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Thomas Middleton is one of the few playwrights in English whose range and brilliance comes close to Shakespeare's. This handsome edition makes all Middleton's work accessible in a single volume, for the first time. It will generate excitement and controversy among all readers of Shakespeare and the English classics.
God Gave You Emotions on Purpose! Our emotions play a vital role in living happy, healthy, successful lives. All emotions, from love and joy to anger and fear, have an important part to play in understanding ourselves and others. They help us discover the wonders of this life as well as warn us when we are in danger. But this diversity of feelings is meant to complement our life, not determine it! In this life-transforming book, Joyce Meyer reveals powerful truths from God's Word that will help you learn to manage all of your emotions in the right direction. Through hilarious illustrations and real-life applications, Joyce delivers the keys to keeping your emotions in the proper place while allowing the Spirit of God to lead and direct you. Dynamic scriptural insights are included on topics such as: * How not to be led by feelings * Codependency * Forgiveness * Mood swings * Healing for damaged emotions * Depression * And much more! Don't allow your feelings to determine your destiny! Instead, manage your emotions to complement and enhance your attitude for a joyful, victorious life!
In connection with the Los Angeles opening of the exhibition The Amasis Painter and His World, a colloquium and symposium were held at the Getty Museum between February 28 and March 2, 1986. An international panel of scholars presented papers on various aspects of Greek vase-painting; these papers are collected as fully annotated essays in the companion volume to the exhibition catalogue. They include an essay by Dietrich von Bothmer concerning the connoisseurship of Greek vases, as well as one by Martin Robertson on the status of Attic vase-painting in the mid-sixth century; John Boardman’s discussion of Amasis and the implications of his name; Walter Burkert’s presentation on Homer in the second half of the sixth century; and a paper by Albert Henrichs on representations of Dionysos in sixth-century Attic vase-painting.