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Located on the fringes of Paris, Montmartre attracted artists such as Toulouse-Lautrec, Picasso, Steinlen, and Jules Chéret. By the beginning of the twentieth century, the artists in the quarter began to create works blurring the boundaries between fine art and popular illustration, the artist and the audience, as well as class and gender distinctions. The creative expression that ensued was an exuberant mix of high and low-a breeding ground for what is today termed popular culture. The carefully interlocked essays in Montmartre and the Making of Mass Culture demonstrate how and why this quarter was at the forefront of such innovation. The contributors bring an unprecedented range of approaches to the topic, from political and religious history to art historical investigations and literary analysis of texts. This project is the first of its kind to examine fully Montmartre's many contributions to the creation of a mass culture that reigned supreme in the twentieth century.
With Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.
It was our version of a Hollywood epic, shot in black and white over a ten year period, with no script and a cast of thousands who had to make it up as they went along. Tommy Steele, Cliff Richard, Lonnie Donegan, Terry Dene, Marty Wilde, Mickie Most, Lionel Bart, Tony Sheridan, Billy Fury, Joe Brown, Wee Willie Harris, Adam Faith, John Barry, Larry Page, Vince Eager, Johnny Gentle, Jim Dale, Duffy Power, Dickie Pride, Georgie Fame and Johnny Kidd were just a few of those hoping to see their name in lights. From the widescreen perspective of one who watched the story unfold, Pete Frame traces the emergence of rock music in Britain, from the first stirrings of skiffle in suburban pubs and jazz clubs, through the primitive experimentation of teenage revolutionaries in the coffee bars of Soho, to the moulding and marketing of the first generation of television idols, and the eventual breakthrough of such global stars as the Beatles and the Rolling Stones. Castic and irreverent, but authoritative and honest, this is the definitive story.
Jason Wood is Director of Heritage Consultancy Services, Lancaster, UK, and former Professor of Cultural Heritage at Leeds Metropolitan University, UK.
This, the third volume to appear in the New Oxford History of England, covers the period from the repeal of the Corn Laws to the dramatic failure of Gladstone's first Home Rule Bill. In his magisterial study of the mid-Victorian generation, Theodore Hoppen identifies three defining themes. The first he calls `established industrialism' - the growing acceptance that factory life and manufacturing had come to stay. It was during these four decades that the balance of employment shifted irrevocably. For the first time in history, more people were employed in industry than worked on the land. The second concerns the `multiple national identities' of the constituent parts of the United Kingdom. Dr Hoppen's study of the histories of Ireland, Scotland, Wales, and the Empire reveals the existence of a variety of particular and overlapping national traditions flourishing alongside the increasingly influential structure of the unitary state. The third defining theme is that of `interlocking spheres' which the author uses to illuminate the formation of public culture in the period. This, he argues, was generated not by a series of influences operating independently from each other, but by a variety of intermeshed political, economic, scientific, literary and artistic developments. This original and authoritative book will define these pivotal forty years in British history for the next generation.
Combining classical Marxism, psychoanalysis, and the new labor history pioneered by E. P. Thompson and Herbert Gutman, David Roediger’s widely acclaimed book provides an original study of the formative years of working-class racism in the United States. This, he argues, cannot be explained simply with reference to economic advantage; rather, white working-class racism is underpinned by a complex series of psychological and ideological mechanisms that reinforce racial stereotypes, and thus help to forge the identities of white workers in opposition to Blacks.
A study of American militia and the National Guard traces the history of such regiments from the Revolutionary War to the present.