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Featuring stories to set the mind on fire, this 1994 World Fantasy Award-winning collection includes such tales as "In the Fullness of Time, " "Top of the Charts, " "The Chaff He Will Burn, " "Music of the Spheres, " "The Summer We Saw Diana, " and the title piece.
With all the zany vibrancy of a Bollywood musical, the colorful matchbox labels of LIGHT OF INDIA present a fascinating confluence of popular culture and a sophisticated graphic arts tradition that stretches back for centuries. Populated with pouncing Bengal tigers, regal jungle elephants, and Hindu gods and goddesses, these miniature masterpieces are worlds unto themselves, skillfully illustrated with a naive yet irresistible charm. This delightful art book is sure to fire the imagination of all who wish to study, preserve, and celebrate India's more humble, but no less brilliant, visual arts heritage. A dazzling collection of more than 300 vintage matchbox labels from India, dating from the turn of the century through the 1950s. Includes a discussion of Hindu iconography, recurring visual themes and symbols, and the cultural and historical significance of matchbox art. A great resource for graphic artists and designers, collectors of paper ephemera or advertising art, and students of Indian culture. Gift edition slipcase includes a textured novelty "striker strip" along the spine.
Highlighting this collection is an ingenious new episode in the saga of Jimmy Blackburn, the eponymous serial killer of Denton's third novel. "Blackburn Bakes Cookies" might best be called the icing on the cake that is Blackburn's story, and it is appropriately delectable. Other highlights of this collection include: "The Territory," a "what if?" story revisiting Kansas in the days of the Civil War and imagining, in one small way, how things might have gone a bit differently; "We Love Lydia Love," a science-fictional examination of the ways in which modern obsessions with celebrity and stardom can change us...and the ways in which we'll never change; and "The Calvin Coolidge Home for Dead Comedians," a moving and funny trip to the afterlife, where all great comics go when they die. In assembling these stories, Bradley Denton discovered that all of them are concerned with some aspect of death. It's true. And yet (as they say), in death there is life: these eight tales brim with such vitality and joie de vivre that readers will find themselves enjoying the work of this fantastic storyteller again and again.
'Childsplay' offers a description of Kaprow's 'Happenings' and other art activities, clarifying their materiality, duration and setting, as well as the ways that people participated in them, and shows that Kaprow's art forms were physically present, socially engaged, and intellectually resonant in the moment of enactment.
Metaphor, which allows us to talk about things by comparing them to other things, is one of the most ubiquitous and adaptable features of language and thought. It allows us to clarify meaning, yet also evaluate and transform the ways we think, create and act. While we are alert to metaphor in spoken or written texts, it has, within the visual arts, been critically overlooked. Taking into consideration how metaphors are inventively embodied in the formal, technical, and stylistic aspects of visual artworks, Mark Staff Brandl shows how extensively artists rely on creative metaphor within their work. Exploring the work of a broad variety of artists – including Dawoud Bey, Dan Ramirez, Gaëlle Villedary, Raoul Deal, Sonya Clark, Titus Kaphar, Charles Boetschi, and more– he argues that metaphors are the foundation of visual thought, are chiefly determined by bodily and environmental experiences, and are embodied in artistic form. Visual artistic creation is philosophical thought. By grounding these arguments in the work of philosophers and cultural theorists, including Noël Carroll, Hans Georg Gadamer, and George Lakoff, Brandl shows how important metaphor is to understanding contemporary art. A Philosophy of Visual Metaphor in Contemporary Art takes a neglected feature of the visual arts and shows us what a vital role it plays within them. Bridging theory and practice, and drawing upon a capacious array of examples, this book is essential reading for art historians and practitioners, as well as analytic philosophers working in aesthetics and meaning.