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A history of English drama during the period of the Great Rebellion (1642--1660).
Originally published in 1919, this scholarly work examines the theatrical landscape of 17th century England. Drawing on primary sources and extensive research, Rollins offers a comprehensive overview of the political and cultural context of the era, as well as a detailed analysis of key plays and playwrights. A must-read for anyone interested in the history of English literature and drama. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Heidi Craig demonstrates how dramatic and theatrical activity paradoxically thrived during the English theatre closures, 1642-1660.
Excerpt from A Contribution to the History of the English Commonwealth Drama Active resistance, too, to the ordinance soon developed. At the Fortune theatre no pretence was made of obeying the law: plays were given there often, and complaints of the performances were made to the Parliament. Sir Henry Mildmay 28 records in his diary seeing plays performed on August 20 and November 16, 1643, the latter performance being interrupted by soldiers. On October 2, 1643, the persistent players at the Fortune were interrupted in the midst of their play by a body of soldiers and violently despoiled of their costumes. The picturesque story as given by the Weekly Account (october 4, runs thus. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Allardyce Nicoll's History of English Drama, 1660-1900 was an immense scholarly achievement and the work of one man. Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'. The History is reissued in seven paperback volumes, available separately and as a set. In volumes 1-5 Nicoll describes the conditions of the stage, actors and managers as well as dramatic genres. The sixth and seventh volumes offer a comprehensive list of all the plays known to have been produced or printed in England between 1660 and 1930, with their authors and alternative titles; it has thus independent value as well as providing an index to the earlier volumes.
The first study to systematically trace the impact of theatre on the emerging public of the early modern period.
Argues that the Exclusion Crisis of 1678-82 should be considered the watershed moment in Shakespeare's authorial afterlife.