from the late antiquity to the first millennium, it surveys the role of religious ideas and apocalyptic thought in shaping medieval society in Western Europe.
Religious Horror and Holy War in Viking Age Francia explores how authorities in western Francia used horror rhetoric to cast Christian soldiers, who robbed the poor and the church, as monsters that devoured human flesh and drank human blood. Adapting modern literary horror approaches to medieval sources, this study reveals how such rhetoric served as a form of spiritual weaponry in the clergy's attempts to correct and condemn wayward military men. This investigation, therefore, unearths long-forgotten Carolingian thought about the dreadful spiritual reality of internal enemies during a time of political division and the Northmens depredations. Yet such horror also informed a new understanding of Christian heroism that developed in relation to the wars fought against the invaders. This vision of heroic soldiers, which included military martyrs, culminated in ideas about holy war against the pagans. Thus Carolingian religious horror and holy war together belonged to a body of ideas about the spiritual, unseen side of the church's cosmic conflict against evil that foreshadowed later medieval Crusading thought.
In This Modern Age: Medieval Studies in Honor of Paul Edward Dutton is a collection of fourteen essays by scholars of the Carolingian era specializing in history, art history, and literature. The volume is divided into five sections, which treat early medieval Latin literary and historiographical culture, images and objects, interpretations of natural phenomena, and the subject of nostalgia. Reflecting Dutton's pathbreaking work, the contributions all evince the great impact of his teaching and erudition over the past thirty years since the publication of his seminal books Carolingian Civilization: A Reader (1993), The Politics of Dreaming in the Carolingian Empire (1994), The Poetry and Paintings of the First Bible of Charles the Bald (with Herbert L. Kessler) (1997), Charlemagne's Courtier: The Complete Einhard (1998), Charlemagne's Mustache: And Other Cultural Clusters of a Dark Age (2004), together with his many influential articles. This body of highly distinctive, stimulating, and evocative scholarship has fundamentally transformed Carolingian studies, inspiring younger scholars to enter the field and encouraging established scholars to develop it in new directions. The essays in this volume individually pay tribute to Dutton in their illumination of diverse aspects of Carolingian intellectual, textual, and visual culture, with its famously idiosyncratic revival of Christian-Roman learning, aesthetics, and ideas. Gathered together, they offer an expression of gratitude for the risks that he took and the generosity that he has always shown.
Charles I, often known as Charlemagne, is one of the most extraordinary figures ever to rule an empire. Driven by unremitting physical energy and intellectual curiosity, he was a man of many parts, a warlord and conqueror, a judge who promised 'for each their law and justice', a defender of the Latin Church, a man of flesh-and-blood. In the twelve centuries since his death, warfare, accident, vermin, and the elements have destroyed much of the writing on his rule, but a remarkable amount has survived. Janet Nelson's wonderful new book brings together everything we know about Charles, sifting through the available evidence, literary and material, to paint a vivid portrait of the man and his motives. Charles's legacy lies in his deeds and their continuing resonance, as he shaped counties, countries, and continents, founded and rebuilt towns and monasteries, and consciously set himself up not just as King of the Franks, but as the head of the renewed Roman Empire. His successors--in some ways even up to the present day--have struggled to interpret, misinterpret, copy, or subvert his legacy.