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A Confession was written in the last decade of the 19th century and was mainly a treatise on the meaning of life. Tolstoy had by this point had a religious awakening and had wrestled for decades with the purpose of his life on Earth. Tolstoy had questioned his faith when still an adolescent. He had been raising, like the majority of Russians, in the official established church of the country – the Russian Orthodox Church. The trappings of religion, such as genuflecting, meant nothing to him and he formed the opinion that often people who proclaimed to be good religious folk were often inferior morally to those who were agnostic or atheist in their beliefs. This annotated edition includes a biography and critical essay.
A Confession was written in the last decade of the 19th century and was mainly a treatise on the meaning of life. Tolstoy had by this point had a religious awakening and had wrestled for decades with the purpose of his life on Earth. Tolstoy had questioned his faith when still an adolescent. He had been raising, like the majority of Russians, in the official established church of the country - the Russian Orthodox Church. The trappings of religion, such as genuflecting, meant nothing to him and he formed the opinion that often people who proclaimed to be good religious folk were often inferior morally to those who were agnostic or atheist in their beliefs. This annotated edition includes a biography and critical essay.
The works of Fyodor Dostoyevsky are collected in this huge anthology of novels, stories, and novella's. This anthology also includes a short biography about Dostoyevsky, and essays about each of his major works. Works include: Bobok The Brothers Karamazov The Christmas Tree and the Wedding Crime and Punishment The Crocodile The Double The Dream of the Ridiculous Man The Gambler A Gentle Spirit The Grand Inquisitor The Idiot The Little Orphan Notes from the Underground Poor Folk The Possessed The Thief
A stunning insight into the mind of a proficient thinker and his craving for real faith and satisfaction. "A Confession" is Tolstoy's inner voyage during which he shares his personal attainments, crisis and his search for peace and relation with God. This self-seeking journey leads him to take refuge in religion. Inspirational and thought-provoking!
The idiot of the title is the protagonist of the novel, Prince Myshkin. He is a simple, honest man who has not had the benefit of education or a high level of intelligence, but his character is good and he lives by Christian values. At the beginning of the novel Myshkin is returning to St. Petersburg from Switzerland, where he has been under medical treatment for epilepsy. On the train home he meets two people who will play a part in his life. The first of this two is Parfyon Rogozhin, a young man of questionable character. The second person is Lebedev, a government official. When Myshkin arrives in St. Petersburg he moves out into society and meets Nastasya Fillipnova, who Rogozhin is obsessed with. Myshkin is considered an idiot by the St. Petersburg society because he is inarticulate and often stammers when he tries to talk to people.
Notes from Underground (also translated in English as Notes from the Underground or Letters from the Underworld, though "Notes from Underground" is the most literal translation) is an 1864 short novel by Fyodor Dostoyevsky. The Notes is considered by many to be the first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?.
St. Augustine’s Confessions is one of the most important works in the history of literature and Christian thought. Written around 397, when Augustine was the Christian bishop of Hippo (in modern-day Algeria), the Confessions were designed both to spiritually educate those who already shared Augustine’s faith, and to convert those who did not. Augustine did this through the original maneuver of writing what is now recognized as being the first Western autobiography – letting readers share in his own experiences of youth, sin, and eventual conversion. The Confessions are a perfect example of using reasoning to subtly bring readers around to a particular point of view – with Augustine inviting them to accompany him on his own spiritual journey towards God so they could make their own conversion. Carefully structured, the Confessions run from describing the first 43 years of Augustine’s life in North Africa and Italy, to discussing the nature of memory, before moving on to analyzing the Bible itself. In order, the sections form a carefully structured argument, moving from the personal to the philosophical to the contemplative. In the hundreds of years since they were first published, they have persuaded hundreds of thousands of readers to recognize towards the same God that Augustine himself worshipped.
Compelling Confessions: The Politics of Personal Disclosure is a collection of essays whose shared purpose is to offer an accessible interdisciplinary exploration of the social dynamics behind confessional discourse. As various contributors to this collection demonstrate, confession is ubiquitous in contemporary culture, not only within psychological or therapeutic frameworks or literary analysis, but also in internet discussion groups, in the criminal justice system, in political rhetoric, in so-called 'reality' and interview-style television programming, in writing pedagogy and, increasingly, in the testimonial strain observable in contemporary scholarship. Yet, 'telling one's story' raises questions, not only about authorial intent or authenticity, but also about the pressures disclosure can impose upon its audiences. Far less ubiquitous than confessions themselves, as these contributors suggest, are the critical tools that general audiences might employ in order to better evaluate the rhetoric of personal disclosure. It is, in fact, the shortage of such tools – responses and procedures that could be stated plainly and implemented by any reader or viewer – that Compelling Confessions sets out to address.
The Confessions of Saint Augustine is considered one of the greatest Christian classics of all time. It is an extended poetic, passionate, intimate prayer that Augustine wrote as an autobiography sometime after his conversion, to confess his sins and proclaim God's goodness. Just as his first hearers were captivated by his powerful conversion story, so also have many millions been over the following sixteen centuries. His experience of God speaks to us across time with little need of transpositions. This acclaimed new translation by Sister Maria Boulding, O.S.B., masterfully captures his experience, and is written in an elegant and flowing style. Her beautiful contemporary translation of the ancient Confessions makes the classic work more accessible to modern readers. Her translation combines the linguistic accuracy demanded by 4th-century Latin with the poetic power aimed at by Augustine, not as discernable in previous translations.
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